Partiture $40.00

Originalno

Minus Nine. score & parts. Cello sheet music. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Viola sheet music. Violin sheet music. Intermediate.

Prevod

Minus Nine. ocena. Violončelo note. Marimba note. Tolkala note. Vibrafon note. Viola note. Violina note. Vmesna.

Originalno

Minus Nine. score & parts. composed by David Madeira. For Percussion Quartet & String Quartet. Vibraphone. 3-octave. , Marimba 1. 4-octave. , Marimba 2. 4-octave. , Marimba 3. 5-octave. , Violin 1, Violin 2, Viola, Cello. Medium. Score & parts. Duration 8. 30. Published by C. Alan Publications. CN.18260. This delightful work uses the unique combination of a keyboard percussion quartet and a string quartet to musically represent the beautiful & exotic world revealed during low tide on Puget Sound. Minus Nine refers to a very low tide that occurs once in a while at my father's house on Puget Sound, when the water gives way to a vast rocky shore, revealing all kinds of odd sea creatures that otherwise remain hidden. This foreign landscape gradually appears and disappears with nothing to herald its coming, but to those that wander down to explore the beach at this time, a beautiful and exotic world is revealed. An appropriate set-up for this piece has the string quartet placed in its common formation, with the mallet instruments in an arc behind the strings. Percussionists should use medium to medium-soft yarn mallets, so that there is just a faint patter of contact noise. The feel of the opening and closing sections of the piece is one of a slow and steady 4. 4 pulse. however, all quarter notes are divided into 5 sixteenth notes instead of four. This should feel natural and smooth, as if this is the way the beat is always divided. Percussionists should take care to avoid too much pulse, though a slight 2 3 pulse may be used if necessary or desired. At rehearsal letter B when the meter changes every couple of measures to 5. 8, the percussionists never change pace. their quintuplet 16ths become normal sixteenths, so that the only thing that changes in those bars is the beat. The middle adagio section is performed with normal beat divisions. Finally, care should be taken to observe specific dynamic markings, especially at the beginning and end. The overall effect should be of the music materializing out of nothing, presenting itself, and then fading back to nothing. The parentheses in the final bar indicate that the percussionists will essentially be "ghosting" notes inaudibly for the last several seconds.

Prevod

Minus Nine. ocena. ki ga sestavljajo David Madeira. Za Percussion Quartet. Vibrafon. 3 oktave. , Marimba 1. 4-octave. Marimba 2. 4-octave. Marimba 3. 5-octave. , Violina 1, 2 violina, viola, violončelo. Srednje. Ocena. Trajanje 8. 30. Izdala C. Alan publikacije. CN.18260. To čudovito delo uporablja edinstvena kombinacija tipkovnica tolkalni kvartet in godalni kvartet na glasbeno predstavljajo lepa. Minus Nine nanaša na zelo nizki plimi, ki se zgodi enkrat v nekaj časa v očetovi hiši v Puget Sound, ko se voda umakne obsežno skalnate obale, ki razkrivajo vse vrste čudnih morskih bitij, ki sicer ostajajo skrite. Ta tuja pokrajina postopoma pojavi in ​​izgine z ničemer napoveduje svoj prihaja, ampak za tiste, ki zaidejo dol raziskati plažo v tem času, je pokazala lepo in eksotično svet. Primerno set-up za to delo ima kvartet postavi v skupnem nastanku, z melodičnih instrumentov v loku izza godala. Tolkalca morajo uporabljati medij za srednje mehka mallets preje, tako da je le šibek Rožljanje hrupa kontaktni. Utrip odpiranje in zapiranje odsekov kosa je ena počasno in enakomerno 4. 4 impulz. Vendar pa so vsi četrt ugotavlja razdelimo v 5 šestnajstem pojasnilih namesto štirih. To bi moralo počutijo naravno in gladko, kot če je to način, utrip je vedno razdeljena. Tolkalca paziti, da bi se izognili preveč utrip, čeprav se lahko rahlo 2 3 impulza lahko uporabi, če je to potrebno ali želeno. Na vaji črko B, ko meter spreminja vsakih nekaj ukrepov za 5. 8, se tolkalca nikoli ne spremenijo tempo. njihovi quintuplet 16ths postanejo običajne šestnajstine, tako da je edina stvar, ki se spreminja v teh barih je utrip. Oddelek srednji adagio se izvaja z običajnimi oddelki utrip. Nazadnje je treba paziti, da se spoštujejo posebne dinamične oznake, še posebej na začetku in na koncu. Skupni učinek mora biti glasbe uresniči iz nič, se predstavlja, nato pa izginja nazaj na nič. Oklepaji v zadnjem vrstici kaže, da tolkalca bo v bistvu se "prikazen" ugotavlja, neslišno v zadnjih nekaj sekundah.