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Originalno

John Cage and the Music of Always.

Prevod

John Cage in glasba vedno.

Originalno

John Cage and the Music of Always composed by Paul Hillier. Book. Published by Edition Samfundet. PE.ED49. ISBN 87-90056-89-2. I began these mesostics a day or so after reading that John Cage had died. I soon decided that there should be seventy-nine of them - one for each year of his life. Just as John Cage had culled readings from the work of several writers, Thoreau and Joyce most prominent among them, I wanted in my turn to construct a little tribute by exploring various writings of and about Cage himself, and a handful of other writers whom I felt he would have enjoyed experiencing in this way. Among these additional source texts are The Cloud of Unknowing. anonymous 14th-century English. Heraclitus fragments. William Billings. his introduction to his books of psalmody. , the composer from the time of the American Revolution, whose music Cage used for his Hymns and Variations. Russolo - The Art of Noise. Lewis Carroll's Alice in Wonderland. and the I Ching. For those new to the idea, a mesostic is like an acrostic, but with the subject or theme word the middle instead of down the edge. Cage established special rules for working through a text to create a sequence of words, so that the selection would be limited and guided by change rather than taste. In effect these sequences form a chain of short poems. Usually the theme word was the name of someone - very often the writer of the text itself. In this case, it is of course John Cage. Gradually I built up a stock of mesostics from which I selected those that appealed to me - sometimes patching together interesting portions from two failed mesostics to form a new one. I was thus rather freer in my approach than Cage normally was. Apart from the possibility of interesting results, I found this to be a fascinating way of approaching any text which I already esteemed, and of experiencing it afresh, finding not only new or hidden meanings, gut a kind of hand-made crystallization of the text itself. The Music of Always" was a fragment gleaned from this same process too good to pass up. Paul Hillier. 79 mesostics re and not re John Cage.

Prevod

John Cage in glasba vedno sestavljajo Paul Hillier. Knjiga. Izdala Edition Samfundet. PE.ED49. ISBN 87-90056-89-2. Začel sem te mesostics dan ali dva po branju, da je John Cage je umrl. Kmalu sem se odločil, da bi bilo treba Devetinsedemdeset od njih - po enega za vsako leto svojega življenja. Tako kot je John Cage izločenih odčitke iz dela več avtorjev, Thoreau in Joyce najpomembnejši med njimi, sem želela v svoji vrsti zgraditi malo poklon, ki ga raziskuje različne spise in o Cage sebe, in peščica drugih pisateljev, ki sem počutil bi je bil deležen, doživlja na ta način. Med temi dodatnimi izvornih besedil so Cloud neznanih. Anonimni 14. stoletja Angleščina. Heraklit fragmenti. William Billings. Njegov uvod v njegovih knjigah psalmody. , Skladatelj iz časa ameriške revolucije, katere glasba Cage se uporablja za njegovo Himne in Variations. Russolovi - Art of Noise. Lewisa Carrolla Alica v čudežni deželi. in I Ching. Za tiste, ki na novo idejo, mesostic je kot Akrostih, vendar s pridržkom ali temo besedo srednjega namesto navzdol rob. Kletka določena posebna pravila za obdelavo skozi besedilo za ustvarjanje zaporedje besed, da bi se izbira omejena in voden s spremembo namesto okusa. V smislu te sekvence tvorijo verigo kratkih pesmi. Ponavadi tema beseda je ime nekoga - zelo pogosto pisatelj iz samega besedila. V tem primeru je seveda John Cage. Postopoma sem zgradili zalogo mesostics, iz katere sem izbran tisti, ki je pritožil na mene - včasih krpanje skupaj zanimive dele iz dveh neuspelih mesostics za oblikovanje novega. Bil sem torej precej bolj svobodna v mojem pristopu kot običajno je Cage. Razen možnost zanimivih rezultatov, sem ugotovil, da je to zanimiv način približuje koli besedilo, ki sem že cenjenega, in ga doživlja znova, najti ne samo nova ali skrite pomene, gut nekakšno ročno izdelana kristalizacijo besedila sam. Glasba vedno "je bil fragment naberejo iz tega istega procesa preveč dobro da bi šli gor. Paul Hillier. 79 mesostics ponovno in ponovno ne John Cage.