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Originalno

Robbins' Nest. B-Flat Trumpet sheet music. Bass Trombone sheet music. Horn sheet music. Tuba sheet music. Advanced.

Prevod

Robbinsa Nest. Trobenta notno B-Flat. Bass pozavna note. Horn note. Tuba note. Napredno.

Originalno

Robbins' Nest by The Claude Thornhill Orchestra. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For big band. 2 Alto Saxophones. both double clarinet. , 2 Tenor Saxophones. tenor saxophone 2 doubles bass clarinet. , 1 Baritone Saxophone, 3 Trumpets, 2 Horns in F. alternate parts included - 4th trumpet and 3rd trombone. , 2 Trombones, 1 Tuba. or bass trombone. , Guita. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8097. Background. Some of the most well-known arrangements of modern jazz from the mid-1940s. commonly called bebop, although most of the musicians playing the music disliked the term. were written for the Claude Thornhill Orchestra by its musical director, Gil Evans. Robbins Nest, while not strictly a bebop line, nevertheless remains popular with jazz musicians, and Evans setting of it is one more classic in post-war big band music. For many years, Evans music was at the top of pretty much any band directors wish list as music they wanted their students to play and study. We are delighted to make this music available in the best possible editions. The Music. Robbins Nest was written by tenor saxophonist Illinois Jacquet and pianist Sir Charles Thompson, and they recorded the piece in May of 1947. Lyrics were added by Bob Russell, and this version is known as Just When Were Falling In Love. The piece was subsequently recorded by many artists, including the orchestras of Claude Thornhill and Count Basie. Another version was waxed by the excellent Sam Donahue Orchestra, and this record was as close to a hit as Donahue had. Donahue was still playing it on the road with his orchestra ten years later. Robbins Nest was named after the radio program of the same name hosted by well-known media personality Fred Robbins. 1919-1992. in New York City, heard on various stations over the years. Robbins was all over radio and television as a variety show and quiz show host, actor, and writer. In 1947, he was primarily known as a modern jazz DJ, and the newest records were heard on his program. Please note that this arrangement was recorded for Columbia Records and for radio transcriptions. The Columbia recording has a cut from bars 60-66 because of time. all transcriptions are complete and are easy to find on CD. Notes to the Conductor. If I were asked to name a piece where it seemed like the ensemble was going to explode but never does, I would immediately think of this arrangement. The Thornhill Orchestra was known as an ensemble that featured extreme contrasts in dynamics, from very soft to loud. Thornhill gave interviews about how he admired the Glenn Miller Orchestra for its dynamic control, and how he sought to imitate it. Although there are some sections of Robbins Nest that are moderately loud to very loud, the key to the success of this arrangement is softness. the ability to play very relaxed yet softly at the same time, which is seldom asked for in the music many big bands study and play today. This is the perfect piece to practice such an approach. Additionally, some of the voicings are highly dissonant and demand perfect intonation. Grinds of half-steps against each other. F# against G natural, Db against C, often in the same instruments. are an Evans trademark in all his music, from Thornhill to the classic Miles Davis albums Miles Ahead and Porgy and Bess. he even asks for quarter tones in the trombones in some settings. , and musicians must get used to them, even though they may have encountered them previously in the music of Maria Schneider and Bob Brookmeyer. Here they are used in a popular music vein vs. composition. I have resisted the temptation to put excessive articulation in the parts, as Ive found that in doing so, it can tend to be exaggerated in performance. Evans music must be played many times so that musicians get every last nuance he put into it, and in doing so, you and the band will find your way toward a performance that everyone will be comfortable playing and hearing. Jeffrey Sultanof -February 2010 Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

