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Originalno

Providence. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 5.

Prevod

Providence. David Gillingham. Trobenta notno B-Flat. Horn note. Stopnje 5.

Originalno

Providence composed by David Gillingham. Arranged by Geoffrey Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1. 2, Horn 3. 4, Tr. Grade 5. Score and parts. Duration 9. 50. Published by C. Alan Publications. CN.09960. Beginning with a questioning motive as man questions the meaning of his own life, new themes arise leading to a lovely statement by solo flute and harp. These lyrical and expressive statements allude to the spirituality and meaning we all seek. A quiet benediction brings Providence to a close. Providence was commissioned by the Michigan State University Bands, John Whitwell, conductor. The work was originally to be in honor of the retirement of long time Theory Professor, Dr. Ted Johnson. Unfortunately, Dr. Johnson passed away on April 21, 2003, before any sketches of the new work had begun. I had spoke with Dr. Johnson some months before his death about the work that would be in his honor, asking him what kind of work he thought I should write. His response was basically to leave the creative endeavor in my hands as he knew and admired my music. He did add, however, that he was a bit old fashioned and had an affinity for the dramatic music of the Romantic period, especially the soaring horn parts written by Richard Strauss. As it turns out, I have featured the horn section in this work. Dr. Johnson touched a multitude of lives during his career. I was but one of hundreds of graduate students that was positively touched by his humanity and superb teaching skills. I will be eternally grateful, as will so many others. Richard Blatti, Associate Director of Bands at The Ohio State University sums up his feelings for Dr. Johnson as follows. it's more than theoretical concepts or analytical techniques that you taught me. You gave me such inspiration, a renewed love for learning, a fresh approach to problem-solving-and the greatest gift of all-you taught me how to teach. " Dr. Johnson lived an extraordinary life and had such a major influence on so many other lives. His wonderful life and the gifts that he passed on were no accident. John Whitwell, Director of Bands at Michigan State University, has told me that such things happen because of "divine guidance" or "providence". This is the derivation for the title of the work. Ted Johnson authored two books, which were analyses of J. S. Bach's Two-Part and Three-Part Inventions. We all knew how much he revered the work of Bach. Three works by J. S. Bach were performed at his memorial service on April 24, 2003. One of these works, the aria Bist du bei mir. "Stay Thou Nearby". , is perhaps one of Bach's most beloved melodies. I chose this work to be the centerpiece for all the melodic material in Providence. The work begins in a sort of questioning fashion, as a man questions the meaning of his own life. The oboe sings the first four notes of the aria. Bist du bei mir. with an octave displacement of the fourth note. This motive is heard throughout the piece. The mystery and questioning grows and segues into a murmur by clarinets and marimba over which a can ensues on motives derived from the aria. At the conclusion of the canon, low brass state the beginning of the aria and a fugato on the first four notes of the aria follows. The fugato concludes with dissonant confusion but resolves into consonance and leads to a lovely statement by solo flute accompanied by harp. The melodic material for the flute solo is new and its lyrical and expressive quality alludes to spirituality and the meaning of life that we all seek. Turmoil follows as if to remind us of the ultimate reality of the tribulations of life. Counterpoint and dissonance abound in this section along with a pounding solo by timpani leading to a dark march on the first three notes of the aria. The march grows incessantly and finally leads to a joyous entrance of the aria theme by the horns and is now joined by the flute solo heard earlier, this time in the low brass. Woodwinds accompany on a sort of ostinato fashioned from aria motives. The section affirms that providence does, in fact, exist in our lives. A quiet benediction brings the work to closure.

