Partiture $60.00

Originalno

Symphony on Death & Dying. C Trumpet sheet music. English Horn sheet music. Grade 5.

Prevod

Simfonični o smrti. C trobenta note. Angleški rog note. Stopnje 5.

Originalno

Symphony on Death & Dying composed by Karl Blench. For concert band. Piccolo, Flute 1, 2. Piccolo 2, 3. , Alto Flute. Flute 3. , Oboe 1, 2, English Horn, Bassoon 1, 2. Contrabassoon. , Clarinet in Bb 1, 2, 3, 4, Bass Clarinet, Alto Saxophone 1, 2, Baritone Saxophone, Horn in F 1, 2, 3, 4, Trumpet in C 1, 2, 3, 4, Tenor Trombo. Band Music. Grade 5. Score only. Duration 17. 40. Published by C. Alan Publications. CN.11421. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. Symphony on Death and Dying was written after taking a course at the University of New Hampshire of the same name. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. The pitch material is based on a seven note theme. E, F, G, F#, D#,. , C, B. and all motives are derived from the intervals contained within this set. The work was written for the University of New Hampshire Wind Ensemble. Durham, NH. and dedicated to the ensemble's director, Dr. Andrew Boysen. Out of Confusion and Anger begins as a funeral march and is centered around the pitch E. The theme is stated from a solo trombone and then picked up by various groups of the ensemble. After the theme is presented an ostinato figure and melodic bass line build to the first outburst of anger followed by a return to the opening material. Of Remembrance is a solemn movement in contrast to the first. The solo clarinet has the melody at the beginning accompanied by soft harmonies in the low brass until it is interrupted by the theme from the first movement. Ghosts then can be heard as singing voices building to a brief climax and then a return to the opening melody this time in the solo bassoon. Of Rage begins with an outburst from the entire ensemble. The movement is filled with violent brass, screeching woodwinds, and is accented by barbaric percussion. After a brief return to the material of the first and second movements the material builds to the symphony's climax where violent screaming and shouting can be heard. The movement then slowly returns to the funeral march theme from the first movement. In Of Why. the solo soprano acts as the griever asking and wondering why their loved one has left them. The movement is brief and recalls material from the three previous movements. After one last desperate cry from the soprano and the ensemble the work comes to its quiet close. 'Karl Blench.

Prevod

Simfonični o smrti. Za koncert pasu. Pikolo, flavta 1, 2. Majhna 2, 3. , Alto flavta. Flavta 3. , Oboa 1, 2, angleški rog, fagot 1, 2. Kontraforte. , Klarinet v Bb 1, 2, 3, 4, bas klarinet, altovski saksofon 1, 2, bariton saksofon, rog v F 1, 2, 3, 4, trobenti v C 1, 2, 3, 4, Tenor Trombo. Band Glasba. Stopnje 5. Rezultat le. Trajanje 17. 40. Izdala C. Alan publikacije. CN.11421. Ta del raziskuje čustva oseba lahko čutijo po izgubi nekoga blizu. Simfonija se odda v štirih gibanj igrali brez premora. Simfonični o smrti in umiranja je bila napisana po zaužitju študij na univerzi v New Hampshiru z istim imenom. Ta del raziskuje čustva oseba lahko čutijo po izgubi nekoga blizu. Simfonija se odda v štirih gibanj igrali brez premora. Smola gradivo temelji na temo sedem note. E, F, G, F. , C, B. in vsi motivi izhajajo iz časovnih presledkih, ki jih vsebuje ta niz. Delo je nastalo na Univerzi v New Hampshiru Ensemble Wind. Durham, NH. in posvečena ansamblu je direktor dr Andrew Boysen. Iz zmede in jeze začne kot pogrebni pohod in se osredotoča na igrišču E. tema je izjavil, od solo pozavno in nato pobral z različnimi skupinami ansambla. Ko je tema predstavljena ostinatni sliko in melodične bas linije graditi na prvi izbruh jeze, ki mu sledi vrnitev v uvodnem materiala. Spomina je slovesno gibanje v nasprotju s prvim. Solo klarinet ima melodijo na začetku skupaj z mehkimi harmonij v nizkem medenine, dokler se ne prekine s temo iz prvega stavka. Duhovi se nato lahko zasliši kot pevske glasove gradi na kratek vrhunca, nato pa vrnitev v melodiji otvoritveni tokrat v solo fagota. Of Rage začne z izbruhom iz celotnega ansambla. Gibanje je napolnjena z nasilnim medenine, cvilile pihal in je naglašenih z barbarsko tolkala. Po kratki vrnitvi v materialu prvega in drugega premikov materiala gradi na vrhuncu simfonijo, kjer bo mogoče slišati kričanje in vpitje nasilen. Gibanje nato počasi vrača k temi na pogreb marš iz prvega stavka. V zakaj. solo sopran deluje kot griever sprašuje in se sprašujete, zakaj se je njihov ljubljeni jih je zapustil. Gibanje je kratek in opozarja gradivo iz prejšnjih treh stavkih. Po eni zadnji obupan klic iz sopran in ansambla delo gre za njegovo tiho blizu. Karl Izblijediti.