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Originalno

Summerfield. Reber Clark. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 3.

Prevod

Summerfield. Reber Clark. Trobenta notno B-Flat. Horn note. Pozavna note. Razred 3.

Originalno

Summerfield composed by Reber Clark. 1955-. For concert band. Flute, Oboe. opt. , Bassoon. opt. , Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trombone 1, Trombone 2, Euph. Band Music. Maestro Band Series. Grade 3. Score and parts. Duration 5. 30. Published by C. Alan Publications. CN.11520. Summerfield, set in a somewhat contemporary fashion and interpreted by a current day director and ensemble, attempts to celebrate the music of all time in the context of the music of one's own time. Summerfield was commissioned by the Commack High School Wind Ensemble, Melissa Hendrickson, Conductor. The title of this piece comes, in a very 'round about way, from the name of a rock band of which I was a member while in college. The majority of the members of the rock band Summerfield consisted mainly of music education majors with a few 'outsider' hard core rockers. It was the mid to late nineteen seventies and we played everything from the Doobie Brothers to Chicago to Blood Sweat and Tears to many covers of any and all rock tunes of the day. The band had many adventures and traveled widely in our region, typical of the college circuit bands of that time. What set us apart was our four man horn section and our commitment to doing horn band tunes. Summerfield's horn section came from a music department whose directors were dedicated to the wind band music of Grainger, Holst, Vaughn-Williams, Persichetti, Chance, Reed, Nelhybel, and many others. We came from a world steeped in wind band tradition. Although Summerfield was playing pop music, the undercurrents in the band, especially the horn section, came from those musical values instilled in us by our teachers and the wind band tradition. In retrospect this musical situation reminds me of the Irish ceilis' that I've been to on visits to Ireland. A ceili' is an informal dance and music get-together with food and drinks that is attended by both young and old. The bands at the ceilis are invariably young but play the traditional tunes of the Irish tradition with as much force and heart as the punk tunes they inevitably render on the same job. Summerfield, set in a somewhat contemporary fashion and interpreted by a current day director and ensemble, attempts to celebrate the music of all time in the context of the music of one's own time. To that end I've used the following traditional folk melodies. the Irish tune 'Spancil Hill' - a recollection of boyhood days long ago and far away, the English tune 'Ramble Away,' from Somerset in the Midlands - about a young man out for conquest, and from Liverpool 'The Leaving of Liverpool,-' about those girls we've left behind. The text of the tunes is printed in the back of the score. 'Reber Clark.

Prevod

SUMMERFIELD sestavljajo Reber Clark. 1955 -. Za koncert pasu. Flavta, oboa. opt. , Fagot. opt. , Klarinet v Bb 1, klarinet v Bb 2. 3, bas klarinet 1. 2, altovski saksofon 1. 2, tenor saksofon, bariton saksofon, trobento v Bb 1, trobento v Bb 2, trobento v Bb 3, rog v F-1, rog v F-2, pozavna 1, pozavna 2, Euph. Band Glasba. Maestro Band Series. Razred 3. Rezultat in deli. Trajanje 5. 30. Izdala C. Alan publikacije. CN.11520. Summerfield, postavljena v nekoliko sodoben način in z današnjega direktorja in ansambla razlagati, poskusi praznovanje glasbe vseh časov v kontekstu glasbe lastnega časa. Summerfield je naročil Commack High School Wind Ensemble, Melissa Hendrickson, dirigent. Naslov tega dela prihaja v zelo "naokoli način iz imena rock zasedbe, od katerih sem bil član, medtem ko v šoli. Večina članov rock skupine Summerfield sestavljali predvsem glasbene vzgoje založbe z nekaj izobčen trših rockerji. To je bil sredine do poznih sedemdesetih let dvajsetega stoletja in smo igrali vse od Doobie Brothers v Chicago Blood Sweat in solz, da veliko vezavo koli in vseh skalnih melodije dneva. Skupina je imela veliko dogodivščin in veliko potoval v naši regiji, značilne za pasovih college vezja tistega časa. Kaj nas loči bila naša štiri človek oddelek rog in naša zaveza, da delaš rog bend melodije. Oddelek rog Summerfield je prišel iz glasbenega oddelka, katerih direktorji so bili namenjeni za pihalnih orkestrov glasbe z dne Grainger, Holst, Vaughn-Williams, Persichetti, Chance, Reed, Nelhybel, in mnogi drugi. Prišli smo iz sveta namočen v pihalnih orkestrov tradicijo. Čeprav Summerfield je igral pop glasbe, so undercurrents v pasu, zlasti na oddelku rogov, je prišel iz teh glasbenih vrednot vzbudil v nas naši učitelji in pihalnih orkestrov tradicijo. V retrospektivi me ta glasbena situacija spominja na irskem ceilis ", da sem bil na obisku na Irsko. Ceili "je neformalno ples in glasbo Zborovanje s hrano in pijačo, da se ga udeležili tako staro in mlado. Pasova na ceilis so vedno mlad, vendar igrajo tradicionalne melodije irske tradicije s toliko silo in srcu kot punk melodije, ki jih neizogibno posledico, da na istem delovnem mestu. Summerfield, postavljena v nekoliko sodoben način in z današnjega direktorja in ansambla razlagati, poskusi praznovanje glasbe vseh časov v kontekstu glasbe lastnega časa. V ta namen sem uporabil naslednje tradicionalnih ljudskih melodij. Irski tune "Spancil Hill" - spomin otroštva dni dolgo nazaj in daleč, angleški tune "Izlet Away," od Somerset v Midlands - o mladeniču ven za osvajanje in Liverpool "odhod Liverpool, - "O teh deklet smo pustili za sabo. Besedilo pesmi je natisnjena na zadnji rezultatom. "Reber Clark.