Prevod

Providence sestavljajo David Gillingham. Urejen Geoffrey Brand. Za koncert pasu. Pikolo, flavta 1, 2 flavta, oboa 1. 2, fagot 1. 2, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, bas klarinet, Eb Kontrabas klarinet, altovski saksofon 1. 2, tenor saksofon, bariton saksofon, Bb Trobenta 1, Bb Trobenta 2, Bb Trobenta 3, Horn 1. 2, Horn 3. 4, Tr. Stopnje 5. Rezultat in deli. Trajanje 9. 50. Izdala C. Alan publikacije. CN.09960. Začenši z zasliševanjem motivom kot človek vprašanja pomen posameznih svojem življenju, se pojavijo nove teme, ki vodi do lepe izjave, ki jo solo flavto in harfo. Te lirična in ekspresivna izjave namigujejo na duhovnosti in pomenu smo vsi iščejo. Tih blagoslov prinaša Providence h koncu. Providence je naročila bendov Michigan State University, John Whitwell, dirigent. Delo je bilo prvotno biti v čast upokojitve dolgoletni profesor teorije, dr Ted Johnson. Na žalost, dr Johnson je umrla 21. aprila 2003, potem pa je vse skice novega dela začela. Sem govoril z dr Johnson nekaj mesecev pred smrtjo o delu, ki bi bila v njegovo čast, ga prosi, kakšno delo je mislil, da bi moral napisati. Njegov odgovor je bil v bistvu zapustil ustvarjalno prizadevanje v mojih rokah, saj je poznal in občudoval mojo glasbo. On je dodati, kljub temu, da je bil malce zastarelo in je imel afiniteto za dramatične glasbe romantičnega obdobja, zlasti hitro rastočih rog deli Richarda Straussa pisnih. Kot se je izkazalo, da sem izrazit poglavje rog v tem delu. Dr Johnson dotaknil množico življenja v svoji karieri. Sem bil le eden od več sto podiplomskih študentov, ki so pozitivno dotaknila njegova človečnost in vrhunske sposobnosti poučevanja. Bom večno hvaležen, saj bo tako mnogi drugi. Richard Blatti, pomočnik direktorja bendov na Ohio State University povzema svoja čustva do dr Johnson takole. to je več kot teoretičnih konceptov in analitičnih tehnik, da si me naučil. Dal si mi tak navdih, prenovljeno ljubezen do učenja, svež pristop k reševanju težav-in največji dar vse kar me je naučil, kako se učiti. "Dr Johnson živel izredno življenje in imel tako velik vpliv na mnogih drugih življenj. Njegovo čudovito življenje in darila, ki je prenesel bilo nobenih nesreč. John Whitwell, direktor bendov na Michigan State University, mi je povedal, da se take stvari dogajajo zaradi "božje smernice" ali "previdnosti". To je izpeljava za nazivu dela. Ted Johnson je avtor dveh knjig, ki so bile analize dvodelna in tridelna izumov JS Bacha. Vsi smo vedeli, koliko je cenjeno delo Bacha. Tri dela JS Bacha so bile opravljene na svojem pogrebu na 24. april 2003. Ena od teh del, arija Bist du bei mir. "Ostanite Thou bližini". , Je morda ena od najbolj priljubljenih melodij Bachovih. Izbral sem to delo, da bo osrednja točka za vse melodičnega materiala v Providence. Delo se začne v neke vrste zaslišanje mode, kot človek sprašuje smisel lastnega življenja. Oboe poje prvih štirih pojasnili arije. Ali ste z menoj. z oktave pomika četrte note. Ta motiv se slišali po vsej kos. Skrivnost in zaslišanje raste in segues v šumenju s klarineti in marimbo, nad katerim pločevinka vrši na motive, ki izhajajo iz arije. Ob zaključku kanona, nizka trobila navede začetek arije in fugato na prvih štirih opomb arije sledi. Fugato zaključuje z neubrano zmede, ki mine v skladnega in nas pripelje do lepe izjave flavto solo, skupaj s harfo. Melodični material za flavto solo je nov in njegova lirična in ekspresivna kakovosti namiguje na duhovnost in smisel življenja, da smo vsi iščejo. Nemiri na naslednji način, kot če bi nas spominjajo na končni realnost napora življenja. Kontrapunkt in disonanca pretek v tem poglavju, skupaj z razbijanje solo s pavke, ki vodijo do temno pohod na prvih treh opomb arije. Pohod raste neprestano in na koncu vodi v veselo vhodu temo aria za roge in je zdaj pridružil še flavto solo slišali že prej, tokrat v nizkem medenine. Pihal spremljajo na nekakšni ostinato izdelan iz Aria motivov. Oddelek potrjuje, da se Providence, v resnici obstajajo v naših življenjih. Tih blagoslov prinaša delo zaprtja.