Partiture

Originalno

Salve radix. Anonymous. A cappella. Sacred , Motet. Language. Latin. ATTB.

Prevod

Hi radix. Anonymous. Cappella. Sveto, Motet. Jezik. Latin. ATTB.

Originalno

This unique piece consists of a two-in-one canon at the upper fourth, and both canonic parts are notated. on a circular stave, on facing pages of the source, which each surround the image of a rose, representative of. the House of Tudor. as perhaps is the enigmatic text of the piece. The visual element of the each circle is more. than purely decorative. the piece is laid out as follows, in a palindromic form. Bars and. sections. 1-8. , 9-27. , 28-32. , 33-49. B'. and 50-63. A'. At two separate points does the music force itself down a semitone through the necessity to add musica ficta. successively in the form of flats. this treatment is, unlike the usual implications of musica ficta, mandatory for. the integrity of the harmony of this piece, and not merely supplementary or cadentially decorative. this has here. been indicated editorially through the use of modern key signatures. not present in the source. which represent a. writing out of the musica ficta required by each of the two successive 'pitch spirals', which necessitates the use of a. practically inadmissable B double-flat in the key signatures of the. Superius. Alto. and the. Tenor. Tenor II. an extra flat is necessary for these parts if they are to be identical transpositions of their respective canonic sources. Royal 11 E. xi is the sole source for this work. the spiral pages are the first musical items of the set. , and is yet anonymous. a possible ascription might be to Petrus de Opiciis, perhaps the originator or commissioner of the work. there is an. inscription on the first, otherwise blank page of the manuscript which reads, "Me fieri ac componi fecit PO 1516". P. O. caused me to be made and assembled, 1516. , perhaps Petrus himself. , and whose son Benedictus de Opiciis'. motet Sub tuum praesidium is contained elsewhere in the manuscript.

Prevod

Ta edinstven kos je sestavljen iz dva-v-enem canon na zgornji četrti in tako kanonične deli so notated. na krožno notnem črtovju, s katerimi se soočajo na strani vira, ki je vsak obkrožajo podobo vrtnice, predstavnik. House of Tudor. saj morda je enigmatična besedilo kosa. Vizualni element vsakega kroga je bolj. kot zgolj dekorativna. kos je določeno, kot sledi, v palindromno obliki. Bari in. oddelki. 1-8. , 27/09. , 28-32. , 33-49. B '. in 50-63. A'. Na dveh ločenih točkah ne sama glasba navzdol tona silo skozi nujnosti za dodajanje musica ficta. zaporedno v obliki stanovanj. Ta obravnava je, za razliko od običajnih posledic musica ficta, obvezni za. celovitost harmoniji tega dela, in ne zgolj dopolnilna ali cadentially dekorativni. To je tukaj. je redakcijsko navedeno z uporabo sodobnih ključnih podpisov. ni prisotna v viru. ki predstavljajo. pisanje iz musica ficta vsaka od dveh zaporednih "naklonom spirale" zahteva, ki zahteva uporabo. praktično nedopustne B dvojno ravno v ključnih podpisi. Superius. Visoko. in. Tenor. Tenor II. extra flat je potrebno za te dele, če naj bodo enaki svoj prenos njihovih kanonične virov. Royal 11 E. xi je edini vir za to delo. Spiralni strani so prvi glasbeni izdelki iz niza. In še neznan. Pripisovanje mogoče bi lahko bila Petrus de Opiciis, morda originator ali komisarja dela. je. Napis na prvem, sicer prazno stran rokopisa, ki se glasi: "Me fieri ac componi fecit PO 1516«. P. O. povzročil mi je, da so in sestavljeni, 1516. Morda sam Petrus. In čigar sin Benedictus de Opiciis ". motet Sub tuum Prezidij je vsebovana drugje v rokopisu.