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Originalno

Compendium. Percussion sheet music. Snare Drum sheet music. Vibraphone sheet music. Xylophone sheet music.

Prevod

Zbirka. Tolkala note. Snare boben note. Vibrafon note. Ksilofon note.

Originalno

Compendium composed by Blake M. Wilkins. Percussion ensemble. For player 1. orchestra bells, chimes, timbales, medium gong, medium cymbal. , player 2. xylophone, medium cymbal, 3 tuned gongs, bass drum. , player 3. xylophone, crotales, medium large gong, snare drum, 2 brake drums, small cymbal. , player 4. vibraphone, 5 al. 11 players. Difficulty. Difficult. Duration 11. 45. Published by C. Alan Publications. CN.34. At first glance, the eight years that separate Twilight Offering Music and Compendium seem to bear witness to a drastic change in aesthetic orientation for Blake Wilkins. on the surface, the differences between these two pieces are striking. Yet Compendium is not fundamentally that far removed from Twilight Offering Music. They seem more to occupy different points on a continuum. Compendium simply brings to the forefront and provides an enhanced focus on the primary issues that have informed the bulk of Wilkins' compositions to date. a fascination with coherent organic structures. a preoccupation with the interaction of disparate closed-ended processes. the cultivation of virtuosity in the context of ensemble playing. and the generation of unique and compelling sound worlds. Written between June and September of 1994, Compendium is the result of a commission granted by the University of Oklahoma Percussion Ensemble. It began as a significantly different piece bearing the title 17 Essays on Parametric Transmogrification Presented Coetaneously and In a Single Movement. Wilkins quickly discovered, however, that the broad outline of abstract principles he intended the work to embody would have resulted in a composition that rivaled Twilight Offering Music in length. The composer's central strategy was to isolate the normally integrated parameters of music ú rhythm, melody, harmony, texture, timbre and so forth ú and submit them to various closed-ended transformational processes. The seventeen resulting processes, or "essays," would be of different lengths, starting and ending at different points in the music. Some would last for less than a minute, others would extend through the entirety of the piece. They would overlap and intersect, yet always remain self-contained. This strategy is also the primary focus of Compendium, which even uses some of the music intended for original. Thus, Compendium is precisely that ú a summary of the principles developed in the 17 Essays, focusing mostly on those processes dealing with rhythmic and melodic transformations. But while derivative of the 17 Essays, Compendium is a substantially different work. "As for the fate of 17 Essays on Parametric Transmogrification," writes the composer, "I am loath not to complete it, lest I might disappoint those who have assured me the title is too good to waste. Compendium was commissioned by the University of Oklahoma Percussion Ensemble, Richard C. Gipson, Conductor. It received its premiere performance November 18, 1994, by the Ensemble at the Percussive Arts Society International Convention in Atlanta, Georgia, Dr. Gipson conducting. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

Prevod

Zbornik sestavljajo Blake M. Wilkins. Tolkala ansambel. Za igralca, 1. orkester zvonci, zvončki, timbales, srednje gong, srednje činele. , Igralec 2. ksilofon, srednje činele, 3 uglašeni gongi, bas boben. , Igralec 3. ksilofon, crotales, srednje velik gong, snare boben, 2 zavorni bobni, majhne činele. , Igralec 4. vibrafon, 5 al. 11 igralcev. Težavnost. Težko. Trajanje 11. 45. Izdala C. Alan publikacije. CN.34. Na prvi pogled je osem let, da je ločen Twilight Ponudba Glasba in zbirki se zdi, da pričajo o drastičnih sprememb v estetski orientaciji Blake Wilkins. na površini so razlike med tema dvema se presenetljivo. Kljub temu je Kompendij bistveno, da sedaj ne odstranijo iz somraka Ponudba glasbo. Se zdi bolj zasedajo različne točke na kontinuumu. Zbirka preprosto prinaša v ospredje in zagotavlja večjo osredotočenost na primarnih izdaj, ki so obvestile večino Wilkins 'skladb na tekočem. fascinacija z usklajenimi organskih struktur. preokupacija z interakcijo neenakih zaprtega procesov. gojenje virtuoznosti v okviru ansambla igranje. in ustvarjanje edinstvenih in prepričljivih zvočnih svetov. Napisal med junijem in septembrom 1994, Zbirka je rezultat komisija, ki jo na Univerzi v Oklahomi Percussion Ensemble podelila. Začelo se je kot bistveno drugačen kos, ki nosi naslov 17 esejev o Parametrični Transmogrification Predložen Coetaneously in z eno samo potezo. Wilkins hitro odkrili, pa je, da bi grobem abstraktnih načel je namenjenih delo poosebljajo povzročilo sestavi, ki tekmovali Twilight Ponudba Glasba v dolžini. Osrednja strategija skladateljev je bil izolirati običajno integrirane parametre glasba º ritma, melodije, harmonije, teksture, Barva glasu in tako rodila º in jih predloži v različnih zaprtega transformacijskih procesov. Sedemnajstimi, ki izhajajo procesi, ali "eseje," bi bilo različnih dolžin, ki se začne in konča na različnih točkah v glasbi. Nekateri bi trajal manj kot minuto, drugi bi razširila prek celoti kosa. Ti bi se prekrivajo in prepletajo, še vedno ostala v enem kosu. Ta strategija je tudi glavni poudarek zbirki, ki tudi uporablja nekaj glasbe, namenjenega za izvirniku. Tako Zbirka je prav, da à º povzetek načel, razvitih v 17 esejev, ki se osredotoča predvsem na tiste procese, ki se ukvarjajo z ritmičnih in melodičnih transformacij. Toda medtem ko derivat od 17 esejev, Kompendij je bistveno drugačno delo. "Kot je za usodo 17 Essays parametričnih Transmogrification," je zapisal skladatelj, "sem neradi ga ni dokončal, da ne smem razočarati tiste, ki so mi zagotovili naslov je predober za odpadke. Zbirka je bila naročena s strani Univerze v Oklahomi tolkalni ansambel, Richard C. Gipsona, dirigent. Prejela je krstili 18. november 1994, ki ga je ansambel na Mednarodno konvencijo o udarnega Arts Society v Atlanti, Georgia, dr Gipson vodenje. O OU Percussion Press. Leta 1977 tolkalni orkester in ansambel OU začela projekt, ki se je razvil v nacionalno modela za spodbujanje in razvoj nove glasbe za tolkala ansambla. OU tolkalni ansambel zagon serije redno ukvarja izjemne skladatelje, da pišejo dela v tem mediju. Zagon serija je odgovoren za ustvarjanje nekatere današnje sponk v tolkalni ansambel repertoarja. Leta 1983 je na Univerzi v Oklahomi financirala ustanovitev OE Percussion Press, podaljšanje neprofitna območja tolkala. Skozi Percussion Press, so bile skladbe za zagon serije plus druga dela izrecno napisal za tolkalni orkester in kompleti OU na voljo za nakup in uspešnosti vodilnih svetovnih tolkalnih ansamblov. Percussion tisk "kataloške številke več kot 50 del, vsi so bili objavljeni v neprofitno podjetje kot storitev za opravljanje poklica.