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Originalno

Traditional Jazz Series. Chicago-Style Jam Session. 2 CD. Clarinet sheet music.

Prevod

Tradicionalni Jazz Series. Chicago-Style Jam Session. 2 CD. Klarinet note.

Originalno

Traditional Jazz Series. Chicago-Style Jam Session. 2 CD. for clarinet. Instrumental Solo Part and 2 CDs. Published by Music Minus One. MO.MMOCD3239. ISBN 1596152664. This exciting MMO volume emphasizes collectively improvised ensembles and the succession of individual solos in the freewheeling "Chicago-Style" offshoot of New Orleans Jazz. The rhythmic texture is rooted in the swing feel of the late 1930s, and the instrumentation is typical of the New York groups of this genre. The songs are popular melodies from the 1900s to 1930s as well as multithematic compositions and blues-on this album you'll find such classics as "'Deed I Do," "Sugar," "The Darktown Strutters' Ball," "That's a Plenty" and more. Sometimes this style is referred to as the New York-Chicago style, sometimes as post-Chicago style. It has also been called "Nicksieland," a play on "Dixieland" that recognizes a Greenwich Village nightclub called "Nick's," where this music was showcased in the 1950s. Chicago-style jazz is named for the city where it first developed. In the 1920s, many New Orleans musicians, including Joe "King" Oliver, Jimmy Noone, Johnny and "Baby" Dodds, Freddie Keppard, "Jelly Roll" Morton, Louis Armstrong, the Original Dixieland Jazz Band, and the New Orleans Rhythm Kings actively performed and recorded in Chicago. There are also many younger musicians around Chicago who were profoundly influenced by their music, including Eddie Condon, Benny Goodman, Gene Krupa, Muggsy Spanier, Bud Freeman and many others. By the 1930s many of these same musicians moved on to New York. Some continued to perform in the New Orleans tradition and others became significant figures of the Swing era. As the Big Band era closed, improvising soloists still found work in New York clubs such as Nick's, Eddie Condon's and the Metropole. The texture was distinctly in the New Orleans tradition but the language was Swing and directly reflected the synthesis that took place in Chicago. The musicians chosen for this session are, in a way, exponents of this tradition. Their personal styles are amalgamations of the greatest stylists who preceded them. You can hear in Hal Smith aural glimpses of Dave Tough and George Wettling. You can hear in Jon-Erik shades of Muggsy Spanier and Wild Bill Davison. Brian Ogilvie's voice of choice is flavored by the sonorities of Bud Freeman and Eddie Miller, and Evan Christopher owes more than a little bit to Edmond Hall's style. The other musicians were chosen for these qualities as well, and as a result, this stylistically accurate recording demonstrates the inner workings of collective improvisation in a traditional jazz context. You'll be blown away by the quality of these jazz combos-and this album includes both printed solo part and a concert lead sheet, to give you a rare glimpse into the workings of the great bands of the past-and present. Also includes a slow-tempo version of the accompaniments to help you get up to speed. Includes a 32-page music book containing a solo chart for each song containing the melody line and chord changes for proper improvisational playing of each song. plus a concert lead sheet giving the overall "roadmap" for each piece, printed on high-quality ivory paper. and two compact discs containing the complete performance of these jazz combos in digitally mastered stereo. a digital stereo version of each piece minus the soloist. and a special -20% slow-tempo version of each accompaniment for practice purposes. For related items see the following item numbers. MMOCD3844, MMOCD3921, MMOCD4218. Rosetta. 'Deed I Do. Blues. My Naughty Sweetie Gives to Me. Sugar. That Sugar Baby o'Mine. The Darktown Strutters' Ball. The Royal Garden Blues. Poor Butterfly. That's A Plenty.

