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Originalno

Concerto in One Movement for Marimba. piano reduction. Emma Lou Diemer. Marimba sheet music. Percussion sheet music. Piano sheet music. Advanced.

Prevod

Koncert v enem Gibanja za Marimba. Zmanjšanje klavir. Emma Lou Diemer. Marimba note. Tolkala note. Klavir note. Napredno.

Originalno

Concerto in One Movement for Marimba. piano reduction. composed by Emma Lou Diemer. 1927-. Percussion Ensemble. For Marimba Concerto. marimba. 4.5-octave. piano. Concertos. Medium difficult. Piano reduction. Duration 18. 00. Published by C. Alan Publications. CN.01832. So much music in a single. fast-slow-fast. movement. This concerto should be top priority for the serious marimbist. Perfect for a university concerto competition. perfect for the professional. The marimba part is difficult, but accessible, and the orchestra beautifully complements the soloist. A world-class composer demonstrates the height of her craft with this concerto. Emma Lou Diemer's Concerto in One Movement for Marimba was premiered in its original version March 21, 1991 at Mills College, Oakland, California by the Bay Area Women's Philharmonic with JoAnn Falletta conducting and Deborah Schwartz soloist. It was repeated on March 23 in San Francisco. The concerto was commissioned for the 10th anniversary season of the orchestra. The concerto was also performed April 13 and 14, 1991 by the Santa Barbara Symphony conducted by Varujan Kojian with Deborah Schwartz as soloist. It was recorded in June 2002 by Nathan Daughtrey with the Slovak Radio Symphony conducted by Joel Suben, and this recording is available from the publisher, C. Alan Publications, of Greensboro, North Carolina. In October, 2006, the composer made the wind ensemble version of the concerto, and this version was premiered March 1, 2007 in the Saint Vincent De Paul Church in Albany, New York with Felicity Cashman as soloist and The College of Saint Rose Wind Ensemble conducted by Robert Hansbrough. The instrumentation and general style of the concerto are imbued with the individuality of the tone color and technique of the marimba, reflected in the tremolos and glissandos as well as rhythms and melodic motives that echo or reinforce the ideas expressed by the solo instrument. There are two cadenzas and an extended solo passage for marimba in the slow middle section. In the last cadenza the soloist is joined by the percussion section of the orchestra. The spirit of the work is related somewhat to Vivaldi in its use of floating harmonic rhythms. slow-moving harmonies evolved through figuration. , and bears some harmonic relation to another of the composer's favorite writers of music, Ravel. The dynamic virtuoso, Deborah Schwartz, for whom the work was written, offered excellent editorial suggestions in the writing of the marimba part. The concerto was written to be enjoyed by all concerned, including first and foremost the audience who will hear it for the first time.

Prevod

Koncert v enem Gibanja za Marimba. Zmanjšanje klavir. ki ga sestavljajo Emma Lou Diemer. 1927 -. Percussion Ensemble. Za Marimba Concerto. marimba. 4.5 oktave. Načrt. Koncerti. Srednje težko. Zmanjšanje klavir. Trajanje 18. 00. Izdala C. Alan publikacije. CN.01832. Toliko glasbe v en sam. hitro-počasi-hitro. movement. Ta koncert bi morala biti prednostna naloga za resno marimbist. Idealen za univerzitetno koncert konkurence. kot nalašč za poklicne. Marimba del je težko, vendar dostopna in orkester lepo dopolnjuje solista. Svetovnega razreda skladatelj kaže višino svoje obrti s tega koncerta. Koncert Emma Lou Diemer v enem stavku za Marimba je bil premierno predstavljen v izvirni različici 21. marec 1991 ob Mills Collegeu v Oaklandu v Kaliforniji, ki jo je Bay Area žensk filharmonije z JoAnn Falletta vodenje in Deborah Schwartz solist. Je ponovila 23. marca v San Franciscu je. Koncert je bila naročena za 10. obletnico sezoni orkestra. Koncert je bil izveden tudi 13. april in 14. 1991, ki ga Santa Barbara simfonija Varujan Kojian opravila z Deborah Schwartz kot solist. Posneta je bila v juniju 2002 Nathan Daughtrey s slovaško Radio Symphony Joel Suben poteka, in to snemanje je na voljo od založnika, C. Alan publikacije, v Greensboro, Severna Karolina. V oktobru 2006 je skladatelj postavil različico vetra ansambel koncerta, in ta različica je bila premierno uprizorjena 1. marec 2007 v Saint Vincent De Paul Cerkve v Albanyju, New York s Felicity Cashman kot solist in kolegiju Saint Rose Ensemble Wind Robert Hansbrough izvedla. Instrumentacija in splošni slog koncerta so prežeta z individualnostjo barvni ton in tehniko za marimbo, kaže v Tremolos in glissandos kot tudi ritmi in melodičnimi motivi, ki spominjajo ali krepijo ideje, ki jih je solo instrument, izražene. Obstajata dve kadence in podaljšan solo prehod za marimbo v počasnem srednjem delu. V zadnjem kadenco je solist pridružil oddelku tolkala orkestra. Duh dela je nekoliko povezana z Vivaldija v njegovi uporabi plavajoče harmonične ritme. počasnih harmonije razvil skozi figuralike. , In nosi neko harmonično razmerju do drugega skladatelja najljubših pisateljev glasbe, Ravela. Dinamično virtuoz, Deborah Schwartz, za katere je bilo delo napisano, ponudila odlične uredniške predloge v pisni obliki marimba dela. Koncert je napisal, da se vsi vpleteni, tudi v prvi vrsti občinstvu, ki ga boste slišali prvič užival.