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Originalno

Fantasy pieces for Piano and Clarinet. or Violin or Violoncello. op. 73. version for Violoncello. Robert Schumann. Cello Solo sheet music. Clarinet sheet music. Violin sheet music. Piano Accompaniment sheet music.

Prevod

Fantasy kosi za klavir in klarinet. ali za violino ali violončelo. op. 73. Različica za violončelo. Robert Schumann. Cello Solo notno. Klarinet note. Violina note. Klavirsko spremljavo note.

Originalno

Fantasy pieces for Piano and Clarinet. or Violin or Violoncello. op. 73. version for Violoncello. Cello and Piano. Composed by Robert Schumann. Edited by Ernst Herttrich. For Cello, Piano. Violoncello. Henle Music Folios. Urtext edition-paper bound. Classical Period. Collection. Introductory text and fingerings. 28 pages. G. Henle #HN422. Published by G. Henle. HL.51480422. With introductory text and fingerings. Classical Period. 9x12 inches. The circumstances in which these poetic “Soirée Pieces”. thus their original title. came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

Prevod

Fantasy kosi za klavir in klarinet. ali za violino ali violončelo. op. 73. Različica za violončelo. Violončelo in klavir. V sestavi Robert Schumann. Uredil Ernst Herttrich. Za violončelo, klavir. Violončelo. HENLE Glasba folijev. Urtext izdaja papir vezan. Klasična doba. Zbiranje. Uvodno besedilo in fingerings. 28 strani. Г. Хенле. Izdala G. HENLE. HL.51480422. Z uvodnim tekstom in fingerings. Klasična doba. 9x12 cm. Okoliščine, v katerih ti poetično "Soirée Pieces". Tako njihov prvotni naslov. pričela precej presenetljivo. Leta 1849 je bil Dresden zasegli nasilnih političnih pretresov, ki na koncu prisiljeni Schumanna, da so pobegnili z Clari na podeželju. Vendar nič od tega je razvidno v glasbi teh treh kosov, katerih idilični značaj pomeni hrepenenje po harmoniji in osamo. Prvotno zasnovan za klarinet, ga spremlja nadomestnih delov za violino in violončelo že v prvotni tisk. Smo podvrženi naše izdaje za temeljite kritike in poglavje o podrobnih uredniških opomb.