Partiture

Originalno

Miserere nostri. Thomas Tallis. A cappella. Sacred , Motet. Language. Latin.

Prevod

Miserere naše. Thomas Tallis. Cappella. Sveto, Motet. Jezik. Latin.

Originalno

Miserere nostri is an astoundingly ingenious canon. Most obvious is the canon between the two top voices. mentioned at the foot of page 1. , which sing the same line throughout but half a bar apart. Meanwhile, however, a different and less audible canon is in progress between four of the five lower voices. all start singing the same melody at the same time but at four different speeds, two of them in inversion. By bar 6, the Second Bass has already sung the whole of the part assigned to the slowest singer, the First Bass. Amazingly, this fiendish process not only works but produces convincing harmonies which sound as if they are the very raison d’être of this understandably short piece. To enjoy them to the maximum, the music should be taken fairly slowly, so as not to skate over the passing dissonances. from the score of CPDL #6605. Original key. F major. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.

Prevod

Miserere nostri je presenetljivo duhovit canon. Najbolj očitna je canon med obema najboljših glasov. omenil ob vznožju stran 1. , Ki pojejo isto linijo ves ampak pol bar narazen. Medtem pa je drugačna in manj slišen canon je v teku med štiri od petih nižjih glasove. vse Zapjevati isto melodijo hkrati, vendar v štirih različnih hitrostih, dva od njih inverzije. S barom 6, je drugi Bass že peli celoten del dodeljeno najpočasnejšega pevka, Prvega Bass. Neverjetno, ne samo ta peklenska proces dela, ampak daje prepričljivih harmonije, ki zvok, kot da so zelo raison d'être te razumljivo kratek kos. Da jih uživajo v največji možni meri, bi bilo treba sprejeti glasba dokaj počasi, tako da ne drsati čez potekata disonance. from the score of CPDL #6605. Original ključ. F-duru. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.