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Samtliche Motetten. Choir sheet music.

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SAMTLICHE motetov. Zbor note.

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Samtliche Motetten composed by Johann Sebastian Bach. Georg Philipp Telemann. Edited by Eberhard Hofmann. Gunter Graulich. Daniel Melamed. Arranged by Paul Horn. This edition. Paperbound. Choral collections. Stuttgart Urtext Edition. German title. Samtliche Motetten mit Bc. ed. Graulich. Sacred, Motets. Choral Collections, Mixed Choir, Stuttgart Urtext editions. Occasions. Praise and thanks. Use during church year. Easter and Eastertide, Pentecost. Choral collection. 224 pages. Published by Carus Verlag. CA.3122400. ISBN M-007-09594-9. Sacred, Motets. Choral Collections, Mixed Choir, Stuttgart Urtext editions. Occasions. Praise and thanks. Use during church year. Easter and Eastertide, Pentecost. The popularity of Johann Sebastian Bach's motets is matched by the problematic manner in which they have been handed down to us. The autograph scores and parts used by Bach have been preserved for only two motets. For the remaining motets we must be content with copies whose reliability is, at best, inconsistent. Current editions of the motets are based primarily on the Neue Bach-Ausgabe. 1965. , which until now has been widely accepted as the standard text for these works. In the meantime, however, additional copies have been discovered and our knowledge concerning the music of Bach has been considerably advanced. In light of these developments it was time for a complete critical reevaluation of the complex situation of the sources. The result is an edition in which the music has changed in countless details and it is hoped that we have come a good deal closer to the intentions of Bach. In addition to the famous six motets, the collection also contains "Ich lasse dich nicht" BWV Anh. 159 and "Jauchzet dem Herrn alle Welt" BWV Anh. 160. In recent times "Ich lasse dich nicht" has been counted among Bach's authentic works. The motet "Jauchzet dem Herrn alle Welt" is a combination of movements by Telemann and Bach. Those attributable to Bach include a setting of the chorale "Sei Lob und Preis" from Cantata BWV 28. this was also handed down by itself as BWV 231. Ich lasse dich nicht, du segnest mich denn, BWV Anh. III 159. To thee will I cling, until I am blest. - f-Moll. F minor. Singet dem Herrn ein neues Lied, BWV 225. Sing now to God new songs of praise. - B-Dur. B-flat major. Der Geist hilft unser Schwachheit auf, BWV 226. The Spirit makes our weakness strong. - B-Dur. B-flat major. Jesu, meine Freude, BWV 227. Jesu, my salvation. - e-Moll. E minor. Furchte dich nicht, ich bin bei dir, BWV 228. Be not afraid, I am with you. - A-Dur. A major. Komm, Jesu, komm, BWV 229. Come, Jesu, come. - g-Moll. G minor. Lobet den Herrn, alle Heiden, BWV 230. Praise ye the Lord, all ye nations. - C-Dur. C major. Jauchzet dem Herrn, alle Welt, BWV Anh. 160. Shout to the Lord, all the earth. - C-Dur. C major.

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Samtliche Motetten sestavljajo Johanna Sebastiana Bacha. Georg Philipp Telemann. Uredil Eberhard Hofmann. Gunter Siva. Daniel Melamed. Uredil Paul Horn. Ta izdaja. Paperbound. Zborovskih zbirk. Stuttgart Urtext Edition. Nemški naslov. SAMTLICHE motetov z basso continuo. in. Graulich. Svete, motetov. Zborovske zbirke, mešani zbor, Stuttgart Urtext izdaje. Priložnostih. Pohvala in zahvala. Uporaba med cerkveno leto. Velikonočni in Eastertide, Binkošti. Zborovska zbiranje. 224 strani. Izdala Carus Verlag. CA.3122400. ISBN M-007-09594-9. Svete, motetov. Zborovske zbirke, mešani zbor, Stuttgart Urtext izdaje. Priložnostih. Pohvala in zahvala. Uporaba med cerkveno leto. Velikonočni in Eastertide, Binkošti. Priljubljenost motetov Johanna Sebastiana Bacha se ujema s problematično način, na katerega so bile izrečene na nas. So rezultati za avtograme in deli JS Bacha, uporabljeni so se ohranili samo dve motetov. Za preostale motetov moramo biti zadovoljni s kopijami, katerih zanesljivost je, v najboljšem primeru, v nasprotju. Tekoči izdajah motetov temeljijo predvsem na Neue Bach-Ausgabe. 1965. , Ki je do sedaj je bilo splošno sprejeto kot standardno besedilo za ta dela. V tem času pa so odkrili dodatne izvode in naše znanje o glasbi Bacha je občutno napredovala. V luči teh dogodkov je bil čas za popolno kritično prevrednotenju zapletenega položaja virov. Rezultat je izdaja, v kateri se je glasba spremenila v številnih podrobnostih in upati je, da smo prišli precej bližje nameni Bacha. Poleg znanih šest motetov, zbirka vsebuje tudi "Ich Lasse dich nicht" BWV Anh. 159 in "Jauchzet dem Herrn alle Welt" BWV Anh. 160. V zadnjem času "Ich Lasse dich nicht" je bil štejemo med Bachovih avtentičnih delih. Motet "Jauchzet dem Herrn alle Welt" je kombinacija gibanja, ki jih Telemanna in Bacha. Tisti, ki pripada Bacha vključuje nastavitev korala "Sei Lob und Preis" iz kantate BWV 28. to je bila izrečena tudi po sebi, kot BWV 231. Ne bom dovolil, tebi gre le si me blagoslovil potem, BWV Anh III 159. Tebi bom držijo, dokler ne bom Blest. - F-Moll. F minor. Pojte Gospodu novo pesem, BWV 225. Pojejo zdaj z novimi God pesmi hvale. - B-Dur. B-duru. Duh nam pomaga pri naših šibkosti, BWV 226. Duh naredi naša šibkost močna. - B-Dur. B-duru. Jesu, meine Freude, BWV 227. Jesu, moja rešitev. - E-Moll. E minor. Ne bojte se, jaz sem s teboj, BWV 228. Ne bojte se, jaz sem z vami. - A-Dur. Glavni. Pridi, Jezus, pridi, BWV 229. Pridite, Jesu, pridi. - G-Moll. G minor. Lobet den Herrn, alle Heiden, BWV 230. Hvalite Gospoda, vsi vi, narodi. - C-Dur. C-dur. Naredite veselo hrup Gospodu, vsa zemlja, BWV 160 Anh. Kričati Gospodu, vsa zemlja. - C-Dur. C-dur.