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Originalno

Ave Maria. Knut Nystedt. Choir sheet music.

Prevod

Ave Maria. Knut Nystedt. Zbor note.

Originalno

Ave Maria composed by Knut Nystedt. 1915-. For SATB choir, violin. Carus Novus. Contemporary choral music. Score available separately - see item CA.991300. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Violin part. Language. Latin. Composed 2001. Op. 110. 4 pages. Duration 13 minutes. Published by Carus Verlag. CA.991311. With Language. Latin. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. In his Ave Maria Nystedt has followed tradition by setting the original words of the prayer to Mary. He has adopted the unusual form of a violin concerto, with the choir replacing the orchestra as the violin's partner. In a sort of neo-romantic tonal language the choir joins in a dialogue with what is perhaps the most songlike of all instruments, the violin, which in accordance with the classical-romantic tradition even has a solo cadenza. Repeatedly, in addition to this dialogue, a wonderful blending of the sound of violin and choir occurs in which the choir employs primarily chordal sounds of an enriched tonality. but often it also uses pure major and minor chords to express the profound moments of the prayer.

Prevod

Ave Maria ga sestavljajo Knut Nystedt. 1915 -. Za SATB zbor violino. Carus Novus. Sodobna zborovska glasba. Rezultat na voljo ločeno - glej točko CA.991300. Prazniki Blažene Device Marije, hvalnice v hvalo Marije. Violina del. Jezik. Latin. Sestavlja 2001. Op. 110. 4 strani. Trajanje: 13 minut. Izdala Carus Verlag. CA.991311. Z jezikom. Latin. Prazniki Blažene Device Marije, hvalnice v hvalo Marije. V svojem Ave Maria Nystedt je sledil tradiciji z določitvijo prvotne besede molitev k Mariji. On je sprejel nenavadno obliko Koncert za violino, s pevskim zborom, ki nadomešča orkester kot partner violine je. V neke vrste neo-romantičen tonalne jeziku zbor pridruži v dialogu s tem, kar je morda najbolj songlike vseh instrumentov, violina, ki je v skladu s klasično-romantičnega tradicijo ima celo solo kadenco. Večkrat, poleg tega dialoga, čudovito mešanje zvoka violine in zbor nastopi v katerem zbor zaposluje predvsem hordalnega zvoke obogateno tonalitete. pogosto pa se uporablja tudi čista večjih in manjših akordov izraziti globoke trenutke molitve.