Prevod

Robbinsa Nest The Thornhill orkester Claude. Uredil Jeffrey Sultanof. Uredil Gil Evans. Za big band. 2 Alto saksofoni. tako dvojno klarinet. , 2 Tenor Saksofon. tenor saksofon 2 podvoji bas klarinet. , 1. bariton saksofon, 3 trobente, 2 Horns v F. nadomestni deli vključeni - 4. trobenta in pozavna 3.. , 2 pozavne, 1 Tuba. ali bas pozavna. , Guita. Swing. Težko. Polna rezultat in sklop delov. Izdala Jazz Lines publikacije. JL.JLP-8097. Ozadje. Nekatere od najbolj znanih ureditev sodobnega jazza od sredine leta 1940. navadno imenujemo bebop, čeprav večina glasbenikov, ki igrajo glasbo maral izraz. so bile napisane za Thornhill orkester Claude njen glasbeni direktor, Gil Evans. Robbins Nest, čeprav ni nujno bebop črta, kljub temu je še vedno priljubljen jazz glasbeniki, in Evans nastavitev od tega je ena klasika v povojni big band glasba. Že vrsto let, je bil Evans glasba na vrhu precej koli seznamu želja pas direktorji kot glasbo, ki jo je želel svoje študente, da igrajo in študijski. Mi smo veseli, da bo ta glasba na voljo najboljše možne različice. Glasba. Robbins Nest je napisal tenor saksofonist Illinois Jacquet in pianista Sir Charles Thompson, in so posneli kos v maju 1947. Pesmi so bile dodane Bob Russell, in ta različica je znana kot ravno takrat, ko je padala v ljubezni. Kos je nato zabeležil številne umetnike, vključno z orkestri Claude Thornhill in grof Basie. Druga različica je bila voskom, ki ga odlično Sam Donahue orkestra in ta zapis je bil tako blizu zadetka, kot je bilo Donahue. Donahue je še vedno igral na cesti s svojim orkestrom deset let pozneje. Robbins Nest je dobila ime po radijski program z istim imenom, ki ga dobro znana medijska osebnost Fred Robbins gosti. 1919-1992. V New Yorku, slišali na različnih postajah v preteklih letih. Robbins je vsem radia in televizije kot variete in kviz kažejo gostiteljice, igralec in pisatelj. Leta 1947 je bil znan predvsem kot sodobno jazz DJ in najnovejše evidence je bilo slišati na svojem programu. Prosimo, upoštevajte, da je bil ta dogovor evidentira za Columbia Records in radijskih transkripcij. Snemanje Columbia ima izrezano iz barov 60-66, ker časa. Vsi prepisi so popolni in se z lahkoto najdete na CD-ju. Pojasnila k Dirigent. Če bi me vprašal, če naštejemo košček, kjer se je zdelo, kot je bil ansambel bo razneslo, vendar nikoli ne, bi jaz takoj pomislim na tega dogovora. Thornhill Orkester je bil znan kot komplet, ki pokaže ekstremnih kontrastov v dinamiki, od zelo mehke in glasno. Thornhill je pogovore o tem, kako je občudoval Miller Orchestra Glenn za svojega dinamičnega nadzora, in kako si je prizadeval, da ga posnemajo. Kljub temu, da so nekateri deli Robbins Nest, ki so zmerno glasno, da zelo glasno, ključ do uspeha te ureditve je mehkoba. sposobnost za predvajanje zelo sproščeno še mehko istočasno, ki se le redko zahteva pri glasbi veliko velike skupine učijo in igrajo se danes. To je idealen kos vaditi tak pristop. Poleg tega nekateri voicings so zelo Dissonant in zahtevajo popolno intonacijo. Zmelje v pol-korakov pred seboj. F# against G natural, Db against C, often in the same instruments. so Evans blagovna znamka v vsej svoji glasbi, iz Thornhill na klasičnih Miles Davis albumov Miles Ahead in Porgy and Bess. je celo prosi za četrt tone v pozavne v nekaterih okoljih. In glasbeniki morajo navaditi na njih, čeprav lahko so jih že naleteli v glasbi Maria Schneider in Bob Brookmeyer. Tu se uporabljajo v ljudski glasbeni veno vs. sestava. Sem se upiral skušnjavi, da bi dal prekomerno artikulacijo v delih, kot Ive ugotovljeno, da je v tem, da lahko ponavadi pretiravala pri opravljanju. Evans glasbe morajo biti odigrane večkrat, tako da glasbeniki dobili vsak zadnji odtenek je dal v njem, in tako boste in bend najti svojo pot proti predstavo, da bo vsakdo lahko udobno igranje in sluh. Jeffrey Sultanof-februar 2010 Note. Zvok vzorec je courtesy of Manhattan School of Music koncert Jazz Band, ki ga Justin DiCioccio izvedla.