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Originalno

Missa concertata in C. Giacomo Carissimi. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music.

Prevod

Missa concertata v C. Giacomo Carissimi. Voice note. Zbor note. Klavir in klaviature note.

Originalno

Missa concertata in C composed by Giacomo Carissimi. 1605-1674. Edited by Gunther Massenkeil. For SSB vocal soli. TTB. or choir, 2 violins, basso continuo. original version. C-Dur. C major. Score available separately - see item CA.2706300. Latin Masses. Choral score. Language. Latin. 16 pages. Duration 31 minutes. Published by Carus Verlag. CA.2706305. ISBN M-007-12874-6. With Language. Latin. Latin Masses. Giacomo Carissimi, the first great master of the oratorio and author of numerous concertante motets and Italian bel canto solo cantatas, also composed several masses. The Missa concertata in C for 2 tenors. or sopranos. and bass, 2 violins and basso continuo was printed in Cologne in 1666, a fact which is regarded as of proof of the fame of this Roman master among his contemporaries throughout Europe. The work is written in concertante style, accompanied by basso continuo, as opposed to the a cappella style of writing, and today it is one of the few surviving works of this type. It can be performed entirely by soloists, or by soloists alternating with a choir.

Prevod

Missa in C usklajenih sestavljajo Giacomo Carissimi. 1605-1674. Uredil Gunther Massenkeil. Za SSB vokalni soli. TTB. ali pevski zbor, 2 violini, basso continuo. Prvotna različica. C-Dur. C-dur. Rezultat na voljo ločeno - glej točko CA.2706300. Latin Mase. Zborovska ocena. Jezik. Latin. 16 strani. Trajanje: 31 minut. Izdala Carus Verlag. CA.2706305. ISBN M-007-12874-6. Z jezikom. Latin. Latin Mase. Giacomo Carissimi, prvi velik mojster oratorija in avtor številnih koncertne motetov in italijanskih belcanta solo kantat, ki ga sestavljajo tudi številne množice. Missa concertata v C za 2 tenorji. ali sopranistke. and bass, 2 violini in basso continuo je bila natisnjena v Kölnu leta 1666, dejstvo, ki se obravnavajo kot dokazila o slave tega rimskega kapitana med njegovimi sodobniki po vsej Evropi. Delo je napisano v koncertne slogu, ki ga spremlja basso continuo, v nasprotju s slogom cappella pisanja, danes pa je eden redkih ohranjenih del te vrste. To se lahko izvede v celoti s solisti, ali solisti izmenično z zborom.