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Originalno

European Fin-de-siecle and Polish Modernism. The Music of Mieczyslaw Karlowicz.

Prevod

Evropska Fin-de-siecle in poljski Modernizem. Glasba Mieczysław Karłowicz.

Originalno

European Fin-de-siecle and Polish Modernism. The Music of Mieczyslaw Karlowicz. Ad Parnassum Studies. Edited by Luca Sala. Edited book. 432 pages. Published by Ut Orpheus. UT.APS-04. ISBN 978-88-8109-467-7. Essays by Tomasz Baranowski, Andrzej Chwalba, Stephen Downes, Peter Franklin, Stefan Keym, Ryszard D. Golianek, Agata Mierzejewska, Michael Murphy, Jadwiga Paja-Stach, Luca Sala, Renata Suchowiejko, Emma Sutton, Andrzej Tuchowski, Alistair Wightman, James L. Zychowicz. In this volume I aim to examine the figure of Mieczyslaw Karlowicz in the broader sociocultural context which fostered his work. The attempt to contextualize an immense intellectual patrimony - despite being restricted to a tiny number of works when compared to more prolific authors, especially in the context of the xix and the xx centuries - is always a complex and hazardous task. My primary intention in organizing the volume has been to explicate Karlowicz the man as well as Karlowicz the composer, against the complex background of the European fin-de-siecle. The various essays aim to present the reader with an exhaustive reconstruction of Karlowicz intellectual work. Karlowicz oeuvre offers a broad artistic portrayal of Poland at the end of the nineteenth century as a fast-evolving country, politically divided and filled with contradictions. Hence the necessity to investigate the fin-de-siecle context with its social and historical implications, showing the influence of the European cultural milieu on the composer's poetics and on his thought. We shall examine the spectrum of relationships and affinities linking Karlowicz works to the Polish cultural world. on the wave of the rising 'autochthonous' avant-garde movements. and to the wider cultural life pulsating beyond its borders, with special reference to German Wagnerism and Symphonism. Essentially, we are striving to define the uniqueness of his oeuvre, which - in relation to the manifold influences co-existing in Poland, an insubstantial nation from the political viewpoint and divided along three socio-cultural fronts - could be defined as distinctively Polish, yet ultimately European. Luca Sala.

Prevod

Evropska Fin-de-siecle in poljski Modernizem. Glasba Mieczysław Karłowicz. Ad Parnassum Študije. Uredil Luca Sala. Uredil knjiga. 432 strani. Izdala Ut Orfej. UT.APS-04. ISBN 978-88-8109-467-7. Eseji Tomasz BARANOWSKI, Andrzej Chwalba, Stephen Downes, Peter Franklin, Stefan Keym, Ryszard D. Golianek, Agata Mierzejewska, Michael Murphy, Jadwiga Paja-STACH, Luca Sala, Renata Suchowiejko, Emma Sutton, Andrzej Tuchowski, Alistair Wightman, James L . Zychowicz. V tej knjigi sem cilj, da preuči figuro Mieczyslaw Karłowicz v širši družbeno-kulturnimi okviru katerega pospešili svoje delo. Poskus kontekstualizacije neizmerno intelektualno dediščino - kljub temu, da bi bil omejen na majhno število del v primerjavi z bolj plodovitih avtorjev, še posebej v okviru XIX in XX stoletja - je vedno zapletena in nevarna naloga. Moj osnovni namen pri organizaciji glasnost je bila, da Razlagati Karłowicz človeka kot tudi Karłowicz skladatelj, proti kompleksnega ozadja evropskega fin-de-siècle. Cilj je predstaviti bralcu z izčrpnim rekonstrukcijo Karłowicz intelektualnega dela različne eseje. Karłowicz opus ponuja široko umetniško podobo Poljske ob koncu devetnajstega stoletja kot hitro razvijajoče se države, politično razdeljena in napolnjena s protislovji. Zato je potreba, da razišče fin-de-siecle kontekst s svojimi družbenimi in zgodovinskimi posledicami, ki prikazuje vpliv evropskega kulturnega miljeja na poetiko skladateljevih in na njegove misli. Mi preuči spekter odnosov in pripadnosti, ki povezuje Karłowicz deluje na poljskem kulturnem svetu. na valu naraščajočih "avtohtonih" avantgardnih gibanj. in širšem kulturnem življenju pulzirajoče zunaj njenih meja, s posebnim poudarkom na nemškem Wagnerism in Symphonism. V bistvu, si prizadevamo, da opredelijo edinstvenost njegovega opusa, ki je - glede na mnogotere vplive, ki so sočasno obstoječa na Poljskem, neznaten narod s političnega vidika in razdeljen na tri sociokulturne frontah - je mogoče opredeliti kot izrazito Poljski, še končno Evropska. Luca Sala.