Partiture $130.00

Originalno

Lamb of God. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Tuba sheet music. Grade 5.

Prevod

Jagnje božje. David Gillingham. Trobenta notno B-Flat. Bass pozavna note. Bobni note. Evfonij note. Horn note. Tolkala note. Klavir note. Timpani note. Tuba note. Stopnje 5.

Originalno

Lamb of God composed by David Gillingham. Arranged by Michael Brand. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon, Bb Clarinet 1, 2, 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, Horn 1. 2, Horn 3. 4, Trombone 1. 2, Bass Trombone, Euphonium, Tuba, Piano, Timpani. 3 drums. , Percussion. Grade 5. Score and parts. Duration 12. 10. Published by C. Alan Publications. CN.05240. Lamb of God is a tone poem based on the story of the passion, cast in five connected sections progressing to the chronology of the story. There are vivid aural representations of Christ's torturous walk bearing his own cross, the nailing to the cross, the final words of Christ, the death of Christ, and a benediction. The work closes in Eb major, a chromatic change from G major which suggests eternity. Lamb of God is a tone poem based on the Christian story of the passion. The work is cast in five connected sections progressing to the chronology of the story. The motivic material, which unites the work, is taken from the Easter sequence, Victimae paschali laudesi. "Praises to the Paschal Lamb". In the Catholic Church, the "Paschal Lamb" is representative of Christ who was sacrificed on the cross to redeem the people. or "sheep". of the world. The first section, O crux, portare talentum mundi. "O Cross, to bear the treasure of the world". seeks to depict Christ's torturous walk bearing his own cross. Motives from the Easter sequence are clearly articulated under and over dissonant harmonies and a regular march-like rhythmic drive. There is even the incessant cracking of a whip throughout the section. As the site of crucifixion nears, there is a quieting of activity, taking pause at the thought of death with the xylophone continuing the intensity. The walk then resumes to the crucifixion and segues into the second section, Dux vitae mortuus. "The leader of life is slain". Announced by timpani and snare drum rolls, Christ is nailed to the cross. Muted bass drum and brake drum make the torture vividly clear. Crying dissonance in the ensemble, which grows with each successive nail, follows each nail. Intense suffering follows. An alto saxophone solo alludes to Hans Hassler's tune, O Sacred Head Now Wounded. This intensity grows to a climax on the penultimate strain of Hassler's tune. Sever chant-like statements follow this in piccolo, bass clarinet, bells and piano representing the final words of Christ. In the ensuing section, Sepulchrum Christi viventis. "I saw the sepulchre of the living Christ". , a timpani roll followed by three loud, grieving cries of the full ensemble signifies the stormy darkness following the death of Christ on the the cross. The section ends morbidly in C# minor. The vibraphone continues to sustain a C# into the next section, Surrexit Christus spes mea. "Christ my hope has risen". , which begins with small, but bright outbursts by bells and high woodwinds. The outbursts grow and begin to cascade joyously leading to dramatic strains of Victimae pachali laudes by the low brass. The section continues to grow in rhythmic and textural activity and finally reaches an apex in the key of C major. The final section, Agnus redemit oves. "The lamb has redeemed the sheep". , is a benediction in G major consisting of harp-like passages in the piano, chant-like motives and fragments of the Victimae paschali laudes. The work closes in Eb major, a chromatic change from G major which, to my ear, suggests eternity.

Prevod

Jagnje božje, ki ga sestavljajo David Gillingham. Uredil Michael Brand. Za koncert pasu. Pikolo, flavta 1. 2, oboa 1. 2, fagot, Bb klarinet 1, 2, 3, bas klarinet, altovski saksofon 1. 2, tenor saksofon, bariton saksofon, Bb Trobenta 1, 2, 3, Horn 1. 2, Horn 3. 4, pozavna 1. 2, Bass pozavna, evfonij, Tuba, klavir, Timpani. 3 bobni. , Tolkala. Stopnje 5. Rezultat in deli. Trajanje 12. 10. Izdala C. Alan publikacije. CN.05240. Jagnje božje, je pesnitev, ki temelji na zgodbi o strasti, oddanih v petih povezanih oddelkov, ki napreduje v kronologiji zgodbe. Obstajajo žive slušne upodobitve Kristusovega torturous sprehod nosi svoj križ, pribijanju na križ, končne Kristusovimi besedami, Kristusove smrti in blagoslov. Delo zapre v Eb-duru, ki je kromatično spremembo od G-duru, ki kažejo večnost. Jagnje božje, je pesnitev, ki temelji na krščansko zgodbo o strasti. Delo se odda v petih povezanih oddelkov, ki napreduje v kronologiji zgodbe. Motivno materiala, ki združuje dela, ki je vzeta iz zaporedja velikonočni, Victimae paschali laudesi. "Čaščenje velikonočne Lamb". V katoliški cerkvi, "velikonočno jagnje", je predstavnik Kristusa, ki je bil žrtvovan na križu, da bo odkupil ljudi. ali "ovce". svet. Prvi del, O Jedro, portare talentum mundi. "O Cross, da nosi zaklad na svetu". Namen prikazujejo Kristusovo mučne sprehod nosi svoj križ. Motivi iz zaporedja velikonočni so jasno določena pod in nad disonantnih harmonij in rednega-marec kot ritmični pogon. Obstaja tudi neprestano pokanje bičem v celotnem odseku. Kot je mesto križanja bliža, je Dušilna dejavnosti, pri čemer pavzo ob misli na smrt z ksilofon nadaljuje intenzivnost. Sprehod nato pa se nadaljuje s križanjem in segues v drugem delu, Dux vitae mortuus. «Je vodja življenja pobiti". Napovedala pavke in snare boben zvitki, ki je Kristus pribit na križ. Utišan bas boben in zavorni boben, da mučenje živo jasno. Jok disonanco v ansambel, ki raste z vsako naslednjo nohtov, spremlja vsak žebelj. Intenzivna trpljenje sledi. Altovski saksofon solo aludira na Hansa Hassler se prižge, O Svetem vodja Zdaj je bilo ranjenih. Ta intenzivnost raste do vrhunca na predzadnji seva Hassler se prižge. Sever-chant, kot so izjave tega sledijo v pikolo, bas klarinet, zvonovi in ​​klavir, ki predstavlja zaključni Kristusove besede. V naslednjih oddelku, Sepulchrum Christi viventis. "Videl sem grob živega Kristusa". , Timpani roll sledijo tri glasne, žalujočih vzkliki polno ansambla označuje viharno temo naslednje Kristusove smrti na križu. Раздел заканчивается болезненно в С. Вибрафон продолжает поддерживать C. "Kristus je moje upanje dvignila". , Ki se začne z majhnimi, vendar svetlih izlive z zvonovi in ​​visokih pihal. V izbruhi rastejo in se začeli kaskade radostno vodijo do dramatičnih sevov Victimae pachali Laudes z nizko medenine. Oddelek še naprej raste v ritmično in tkivskim dejavnosti in končno doseže vrhunec v ključu C-duru. Zadnji del, Agnus redemit oves. "Je jagnje odkupiti ovce". , Je blagoslov v G-duru, ki sestoji iz-sedlastih kot odlomke iz klavirja, petje podobni motivi in ​​fragmenti Victimae paschali Laudes. Delo zapre v Eb-duru, kromatično sprememba od G-duru, ki je na uho, kažejo večnost.