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Originalno

Brindis de Guitarras In Homage to Falla. Acoustic Guitar sheet music. Classical Guitar sheet music. Intermediate.

Prevod

Brindis de Guitarras V Hommage Falla. Akustična kitara note. Klasična kitara note. Vmesna.

Originalno

Brindis de Guitarras In Homage to Falla. A Guitar Tribute. to Manuel de Falla. By Oscar Herrero and Carlos Oramas. For Guitar. Classical. Solos. Flamenco. Intermediate. Compact Disc. Published by Acordes Concert. MB.CD0007. ISBN 9780786674022. Flamenco. 5.5 x 5 inches. In the silence of a Grenadian afternoon stirred by the nearby murmur of the Alhambra, Don Manuel de Falla. 1876-1946. plays on the piano En el generalife, a passage from his Nights in the Gardens of Spain. With true devotion, a group of friends surrounds the maestro, among them the congenial Gypsy from Jerez, Manuel Torre. As Falla concludes, someone questions Torre who remains entranced, absorbed in thought. he responds without hesitation, Everything that has sonidos negros. dark or black sounds. has duende. soul, spirit, a fire within. Sixty years have now passed since the death of Don Manuel, and Oscar Herrero and Carlos Oramas reintegrate his essence in a brief journey in which the circle completes itself in a manner that is perhaps equitable. In addition to being an act of reciprocal love, this recording is an offering that the guitar of today deposits in the Atlantic tomb. where the universal musician of yesterday and today reposes. "In the cathedral of the air. The spirit of de Falla," writes poet Gerardo Diego. 1896-1987. Flamenco has paid tribute, sometimes quite passionately, to the works of many composers. from Rimsky Korsakov to Miles Davis, and from Glinka, Ravel, Turina, Albeniz and Manuel Castillo to John McLaughlin passing by way of Bizet, Granados, Koechli, the Halffters, Mauricio Ohana, or Chausson. But the case of Don Manuel de Falla is different. Possibly, as no one knew how to perceive the spirit- not exactly, but rather in the profound breath deduced from flamenco, that of the jondo. deep song. that was intended to define in his epoch what for Torre were "dark or black sounds". These impregnate the music of de Falla's native Cadiz, the mystery of Grenadian nights, and of Paris with the trends he began, expanding the channels of expression. So it was that Don Manuel de Falla took from flamenco what he would later deposit in El amor brujo, The Three-Cornered Hat, Nights in the Gardens of Spain, La vida breve, or in some of the Seven Popular Spanish Songs like El pano moruno. The Moorish Cloth. or Polo. Now the flamenco guitar of Oscar Herrero and the classical guitar of Carlos Ommas revisit these works. Both play with respect, which is a way of expressing gratitude, with meticulousness and admirable technical perfection, yet at the same time with noteworthy intense emotion- because this recording not only represents an homage, but also the restoration to the man of that of the artist, or similarly- giving to Don Manuel that which is de Falla. Cancion del fuego fatuo. Danza de la molinera. Danza de los vecinos. Danza del molinero. Danza del terror. Danza n 1. Danza ritual del fuego. El Pano Moruno. Le Tombeau de Claude Debussy. Pantomima. Polo.

Prevod

Brindis de Guitarras V Hommage Falla. Guitar Tribute. Manuel de Falla. Oscar Herrero in Carlos Oramas. Za kitaro. Klasična. Solo. Flamski. Vmesna. Compact Disc. Izdala Acordes koncert. MB.CD0007. ISBN 9780786674022. Flamski. 5,5 x 5 palcev. V tišini je Grenadian popoldne mešano z bližnjega šumenju Alhambra, Don Manuel de Falla. 1876-1946. igra na klavir En el generalife, odlomek iz njegovih noči v vrtovih Španiji. Z resnično predanostjo, skupina prijateljev obdaja maestro, med njimi prijetno Gypsy iz Jerezu, Manuel Torre. Kot ugotavlja Falla, nekdo sprašuje Torre, ki ostaja obnorela, zatopljen v misli. se odziva brez obotavljanja, vse, kar je sonidos Negros. temne ali črne zvoki. ima duende. duša, duh, ogenj v. Šestdeset let je minilo od smrti Don Manuel, Oscar Herrero in Carlos Oramas ponovno vključitev njegovo bistvo na kratko potovanje, v katerem se krog zaključi na način, ki je morda pravično. Poleg tega, da dejanje vzajemne ljubezni, ta posnetek je ponudbo, ki kitara danes depozitov v Atlantskem grobu. kjer je univerzalna glasbenik včeraj in danes počiva. "V katedrali v zraku. Duh de Falla, "je zapisal pesnik Gerardo Diego. 1896-1987. Flamenco je poklonil, včasih zelo strastno, na delih mnogih skladateljev. od Rimski Korsakov, da Milesom Davisom, od Glinka, Ravel, Turina, Albeniz in Manuel Castillo in John McLaughlin, ki poteka s pomočjo Bizet, Granados, Koechli, so Halffters, Mauricio Ohana, ali Chaussona. Toda primer Don Manuel de Falla je drugačna. Možno je, saj nihče ni vedel, kako dojemajo duha, ne ravno, ampak v globokem dihu sklepamo iz flamenka, ki v jondo. globoka pesem. , ki je bil namenjen za opredelitev v svoji dobe, kar za Torre bili "temne ali črne zvoki". To impregnacijo glasbo de Falla maternem Cadiz, skrivnosti Grenadian noči, in Pariza z gibanji se je pričel, ki se širi kanale izražanja. Tako je bilo, da je Don Manuel de Falla je od flamenka, kaj bi kasneje depozit v El amor Brujo, The Three-obkolil Hat, Nights in vrtov v Španiji, La Vida breve, ali v nekaterih izmed sedmih priljubljenih španskih pesmi, kot so El pano moruno. Mavrska krpica. ali Polo. Zdaj flamenko kitara Oscar Herrero in klasično kitaro Carlos Ommas ponovno teh del. Tako igra s spoštovanjem, ki je način izrazil hvaležnost, s skrbjo in občudovanja tehnične popolnosti, a hkrati z omembe intenzivno emotion- ker ta snemanja ne predstavlja samo poklon, ampak tudi ponovna za človeka, ki od . Pesem Čreda. Danza de la molinera. Ples od sosedov. Dance miller. Dance of Terror. Danza n 1. Ritual Fire Dance. El Pano Moruno. Le Tombeau de Claude Debussy. Pantomima. Polo.