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50 Renaissance & Baroque Standards - English version.

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50 Renaissance.

Originalno

50 Renaissance & Baroque Standards - English version. with Variants, Examples & Advice for Playing & Improvising on any instrument. Edited by Gerard Rebours, Pascale Boquet. Teaching Works. Book and CD. 144 pages. Published by Anne Fuzeau Productions - France. FZ.6396. ISBN M049063968. 22.00 x 29.70 cm inches. Anne Fuzeau Classique propose books on music. Here, brought together for the first time, you will find 50 Renaissance and Baroque ostinato basses, songs and dances on which composers repeatedly wrote variations over the course of decades or even centuries. These pieces circulated from country to country, from one publication or manuscript to another, and also served as a basis for improvisation by performing musicians of the time. In the tradition of Jazz Standards anthologies, Pascale Boquet and Gerard Rebours have assembled over a hundred pages of the 50 most-used pieces in their basic versions, followed by transpositions and a selection of 210 variants and common derived forms. The examples are enriched with explanations, comments, historical notes and references, supported by the final glossary and bibliography. A generous preface provides theoretical analysis and practical hints for improvising. These 50 'Standards' are presented in increasing order of difficulty, and the musical examples may be used on three levels. The tunes are often easy, so beginners may play them as written. Musicians somewhat acquainted with the subject will be able to begin writing a few divisions or variations. With more experience, players can launch into free improvisation with no "safety net" , as one should. In addition, whether playing on modern or period instruments, any musician or group will be able to approach this repertoire in the following ways. The melodic instruments. flute, violin, viol, oboe. can play and vary the tunes and dances. Polyphonic instruments. keyboard, lute, guitar, harp. may accompany from the figured bass in various ways, and also realise independent versions by playing and varying the two parts at once. Low instruments. bass viol, bassoon, cello. will take the bass line, without neglecting to add their own diminutions and variations. Lastly, this study provides an opportunity to explore a considerable part of the basic 16th and 17th century repertoire, while going deeper into certain harmonic, melodic and stylistic aspects characteristic of each period, each country and even each composer. Broadening the perspective to include improvisation, a practice not yet familiar enough, will add a new dimension to the approach to early music. Table of contents. Introduction. Genesis. Standards. Editorial principles. Improvising. G. R.. The improvisatory gesture. Divisions, diminutions, fredons, passaggi, glosas. Improvising, according to treatises. A division lesson. Practical advice for improvising. P. B.. Analysis of two well-known Standards. 1-Passemezzo Antico. P. B.. 2-Folies. G. R.. 50 Renaissance et Baroque Standards. Glossary. Primary Sources. 1-Theoretical works. 2-Musical publications. 3-Manuscript compilations. Secondary Sources. The authors. Acknowledgements. Index of the 50 Standards. Index of composers and works. " Beautifully designed and printed,. the book is timely as well as valuable. There is no equivalent, practical edition ". A. Robinson, Recorder Magazine, England. " Beware, this book is dangerous. Once you have opened it, you will never want to be without it again. J. Cordaro, Lute Society Bulletin, Belgium. " The book we have all been waiting for. Recommended to everyone. Nostalgia, Japan. " Congratulations to the authors. D. Pistonne, Professor at the Sorbonne University, Paris.

Prevod

50 Renaissance. z različicami, Primeri. Uredil Gerard Rebours, Pascale Boquet. Poučevanje Deluje. Knjiga in CD. 144 strani. Izdala Anne Fuzeau Productions - Francija. FZ.6396. ISBN M049063968. 22,00 x 29,70 cm cm. Anne Fuzeau Classique predlaga knjig o glasbi. Tu so se zbrali prvič, boste našli 50 renesančnih in baročnih ostinatni basi, pesmi in plese, na katerih skladateljev večkrat pisali variacije tekom desetletij ali celo stoletij. Ti kosi krožijo od države do države, od ene objavi ali rokopis v drugo, in služil tudi kot osnova za improvizacijo, ki jih opravljajo glasbeniki tistega časa. V tradiciji antologijah jazzovskih standardov, ki so Pascale Boquet in Gerard Rebours sestavil več kot sto strani 50 najbolj uporabljanih kosov v svojih osnovnih različicah, sledijo prenosi in izbor 210 variant in skupnih pridobljenih obrazcev. Primeri so obogateni z obrazložitvami, komentarjev, zgodovinskih zapiskov in referenc, ki jih končni pojmovnika in bibliografijo podprta. Radodaren predgovor omogoča teoretično analizo in praktične nasvete za improvizacijo. Te 50 "Standardi" so predstavljeni v naraščajočem vrstnem redu težavah in glasbeni primeri se lahko uporabljajo na treh ravneh. Melodije so pogosto preproste, tako začetniki, jih lahko igrate kot je napisano. Glasbeniki nekoliko seznanijo s temo bodo lahko začeli pisati nekaj oddelkov ali različic. Z več izkušnjami, lahko igralci začnejo v prosti improvizaciji, brez "varnostne mreže", kot bi moral biti eden. Poleg tega, ali je igranje na sodobnih ali obdobja instrumentov, bo vsak glasbenik ali skupina mogli približati ta repertoar na naslednje načine. Melodične instrumente. flavta, violina, viola, oboo. lahko igrajo in se razlikujejo melodije in plesi. Polifonične instrumenti. tipkovnica, lutnja, kitara, harfa. lahko spremljajo od pogruntal bas na različne načine, in tudi zavedati, neodvisne različice z igranjem in spreminjanjem dveh delov naenkrat. Nizke instrumenti. bas viola, fagot, violončelo. bo bas linijo, ne smemo pa zanemariti, da dodate svoje diminutions in variacije. Nazadnje, ta študija ponuja priložnost, da razišče znaten del osnovne repertoarja 16. in 17. stoletja, ko je šel globlje v nekaterih harmonskih, melodičnih in slogovnih vidikov, značilnih za vsako obdobje, vsaki državi, in celo vsak skladatelj. Razširitev perspektive vključujejo improvizacijo, praksa še niso dovolj seznanjeni, bo do pristopa k zgodnji glasbi dodati novo dimenzijo. Kazalo. Predstavitev. Genesis. Standardi. Uvodnik načela. Improvizirali. G. R.. Improvizacijsko gesta. Divizije, Diminutions, fredons, prehodi, glosas. Improvizacijo, v skladu z razpravami. Delitev lekcija. Praktični nasveti za improvizacijo. P. B.. Analiza dveh znanih standardih. 1-Old Passemezzo. P. B.. 2 Folies-. G. R.. 50 renesančnih in baročnih Standards. Slovarček. Primarnih virov. 1-teoretska dela. 2-Glasbeni publikacije. 3-Rokopis kompilacije. Sekundarnih virov. Avtorji. Zahvale. Indeks 50 standardov. Indeks skladateljev in del. "Lepo oblikovana in natisnjena,. Knjiga je pravočasna, kakor tudi dragocena. Ni enakovreden, praktično izdaja ". A. Robinson, snemalnik Magazine, Anglija. "Pazite, ta knjiga je nevarno. Ko ste jo odprli, nikoli ne boste želeli biti brez njega spet. J. Cordaro, Lute Society Bulletin, Belgija. "Knjiga smo vsi čakali. Priporočamo vsem. Nostalgija, Japonska. "Čestitke avtorjev. D. Pistonne, profesor na univerzi Sorbonne v Parizu.