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Originalno

Mansions of Glory. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 4.

Prevod

Mansions of Glory. David Gillingham. Trobenta notno B-Flat. Horn note. Pozavna note. 4. stopnje.

Originalno

Mansions of Glory composed by David Gillingham. Arranged by Geoffrey Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1. 3, Horn 2. 4, Trombone 1. 2, Bass Trombon. Band Music. Grade 4. Score and parts. Duration 6. 40. Published by C. Alan Publications. CN.12160. Mansions of Glory is a fantasy on the hymn, "My Jesus, I Love Thee", music by Adoniram J. Gordon and words by William R. Featherstone. The words and music reflect joy, awe, and the sacrifice of Christ. Therefore, the listener will hear a fluctuation of moods throughout the work. The title of the work is taken from the final verse of the hymn. Mansions of Glory is a fantasy on the hymn, "My Jesus, I Love Thee", music by Adoniram J. Gordon and words by William R. Featherstone. The choice of this hymn was in keeping with the commissioning parties, The Lambda Epsilon Chapter of Kappa Kappa Psi and The Theta Beta Chapter of Tau Beta Sigma fraternities, to honor Dr. Craig Hamilton, Director of Bands at Ouachita Baptist University. This hymn is among many of his favorites. The words of the hymn are as follows. My Jesus, I love Thee, I know Thou art mine. For thee all the follies of sin I resign. My gracious Redeemer, my Savior art Thou. If ever I loved Thee, My Jesus, 'tis now. I love Thee because Thou has first loved me, And purchased my pardon on Calvary's tree. I love Thee for wearing the thorns on Thy brow. If I ever loved Thee, my Jesus, 'tis now. I'll love Thee in life, I will love Thee in death And praise Thee as long as Thou lendest me breath. And say when the death dew lies cold on my brow, If ever I loved Thee, My Jesus, 'tis now. In mansions of glory and endless delight, I'll every adore Thee in heaven so bright. I'll sing with the glittering crown on my brow. If ever I loved Thee, my Jesus, 'tis now. These words reflect joy, awe, and the sacrifice of Christ. Therefore, the listener will hear a fluctuation of moods throughout the work. The title of the work is taken from the final verse of the hymn. The work begins mysteriously and quietly in Bb minor with sustained marimba and two rising harmonic sixths in the clarinets. The rising sixths begin a pattern of eighth notes in the clarinets that accompany the low brass and horns on a version of the hymn tune in Bb minor. 18. This modulates into F major with the brass dramatically stating the last part of the hymn. 43. Remaining in F major, the ensuing section features the piano, bells and vibraphone accompanying the trombones on the hymn tune. 51. The piano accompaniment is reminiscent of the clarinet accompaniment at the beginning of the work. An ominous and aggressive interlude follows in fast tempo giving rise to a four-part fugal exposition in D minor based on the first phrase of the hymn accompanied by high woodwinds and closed hi-hat consisting of a sixteenth note pattern. 70. The sixteenth note pattern continues after the fugal exposition echoing between brass and woodwinds and fluctuating between compound-duple and duple meter. 110. and then modulates to A Major when the hymn tune makes a glorious return in 6. 8 meter. 120. At midpoint, the hymn modulates to Db major. 136. and culminates with a brass fanfare. 152. A solo timpani figure. 161. leads to a return of piano and bells accompanying statements of the first phrase of the hymn by the low brass and horns. 169. A modulation to F major follows. 177. Woodwinds and solo euphonium then state the last phrases of the hymn, respectively. A quiet coda follows consisting of accompaniment motives heard at the beginning of the work. 190.

