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Originalno

Ollantay. Alberto Ginastera. Grade 4.

Prevod

Ollantay. Alberto Ginastera. 4. stopnje.

Originalno

Ollantay. Tres Movimientos Sinfonicos. Composed by Alberto Ginastera. 1916-1983. Arranged by Douglas McLain. For Concert Band. Grade 4. Full score and set of parts. Duration 15. 00. Published by Baton Music. BF.BM476-SET. 'Ollantay' is one of the last scores of his nationalistic period of the Argentin composer Alverto Ginastera. The imagery for the music comes from the 'Popol Vuh', or Council Book, an assemblage of Mayan myths of the creation and the legendary gods. Ollantay is the son of the Earth. he opposes Inca, the son of the Sun. When Ollantay attempts to rape Coyllur, the daughter of Inca, thereby profaning the Temple of the Virgins, Inca declares war on Ollantay, who resists for a time in his fortress, but who finally is defeated and killed. Ginastera divided the tale into three sections, which he described as follows. I. Paisaje de Ollantaytambo. The Countryside of Ollantaytambo. II. Los Guerreros. The Warriors. III. La Muerte de Ollantay. The Death of Ollantay. Ginastera composed Ollantay in Buenos Aires in 1947. Erich Kleiber, to whom the work is dedicated, conducted the world premiere in Buenos Aires on October 29, 1949, with the orchestra of the Teatro Colon.

Prevod

Ollantay. Trije simfonični. Sestavljajo ga Alberto Ginastera. 1916-1983. Uredil Douglas McLain. Za Concert Band. 4. stopnje. Polna rezultat in sklop delov. Trajanje 15. 00. Izdala Baton Glasba. BF.BM476-SET. Ollantay je eden od zadnjih ocen njegove nacionalistične obdobju Argentin skladatelja Alverto Ginastera. Posnetkov za glasbo prihaja iz Popol Vuh ali knjige sveta, sestavljanka majevskih mitov ustvarjanje in legendarnih bogov. Ollantay je sin Zemlje. mu nasprotuje Inca, sin Sonca . Ginastera razdeljena zgodbo na tri dele, ki jih je opisal takole. I. Landscape Ollantaytambo. Podeželje od Ollantaytambo. II. . The Warriors. III. . Smrt Ollantay. Ginastera sestavljena Ollantay v Buenos Airesu leta 1947. Erich Kleiber, komu je delo posvečeno, izvedli svetovno premiero v Buenos Airesu 29. oktobra 1949 z orkestru Teatro Colon.