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Originalno

Misericordias Domini. Wolfgang Amadeus Mozart. Choir sheet music. Double Bass sheet music. Organ Accompaniment sheet music.

Prevod

Misericordias Domini. Wolfgang Amadeus Mozart. Zbor note. Dvojni bas note. Organski Spremljava note.

Originalno

Misericordias Domini. Offertorium. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Robert Munster. Arranged by Eberhard Kraus. For SATB choir, 2 violins, viola, cello. bassoon. contrabass, organ. D-Moll. D minor. Stuttgart Urtext Edition. Score available separately - see item CA.4004000. Latin Psalms, Lent and Passiontide, Easter and Eastertide, Praise and thanks. Choral score. Language. Latin. Composed 1775. KV 222. 205a. 8 pages. Duration 7 minutes. Published by Carus Verlag. CA.4004005. ISBN M-007-05826-5. With Language. Latin. Latin Psalms, Lent and Passiontide, Easter and Eastertide, Praise and thanks. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Munster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also be traced back to the Munich autograph.

Prevod

Misericordias Domini. Offertorium. Sestavljajo ga Wolfganga Amadeusa Mozarta. 1756-1791. Uredil Robert Munster. Urejene po Eberhard Kraus. Za SATB zbor, 2 violini, viola, violončelo. fagot. kontrabas, orgle. D-Moll. D-molu. Stuttgart Urtext Edition. Rezultat na voljo ločeno - glej točko CA.4004000. Latin Psalmi, Lent in Passiontide, velikonočni in Eastertide, Pohvale in hvala. Zborovska ocena. Jezik. Latin. Sestavlja 1775. KV 222. 205a. 8 strani. Trajanje 7 minut. Izdala Carus Verlag. CA.4004005. ISBN M-007-05826-5. Z jezikom. Latin. Latin Psalmi, Lent in Passiontide, velikonočni in Eastertide, Pohvale in hvala. Ker so izgubili dva preverljive avtogramov v Žrtvovanje misericordias Domini je bil Robert Munster za to novo kritično izdajo zanesti prvič na rokopisnih delih iz glasbe sodišča v Münchnu, ki je odkril. To se lahko izsledi nazaj do materiala, ki se uporablja za prvo opravljanje dela v Münchnu leta 1775, zato jih je mogoče zaslediti tudi nazaj v Münchnu avtogram.