Prevod

Mansions of Glory, ki jih sestavlja David Gillingham. Urejen Geoffrey Brand. Za koncert pasu. Pikolo, flavta 1, 2 flavta, oboa 1. 2, fagot 1. 2, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, bas klarinet, altovski saksofon 1. 2, tenor saksofon, bariton saksofon, Bb Trobenta 1, Bb Trobenta 2, Bb Trobenta 3, Horn 1. 3, Horn 2. 4, pozavna 1. 2, bas trombon. Band Glasba. 4. stopnje. Rezultat in deli. Trajanje 6. 40. Izdala C. Alan publikacije. CN.12160. Mansions of Glory je fantazija o himni, »Moj Jezus, jaz ljubim", glasba Adoniram J. Gordon in besedami, ki jih William R. Featherstone. Besede in glasba izraža veselje, strah in žrtvovanje Kristusa. Zato bo poslušalec slišal nihanje razpoloženja v celotnem delu. Naslov dela je vzeta iz končnega verz iz pesmi. Mansions of Glory je fantazija o himni, »Moj Jezus, jaz ljubim", glasba Adoniram J. Gordon in besedami, ki jih William R. Featherstone. Izbira te pesmi je bil v skladu z naročanja strank, lambda Epsilon poglavju Kappa Kappa Psi in Theta Beta poglavju Tau Beta Sigma bratovščin, v čast Dr. Craig Hamilton, direktor Godbe na OUACHITA Baptist University. Ta himna je ena izmed mnogih njegovih priljubljene. Besede hvalnice so naslednji. Moj Jezus, ljubim te, vem, ti si moja. Za teboj vse follies greha sem odstopil. Moj milostiv odrešenik, moj rešitelj art Thou. Če se kdaj sem ljubil tebe, moj Jezus, 'Tis zdaj. Ljubim tebe, ker ti si prva me ljubi, In kupila svoj pomilostitev na Kalvariji na drevesu. Ljubim tebe za nošenje trnje na tvoje čelo. Če bom kdaj tebe ljubil, moj Jezus, 'Tis zdaj. Jaz tebi bom ljubezen v življenju, bom te ljubim smrt In pohvale tebi tako dolgo, kot si me lendest dih. In pravijo, ko smrt rosa leži hladno na mojem čelu, Če kdaj sem ljubil tebe, moj Jezus, 'Tis zdaj. V dvorcev slavo in neskončno veselje, bom vsak tebi obožujejo v nebesih tako svetlo. Jaz bom pel z bleščečim krono na mojem čelu. Če se kdaj sem ljubil tebe, moj Jezus, 'Tis zdaj. Te besede izražajo veselje, strah in žrtvovanje Kristusa. Zato bo poslušalec slišal nihanje razpoloženja v celotnem delu. Naslov dela je vzeta iz končnega verz iz pesmi. Delo se začne skrivnostno in tiho v B-molu s trajno marimbo in dveh višjih harmonskih šestin v klarineta. Naraščajoči šestin začeti vzorec osmega pojasnilih v klarineta, ki spremljajo nizke medenine in rogove na različico hvalnice uglasitev Bb molu. 18. Ta modulira v F-duru z brass dramatično navedbo zadnji del himna. 43. Preostalih v F-duru, sledila oddelek ima klavir, zvonovi in ​​vibrafon spremljajo pozavne na hvalnice melodijo. 51. Klavirska spremljava spominja na klarinet spremljavo na začetku dela. Zlovešč in agresivno Interludij sledi v hitrem tempu, ki povzroča, da štiri dela fugal razstavo v d-molu, ki temelji na prvem stavku himna, skupaj z visokimi woodwinds in zaprte hi-hat sestavljeni iz 1/16 note vzorec. 70. Šestnajsto opomba vzorec nadaljuje po fugal exposition odmeval med medenine in woodwinds in niha med sestavljenih-duple in duple meter. 110. nato pa modulira v A-duru, ko himna pesem naredi veličastno vrnitev v 6. 8 meter. 120. Na središčno točko, himna modulira na DB velik. 136. in doseže vrhunec z medeninasto fanfare. 152. Samo pavke številke. 161. vodi k vrnitvi klavir in zvončki spremlja izjave iz prvega stavka hvalnice z nizko medenine in rogovi. 169. Modulacija za F-duru sledi. 177. Woodwinds in solo evfonij nato navajajo zadnje stavkov hvalnice, v tem zaporedju. Mirna coda sledi sestavljen iz mentorstva motivov slišali na začetku dela. 190.