Prevod

Tradicionalni Jazz Series. Chicago-Style Jam Session. 2 CD. za klarinet. Instrumental Solo del in 2 CD-jev. Izdala Music Minus One. MO.MMOCD3239. ISBN 1596152664. Ta vznemirljiva obseg MMO poudarja kolektivno improvizirane ansamble in dedovanje posameznih solo v prostem teku "Chicago-style" veja New Orleans Jazz. Ritmična tekstura je zakoreninjen v zamahu občutek poznih 1930 in instrumentacija je značilna za skupine New York tega žanra. Pesmi so zelo priljubljene melodije od 1900 do 1930, kakor tudi multithematic kompozicije in blues-na tem albumu boste našli take klasike kot so "" Deed storim, "" Sugar "," The Darktown Strutters "Ball", "To je Veliko "in več. Včasih se ta stil imenuje slogu New York-Chicago, včasih kot post-Chicagu slog. To je bil imenovan tudi "Nicksieland," play o "Dixieland", ki prepozna Greenwich Village nočni klub, imenovan "Nick", kjer je bila ta glasba prikazani leta 1950. Chicago-style jazz je dobil ime po mestu, kjer je prvi razvil. Leta 1920, mnogi New Orleans glasbeniki, vključno Joe "King" Oliverja, Jimmy nihče, Johnny in "Baby" Dodds, Freddie Keppard, "Jelly Roll" Morton, Louis Armstrong, Original Dixieland Jazz Band, in New Orleans Rhythm Kings aktivno nastopal in snemal v Chicagu. Obstajajo tudi številni mladi glasbeniki okoli Chicaga, ki so s svojo glasbo močno vplivali, vključno Eddie Condon, Benny Goodman, Gene Krupa Muggsy Spanier, Bud Freeman in še mnogi drugi. Z 1930 veliko teh istih glasbenikov preselili na New York. Nekateri še naprej opravljati v New Orleans tradicijo in drugi postali pomembni podatki o swinga. Kot Big Band era zaprta, improvizacijo solisti vedno našel delo v New Yorku klubih, kot so Nick, Eddie Condon in Métropole. Tekstura je izrazito v New Orleans tradicije, ampak jezik je bil Swing in se neposredno odraža sintezo, ki je potekala v Chicagu. Glasbeniki, izbrani za to sejo, so na nek način, eksponenti te tradicije. Njihovi osebni stili so amalgamations največjih stilistov, ki so jih pred tem. Lahko slišite v Hal Smith zvočnimi utrinki Dave Tough in George Wettling. Lahko slišite v Jon-Erik odtenkih Muggsy Spanier in Wild Bill Davison. Glas Brian Ogilvie je izbira je z okusom, ki ga sonorities iz Bud Freeman in Eddie Miller in Evan Christopher dolguje več kot malo stilne Edmond Hall. Drugi glasbeniki so bili izbrani za te lastnosti, kot tudi, in kot rezultat, to slogovno točne snemanje dokazuje notranje delovanje kolektivne improvizacije v tradicionalni jazz kontekstu. Vas bo odpihnilo s kakovostjo teh jazz-glavnik in ta album vsebuje tako natisnjeno solo del in koncertno svinca list, da vam redek vpogled v delovanje velikih bendov preteklega in sedanjost. Vključuje tudi počasno tempo različico spremljav, ki vam pomaga priti do hitrosti. Vsebuje 32 strani dolgo knjigo, ki vsebuje glasbeno solo karte za vsako pesem, ki vsebuje melodijo linijo in tetiva spremembe za pravilno improvizacijskega igranje vsako pesem. plus koncert svinec list dale vtis "časovni načrt" za vsak kos, tiskano na visoko kakovostnem papirju slonovino. in dveh zgoščenk, ki vsebujejo popolno delovanje teh jazzovskih glavnik v digitalno obvlada stereo. Digitalni stereo verzija vsakega kosa minus solist. in posebna -20% počasen tempo različica vsako spremljavo za namen prakse. Za njimi povezani predmeti glej naslednji številki. MMOCD3844, MMOCD3921, MMOCD4218. Rosetta. "Deed I Do. Blues. Moj Naughty Srček daje to Me. Sladkor. Da Sugar Baby o'Mine. Ball Darktown Strutters ". The Royal Garden Blues. Poor Butterfly. To je Plenty.