Partiture $15.00

Originalno

Caprice For Trumpet And Band-Score. John Zdechlik. B-Flat Trumpet sheet music. Trumpet Solo sheet music. Grade 4.

Prevod

Caprice za trobento in Band-Score. John Zdechlik. Trobenta notno B-Flat. Trobenta Solo note. 4. stopnje.

Originalno

Caprice For Trumpet And Band-Score composed by John Zdechlik. Band. For trumpet solo and concert band. Conservatory Editions. Grade 4. Score. Published by Neil A. Kjos Music Company. KJ.WB177F. Caprice for Trumpet and Band was written in 1994. It was commissioned by Robert E Foster, Conductor of the University of Kansas Symphonic Band. The premier performance was presented on March, 9 1995 in Lawrence, Kansas at the 61st annual conference of the American Bandmasters Association. The soloist was William Campbell, Professor of Trumpet at The University of Kansas. It was the intent of Robert Foster and the composer to produce a work which was challenging for a professional trumpet player yet also playable by an outstanding college student. The piece consist of two contrasting themes in the allegro section followed by a lyrical middle section. Then the first two themes return in altered fashion. Special thanks to David Baldwin, Professor of Trumpet at the University of Minnesota for his helpful suggestions regarding articulation in the final version of this work.

Prevod

Caprice za trobento in Band-Score sestavljajo John Zdechlik. Band. Za trobento solo in koncertni pasu. Conservatory Editions. 4. stopnje. Ocena. Izdala Neil A. Kjos Music Company. KJ.WB177F. Caprice za trobento in Band je bila napisana leta 1994. Naročil je bil Robert E Foster, dirigent Univerze v Kansasu simfoničnega orkestra. Predstava premier je bil predstavljen marca, 9. 1995 v Lawrence, Kansas na 61. letni konferenci Ameriškega združenja Bandmasters. Solist je bil William Campbell, profesor trobente na univerzi v Kansasu. To je bil namen Robert Foster in skladatelja, da dobimo delo, ki je bila izziv za poklicni trobentač še tudi igro z izjemno študent. Kos je sestavljen iz dveh kontrastnih temami v oddelku allegro, nato pa lirično srednjem delu. Nato prvi dve teme vrniti v spremenjeni način. Posebna zahvala David Baldwin, profesor trobente na Univerzi v Minnesoti za njegove koristne predloge v zvezi z artikulacijo v končno različico tega dela.