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Originalno

Intende voci. Franz Schubert. Choir sheet music. Double Bass sheet music. Horn sheet music. Tenor Voice sheet music. Trombone sheet music. Voice Solo sheet music.

Prevod

Bo vpisi. Franz Schubert. Zbor note. Dvojni bas note. Horn note. Tenor Voice note. Pozavna note. Voice Solo note.

Originalno

Intende voci. Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. 1797-1828. Edited by Werner Bodendorff. For tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass. B-Dur. B-flat major. Stuttgart Urtext Edition. Score available separately - see item CA.7004600. Violin 2 part. Language. Latin. Composed 1828. D 963. 8 pages. Duration 10 minutes. Published by Carus Verlag. CA.7004612. With Language. Latin. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the "Mass in E flat".

Prevod

Bo vpisi. Offertorium. Tenor-Arie mit Chor. Ki ga sestavljajo Franza Schuberta. 1797-1828. Uredil Werner Bodendorff. Za tenor glasovnim solo, SATB zbor, oboa, 2 klarineta, 2 fagota, 2 rogov, 3 pozavne, 2 violini, viola, violončelo, kontrabas. B-Dur. B-duru. Stuttgart Urtext Edition. Rezultat na voljo ločeno - glej točko CA.7004600. Violina 2. del. Jezik. Latin. Sestavlja 1828. D 963. 8 strani. Trajanje 10 minut. Izdala Carus Verlag. CA.7004612. Z jezikom. Latin. V nasprotju s svojimi prejšnjimi kratkih cerkvenih del, od katerih so nekateri zanašajo slogovno na baročnih in klasičnih modelov, v tem delu je Schubert odkril svojo osebno in romantično obarvano cerkev glasbeni idiom. Elementi te nove cerkve slogu vključujejo ponovitev, ki ustvarja vzdušje, subtilno uvedbo instrumenta vetra in zvoke, ki zamirati nič, učinek, ki Schubert zaposlena tudi v "maši v E flat".