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Originalno

Overture a 7. Georg Philipp Telemann. Harpsichord sheet music. Piano sheet music. Viola da Gamba sheet music.

Prevod

Uvertura 7. Georg Philipp Telemann. Čembalo note. Klavir note. Viola da gamba note.

Originalno

Overture a 7. C Major. Composed by Georg Philipp Telemann. 1681-1767. Edited by Gunter Kehr. For 3 Oboes, 2 Violins, Viola and Basso continuo. Harpsichord. Piano. , Viola da gamba. Cello, Bassoon. ad lib. This edition. CON 154. Orchestra Music. Concertino. Chamber Orchestra. Grade 3. Score. 46 pages. Duration 23 minutes. Published by Schott Music. SD.49001811. ISBN 9790001024136. Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -"bare" entry of the wind section, the string tutti do not join in the playing until the third bar. The "harlequinade" often appearing in Telemann's overture suites obtains its attraction not least from syncopes and from a permanent change of tone colour. The "Espagniol" whose title prom-ises a bit of urbanity turns out to be a saraband, the "Bourree en Trompette" justifies its name by the tone repetitions typical of trumpet music. In the context of the whole, the "Sommeille", a harmonically unusual movement in C minor, is almost a piece across the border. Even in this gently rocking piece, Telemann is not at a loss for unobtrusive wit when he lets the upper parts die down shortly before the end, only a single bass tone represents the last chord. Harpsichord plays from the score.

Prevod

Uvertura 7. C Major. V sestavi Georg Philipp Telemanna. 1681-1767. Uredil Gunter Kehr. 3 oboi, 2 violini, violo in Basso continuo. Čembalo. Načrt. , Viola da gamba. Violončelo, fagot. ad lib. Ta izdaja. CON 154. Orkester Glasba. Concertino. Komorni orkester. Razred 3. Ocena. 46 strani. Trajanje 23 minut. Izdala Schott Music. SD.49001811. ISBN 9790001024136. Takoj na začetku uverturo, Telemann pride gor s presenetljivo idejo. Po - "golo" vstop v rubriki vetra, niz tutti ne pridružijo pri igranju do tretjega bar. "Harlequinade" pogosto pojavlja v Telemann je uvertura apartmajev pridobi svojo privlačnost nenazadnje iz sinkope in iz stalne spremembe barve tona. "Espagniol", katerega naslov obljub malo urbanosti izkaže, da je Saraband, "Bourree en Trompette" upravičuje svoje ime, ki ga tonskimi ponovitev, značilnih za trobento glasbe. V okviru celote, "Sommeille", harmonsko nenavadno gibanje v c-molu, skoraj kos preko meje. Tudi v tem nežno zibanje kosu, Telemann ni na izgubo za nevsiljivo duhovitostjo, ko je trener zgornji deli umrla malo pred koncem le eno samo bas ton predstavlja zadnji akord. Čembalo igra od rezultata.