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Originalno

Assumpta est Maria. Choir sheet music.

Prevod

Assumpta est Maria. Zbor note.

Originalno

Assumpta est Maria. No. 2 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964300. ISBN M-007-14352-7. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita sets each section of the Offertorium text vividly, in keeping with the style of Renaissance motets. The opening motif soars powerfully upwards over a pedal point in leaps of a fifth and fourth from the starting note of C, before pausing on a chord of superimposed fourths at the word coelo. heaven. In the corresponding place at the end of the work, the same tender chord is heard en passant at the word "Maria", a beautiful musical portrayal of the mystery of the Assumption of Mary into heaven. The angels' rejoicing and the alleluia forms the greater part of the motet. imbued with playful repetitions and eighth note rests, the emphasis in the words is displaced and individual, dance-like syncopations are created. The dynamic climax of the work is in three upswings at the words "cum Christo regnat in aeternum", arriving at a radiant B flat major at the word "aeternum". eternity. , chanted forte hymnically over five measures.

Prevod

Assumpta est Maria. No. 2 from Three Marian Motets. Ki ga sestavljajo Ko Matsushita. Za SSAA zbor. Carus Sodobna. Sodobna zborovska glasba. Advent, Prazniki Blažene Device Marije, Himne v hvalo Marije. Polna ocena. Besedilo jezik. Latin. 8 strani. Izdala Carus Verlag. CA.964300. ISBN M-007-14352-7. Z besedilom jeziku. Latin. Advent, Prazniki Blažene Device Marije, Himne v hvalo Marije. Matsushita določa vsak odsek besedila Offertorium živo, v skladu s slogom renesančnih motetov. Motiv odpiranje Soars močno navzgor preko pedala točke v Skoke v peti in četrti od začetne note od C, pred premori na tetivi so nadgrajeni četrtin na besedo coelo. heaven. Na ustreznem mestu na koncu dela, je ista ponudba tetiva slišal en passant na besedo "Maria", lepo glasbene podobe skrivnosti Marijinega vnebovzetja v nebesa. Veselja angelov in Aleluja predstavlja večji del motet. prežeta z igrivimi ponovitvami in osme note počiva, je poudarek na besedi razseljenih in posameznik, so ustvarili-ples kot sinkopami. Dinamični vrhunec dela je v treh vzponih na besedi "cum Christo regnat v aeternum", ki prispe na sevalno B duru na besedo "aeternum". večnost. , chanted forte hymnically over five measures.