Partiture $75.00

Originalno

Destination Cincopation. B-Flat Trumpet sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 3.

Prevod

Destinacija Cincopation. Trobenta notno B-Flat. Evfonij note. Horn note. Tolkala note. Timpani note. Pozavna note. Tuba note. Razred 3.

Originalno

Destination Cincopation. A Celebration of the Preoccupation with the Demonstration of the Manipulation of Complex Musical Notation. Composed by Jason K. Nitsch. For concert band. Flute, Oboe, Bassoon, Bb Clarinet 1, Bb Clarinet 2, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, F Horn, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Trombone 1, Trombone 2, Euphonium, Baritone T.C., Tuba, Timpani. Triangle,. Grade 3. Score and parts. Duration 5. 30. Published by C. Alan Publications. CN.17850. As the title implies, 'Destination Cincopation' is a rhythmically driven work that explores the time signatures 5. 4, 3. 4, and 4. 4 and all of the possible rhythmic divisions therein. Catchy, soaring melodies round out this rousing piece for concert band. Destination Cincopation is subtitled 'a celebration of the preoccupation with the demonstration of the manipulation of complex musical notation. ' That really says it all. Doesn't it. Aside from the obvious notion that there is a great deal of syncopation utilized in both the melodic and accompanying figures throughout the piece, there is also an occasional intentionally uncomfortable rhythmic moment. Several times throughout the piece a great effort is made to cloud and obscure the rhythmic groupings of the melody and harmony. Often these forces will work against one another to create tension in otherwise serene moments of musical development. The piece is loosely organized into three continuous sections. A great deal of rhythmic accuracy and control is necessary in order to really cultivate a feeling of comfortable tension. Additionally, several sections of the opening rely on the marked dynamics to fully communicate this idea. The bassoon solo between the first and second sections may be covered by any appropriate instrument of a similar range, or it may be omitted entirely if suitable personnel are not available. The middle section should be less about the tempo and more about the feeling of release and relaxation. Allow the stable percussive elements and the repeated figures in the clarinets to drive this section, while the longer phrases soar above. A slight pause may be appropriate following the fortissimo release at the conclusion of the section, but take great care not to linger too long here. The conclusion resurrects many of the same emotions as the opening. however most of the rhythmic interest is generated here in a more conventional manner. Percussive elements should direct the piece forward from the background until they take control at their feature between the unison statements by the winds. The piece closes with a brief reminder of the opening bars before reaching its ultimate destination. Destination Cincopation was commissioned by Rory Davis and the Cinco Ranch Junior High Honors Band in Katy, Texas. It was completed and premiered in the spring of 2009 in concert with Mr. Davis conducting.

Prevod

Destinacija Cincopation. Praznovanje preokupacija z demonstracijo Manipulacija Complex notni zapis. Ki ga sestavljajo Jason K. Nitsch. Za koncert pasu. Flavta, oboa, fagot, Bb klarinet 1, Bb klarinet 2, Bb bas klarinet, Eb altovski saksofon, Bb tenor saksofon, Eb bariton saksofon, F Horn, Bb Trobenta 1, Bb Trobenta 2, Bb Trobenta 3, pozavna 1, pozavna 2 , evfonij, bariton TC, Tuba, Timpani. Trikotnik,. Razred 3. Rezultat in deli. Trajanje 5. 30. Izdala C. Alan publikacije. CN.17850. Kot je razvidno iz naslova, "Destination Cincopation" je delo ritmično pogon, ki raziskuje časovne podpise 5. 4, 3. 4, in 4. 4 in vseh možnih ritmično oddelkov v njej. Spevnih melodij, naraščajoče zaokrožujejo ta budilen kos za koncert pasu. Destinacija Cincopation podnaslovom "praznovanje na preobremenjenost z demonstracijo manipulacijo kompleksnih notni zapis. "To je res pravi, da je vse. Ali ni to. Poleg očitnih pojma, da obstaja veliko syncopation uporabi tako v melodičnih in priloženih slik v celotnem kosu, je tudi občasno namerno neprijetno ritmično moment. Večkrat v celotnem kosu super si je treba prizadevati za oblak in zamegliti ritmične združenja melodije in harmonije. Pogosto bodo te sile delujejo drug proti drugemu za ustvarjanje napetosti v sicer mirnih trenutkih glasbenega razvoja. Kos je ohlapno organizirano v treh zveznih oddelkov. Veliko ritmično natančnost in nadzor, ki so potrebni, da bi se res gojiti občutek udobno napetosti. Poleg tega je več oddelkov odpiranju zanašajo na označenih dinamiko za celotno komunikacijo to idejo. Fagot solo med prvim in drugim oddelkov se lahko krijejo iz katere koli ustreznega instrumenta za podobno vrsto, ali pa se lahko opustijo v celoti, če so primerni osebje niso na voljo. Srednji del bi moral biti manj o tempo in več o občutku sprostitve in sprostitev. Pustimo, da se stabilni perkusijskih elemente in ponavljajoče se številke v klarineti, da vozi ta del, medtem ko so daljši stavki letijo nad. Rahel premor lahko primerne po sprostitvi Fortissimo na koncu odseka, vendar se zelo trudi, da ne bo ostajal predolgo tukaj. Sklenitev resurrects veliko istih čustev kot odpiranja. Vendar je večina ritmično interesa je tu ustvari bolj običajen način. Udarni elementi bi morali usmeriti kos naprej iz ozadja, dokler ne prevzamejo nadzor na njihovo funkcijo med sozvočju izjav vetrov. Kos se zaključi s kratko opozoriti na odpiranje barih, preden dosežejo svojo končno destinacijo. Destinacija Cincopation je naročila Rory Davis in Cinco Ranch srednji Priznanja Band v Katy, Texas. To je bila končana in premierno v spomladi leta 2009 v dogovoru z gospodom Davis vodenje.