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Originalno

Rejoice in the Lamb, Op. 30. Benjamin Britten. Choir sheet music. Organ Accompaniment sheet music.

Prevod

Veselite se v Lamb, op. 30. Benjamin Britten. Zbor note. Organski Spremljava note.

Originalno

Rejoice in the Lamb, Op. 30. 1943. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Organ Accompaniment. SATB. BH Large Choral. Sacred. 48 pages. Boosey & Hawkes #M060015120. Published by Boosey & Hawkes. HL.48008987. ISBN 1458424510. Sacred. 6.75x10.5 inches. for SATB with SATB solos and organ. Imogen Holst orchestrated the work for wind quintet, percussion, organ. ad lib. and strings. 1952. , and there is also a version for SSAA and organ arranged by Edmund Walters. 1966. Text. Christopher Smart. Publisher. Boosey & Hawkes. Difficulty level. One of Britten's most popular and performed works in this genre, Rejoice in the Lamb was written for the 50th anniversary of St. Matthew's church, Northampton in 1943. The remarkable vicar, Walter Hussey, was a great patron of the arts. His vision for St. Matthew's and later for Chichester Cathedral, where he moved to become Dean, is one of the most fascinating stories in the history of the Anglican Church in the last century. Britten called his work a Festival Cantata and it is structured with choral and solo movements. The text by the supposedly mad Christopher Smart. 1722-1771. is part of a poem called Jubilate Agno which he composed in a mental asylum having been committed there by his father-in-law for apparent religious mania. He died in a debtors' prison. It was W.H. Auden who brought the poem to Britten's attention. It is easy to see why Britten was so attracted to Smart's poem. It has great colour, drama, bizarre imagery, and the central issue of the individual against the crowd, or against authority, was one to which Britten was to return repeatedly in his works. Britten had developed a deep interest in Purcell's music at this time and had made keyboard realisations of accompaniments for a number of songs which he performed with Peter Pears. Purcell's influence can easily be heard in the Hallelujah sections. The challenges in this work are many and varied though the difficulty level is not great overall. It is an ideal concert work and is popular with performers and audiences alike. Practical issues include really quiet singing while projecting the voice at the start. dealing with the rhythmic complexities of the first quick section. 'Let Nimrod the mighty hunter'. and getting the most out of the words and the dynamic contrasts here. the unanimity of the dotted rhythms in the Hallelujah sections. the fielding of four soloists who can put across the character of these zany movements. the cat, the mouse, flowers. the realisation of the depth of passion in the 'For I am under the same accusation as my Saviour' section. the brilliance of the final quick section with all the bizarre musical instrument rhymes. and finally realising the 'stillness and serenity' of the slow music before the final Hallelujah. There is much to consider and much devil in the detail. However, the work is emphatically worth any amount of effort to realise Britten's inspiration. Duration. 17 minutes. Paul Spicer, Lichfield, 2011.

Prevod

Veselite se v Lamb, op. 30. 1943. Ki ga sestavljajo Brittna. 1913-1976. Za zborovsko, zbor, orgle spremljave. SATB. BH Veliko zborovsko. Sacred. 48 strani. Буси. Izdala Boosey. HL.48008987. ISBN 1458424510. Sacred. 6.75x10.5 cm. Za SATB SATB s solo in orgle. Imogen Holst orkestriral delo za pihalni kvintet, tolkala, orgle. ad lib. in godala. 1952. , In tam je tudi različica za SSAA in orgle urejen Edmund Walters. 1966. Besedilo. Christopher Smart. Založba. Boosey. Težavnost. Eden od najbolj priljubljenih in opravljenih Britten je del v tem žanru, veselite v Lamb je bila napisana za 50. obletnico cerkve sv Matejevega, Northampton leta 1943. Izjemna vikar, Walter Hussey je bil velik mecen. Njegova vizija za St Matthew in kasneje Chichester katedrale, kjer se je preselil, da postane Dean, je eden izmed najbolj zanimivih zgodb v zgodovini Anglikanske cerkve v zadnjem stoletju. Britten imenuje svoje delo Festival kantata in je strukturirana z zborovsko in samostojnih premikov. Besedilo, ki ga je domnevno nori Christopher Smart. 1722-1771. je del pesmi, imenovano Jubilate Agno, ki je sestavljen v psihiatrični azil, ko je bil tam storil njegov oče-v-zakon za navidezne verske manije. Umrl je v zaporu dolžnikov. Bilo je W.H. Auden, ki je začela pesem za Britten pozornosti. To je težko razumeti, zakaj je Britten tako privlači Smart pesmi. Ima odlično barvo, drame, bizarne podobe in osrednje vprašanje posameznika proti množici, ali proti oblasti, je bila ena, za katero je bil Britten večkrat vrniti v svojih delih. Britten je razvil veliko zanimanje za Purcell glasbe v tem času in so na tipkovnici realizacije spremljav za številne pesmi, ki je nastopal s Petrom hruškah. Purcell je vpliv mogoče zlahka slišali v oddelkih Hallelujah. Izzivi, s katerimi v tem delu, so številni in različni, čeprav raven težava ni velika skupna. To je idealen koncert delo in je priljubljena pri izvajalcev in občinstva enako. Praktična vprašanja vključujejo res tiho petje, medtem ko projicirate glas na začetku. ki se ukvarjajo z ritmično kompleksnost prvim hitrim oddelku. "Naj Nimrod mogočnega lovca". in dobili največ iz besed in dinamičnih kontrastov tukaj. Soglasje označena ritmov v oddelkih Hallelujah. Fielding štirih solistov, ki so lahko dani po značaju teh Lakrdijaški gibanj. mačka miško, rože. realizacija globine strasti v rubriki "Za sem pod isto obtožbo, kot je moj Odrešenik". sijaj zadnjem hitrem odseku z vsemi bizarnih glasbilo rime na. in končno uresničitev "tišino in vedrino" počasnega glasbe pred končnim Hallelujah. Obstaja veliko, da razmisli in še veliko hudič v podrobnostih. Vendar delo je izrazito vredna koli truda za uresničitev Britten je navdih. Trajanje. 17 minut. Paul Spicer, Lichfield 2011.