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Originalno

Concerto for Flute in D major. Johann Christian Bach. Flute Solo sheet music. Horn sheet music. Piano and Keyboard sheet music.

Prevod

Koncert za flavto v D-duru. Johann Christian Bach. Flavto solo note. Horn note. Klavir in klaviature note.

Originalno

Concerto for Flute in D major. Flotenkonzert in D. Composed by Johann Christian Bach. 1735-1782. Edited by Ulrich Leisinger. For solo flute, 2 horns, strings, basso continuo. D-Dur. D major. Score available separately - see item CA.3840400. Violin part. Language. all languages. Composed 1768. Warb C 79. 12 pages. Duration 20 minutes. Published by Carus Verlag. CA.3840411. With Language. all languages. Johann Christian Bach was-as his father before him-only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections. revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude.

Prevod

Koncert za flavto v D-duru. Flotenkonzert v D. Sestavljajo Johanna Christiana Bacha. 1735-1782. Uredil Ulrich Leisinger. Za solo flavto, 2 rogov, godala, continuo. D-Dur. D-duru. Rezultat na voljo ločeno - glej točko CA.3840400. Violina del. Jezik. vsi jeziki. Sestavlja 1768. Warb C 79. 12 strani. Trajanje 20 minut. Izdala Carus Verlag. CA.3840411. Z jezikom. vsi jeziki. Johann Christian Bach je bil, kot je njegov oče pred njim, le zelo redko zadovoljni s sestavki, da je dal na papir. Tako je ta koncert tudi opraviti številne popravke. popravke, ki jih skladatelj in danes je sestavljen iz treh stavkih podobne dolžine. Čeprav so bile sprva izrečene ločeno na različnih lokacijah, motivno odnos, kot tudi melodičnih in figurativnih referenc med seboj jasno razkriva skupne identitete treh stavkih. Ne samo končni rondo je značilna zelo virtuoznih pasaž, ampak tako počasi, drugi stavek, kot tudi uvodni gibanje pričajo o veličini mlajšega Bach sina kompozicijske, katerega del novejše generacije neupravičeno pustil skoraj sčasoma izkazal za neuporabnega.