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Originalno

Cantata Academica, Carmen basiliense, Op. 62. Benjamin Britten. Voice sheet music. Choir sheet music.

Prevod

Kantata Academica, Carmen basiliense, op. 62. Benjamin Britten. Voice note. Zbor note.

Originalno

Cantata Academica, Carmen basiliense, Op. 62. 1959. Vocal Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Orchestra. Vocal Score. BH Large Choral. 66 pages. Boosey & Hawkes #M060014024. Published by Boosey & Hawkes. HL.48008886. Take advantage of this over-stock pricing while supplies last. for SATB soloists, chorus and orchestra. Scoring. IIpicc. , 2, 2, 2. 4, 2, 3, 1. timps. 4 perc. trng, tamburo militaire, tamb, cymb, Chinese block, bd, t-t, xyl, glock, bells in C. 2 harps. II ad lib. pf. cel ad lib. strings. Text. in Latin compiled from the charter of the University, and from older orations in praise of Basle by Bernhard Wyss. Publisher. Boosey & Hawkes. Difficulty level. for chorus. Britten's genius lifts this work above being just a worthy celebration of the 500th anniversary of the foundation of Basle University. It is tongue-in-cheek and mockingly non-academic while referring all the time to academic musical forms and formulae. It is written in two parts. everything is in the statutory Latin including the titles of the parts - Pars I and Pars II. The titles of the movements show Britten's intention to show off a wide variety of techniques. Here are some examples. Chorale. Alla Rovescio. the theme is given and responded to with the same melody upside down. Recitativo. Tema seriale con fuga. Canone ed ostinato. There is a good deal of humour here. There are seven movements in Pars I and six in Pars II. The tenor soloist is given three florid recitatives, accompanied only by a piano, which act as bridges between other orchestrally accompanied movements. Of these the most noteworthy are the Arioso con canto popolare for soprano solo with tenors and basses who hum a student song. another terrific Britten scherzo. and a wonderfully raucous final pair of movements. Canon ed ostinato and Corale con canto. where Britten seems to be aping the Vivat Regina. cries in Parry's I was glad or encouraging the kind of noisy 'I'm from the best university' kind of student touchline shout. This has outrageously high notes for the tenors. top B. which further endorse this feeling. There are real echoes of the Spring Symphony. see separate entry. final movement here which are further underlined by the last section of the Cantata which brings in the bells, piano, huge percussion and the inevitable chorale in which the choir sings 'that a free academy may thrive in a free community, for ever the ornament and treasure of illustrious Basle'. This may not be Britten at his most soul-searching but, as always, there is plenty here to enjoy, especially if the work is not taken too seriously. It is a celebratory, occasional piece and it could be well taken up by other academic establishments celebrating big anniversaries. The chorus parts are not very difficult though they do present challenges for the choir - not least in having tenors capable of those very high notes at the end. The Tema seriale con fuga is sinewy and needs careful tuning. It also has the subject regularly given upside down after its initial sounding by the basses. All good fun. Duration. 21 minutes. Paul Spicer, Lichfield, 2011.

Prevod

Kantata Academica, Carmen basiliense, op. 62. 1959. Vocal Score. Ki ga sestavljajo Brittna. 1913-1976. Za zborovsko, zbor, orkester. Vocal Score. BH Veliko zborovsko. 66 strani. Буси. Izdala Boosey. HL.48008886. Izkoristite to več na zalogi cen, medtem ko zadnje zaloge. Za SATB soliste, zbor in orkester. Točkovanje. IIpicc. , 2, 2, 2. 4, 2, 3, 1. TIMPS. 4. odst. uradni trening, Tamburo militaire, TAMB, cymb, kitajski blok, bd, tt, xyl, glock, zvonovi v C. 2 harfe. II ad lib. pf. cel ad lib. strune. Besedilo. v latinščini sestavljeno iz Listine o univerzi, in od starejših orations v hvalo Baslu Bernhard Wyss. Založba. Boosey. Težavnost. za refren. Britten je genij dvigne nad to delo pa le vreden praznovanje 500. obletnice ustanovitve univerze Basel. To je jezik-v-lice in posmehljivo neakademskega ob sklicevanju ves čas akademskih glasbenih oblik in formul. To je napisan v dveh delih. vse, kar je v zakonskem latinščini, vključno z naslovi delov - Pars I in II Pars. Naslovi gibanj kažejo, da namerava Britten, da pokažejo veliko različnih tehnik. Tukaj je nekaj primerov. Zbor. Na backhand. Tema je namenjena in se odzvali z isto melodijo z glavo navzdol. Recitativo. Tema serijska escape. Canon in samosvoj. Obstaja dober posel za humor tukaj. Obstaja sedem gibanja Pars I in šest v Pars II. Tenorist solist je podan tri floridna recitativov, skupaj samo s klavirjem, ki delujejo kot mostovi med drugim orchestrally spremljajo premike. Med njimi so najbolj omembe vredna arioso con canto popolare za sopran solo s tenorji in basi, ki Hum študentsko pesem. en grozen Britten scherzo. in čudovito hrupno končno par gibov. Canon in trmasti in zborovsko petje s. Britten, kjer se zdi, da Aping na Vivat Regina. joče v Parry je vesel sem bil, ali spodbuja vrste glasen "Jaz sem iz najboljše univerze" vrste študent strani shout. To je nezaslišano visoke tone za tenorji. top B. kar še dodatno potrdi ta občutek. Obstajajo realne odmevi na spomladanskem zasedanju simfoniki. glej ločen vnos. Končni gibanje tukaj, ki so še bolj poudarjeno na zadnjem delu kantate, ki prinaša v zvonci, klavir, tolkala in ogromno neizogiben korala, v katerem zbor poje ", ki se lahko prosto akademija uspevajo v svobodni skupnosti, za vedno v okras in zaklad slavni Baslu ". To se ne sme Britten na njegovo najbolj soul-iskanja, vendar, kot vedno, je veliko tukaj, da uživajo, še posebej, če delo ni jemati preveč resno. To je proslav, občasno kos in to bi se lahko tudi prevzamejo druge akademskih ustanov praznovali velike obletnice. Deli chorus niso zelo težko, čeprav delajo sedanje izzive za zbor - nenazadnje imajo tenorji, ki lahko od teh zelo visokih not na koncu. Tema seriale con fuga je mišičasti in potrebuje skrbno uglaševanje. Prav tako ima predmet redno seznanjeni z glavo navzdol po njenem začetnem oglašanjem s strani basov. Vse dobre zabave. Trajanje. 21 minut. Paul Spicer, Lichfield 2011.