Partiture $128.00

Originalno

A Light Unto the Darkness. David Gillingham. B-Flat Trumpet sheet music. English Horn sheet music. Flugelhorn sheet music. Grade 5.

Prevod

Svetloba Unto the Darkness. David Gillingham. Trobenta notno B-Flat. Angleški rog note. Krilovka note. Stopnje 5.

Originalno

A Light Unto the Darkness composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, English Horn, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contralto Clarinet. optional. , Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1. Flugelhorn. or muted trumpet. , Bb. Grade 5. Score and parts. Duration 12. 00. Published by C. Alan Publications. CN.03160. An homage to the 168 victims of the Oklahoma City bombing disaster on April 19, 1995, A Light Unto the Darkness is a very emotional work. Beginning unsuspectingly, the listener hears the noises of traffic, country-western and jazz music and the mechanics of oil wells. The center section deals with the disaster in loud explosions and unyielding dissonance. A mournful English Horn solo and flugelhorn call are followed by a reassuring closing that reflects Gillingham's sentiment in the piece. "we must all seek to be a "light unto the darkness" - to find good amidst the evil. A Light Unto the Darkness was written for the Mt. Pleasant High School Symphonic Wind Ensemble conducted by Roger A. Sampson, and dedicated to my daughter, Amy. The work is an homage to the 168 victims of the Oklahoma City bombing disaster on April 19, 1995. The work is in three main sections, each alluding to a different idea, setting or emotion associated with the disaster. The first section deals with the everyday routine of Oklahoma City which is completely unsuspecting of the terrible fate which is knocking at the door. This fate interrupts the music several times during this section. The cosmopolitan nature of Oklahoma City is suggested through the music with references to the hustle and bustle of traffic, country western music, jazz music and the mechanistic drone of oil wells in the surrounding countryside. The ensuing section depicts the disaster itself with loud explosive articulations in the percussion, sinister motives, driving rhythms and unyielding dissonance. The final section begins with a lament by the English horn and a mournful call by the flugelhorn followed by a warm, reassuring melody which culminates the movement. This final theme is significant in that it is the key to understanding this work. We must all seek to be a "light unto the darkness" - to find good amidst the evil. The "light" is within the final melody of this work and seeks to call our attention to 168 special, individual, and beautiful souls who are now at peace. They are our "lights unto the darkness.

Prevod

Svetloba Unto the Darkness, ki ga sestavljajo David Gillingham. Za koncert pasu. Pikolo, flavta 1. 2, oboa 1. 2, angleški rog, fagot 1. 2, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, bas klarinet, Eb klarinet Contralto. neobvezno. , Altovski saksofon 1. 2, tenor saksofon, bariton saksofon, trobenta Bb 1. Krilovka. ali izključen trobenta. , Bb. Stopnje 5. Rezultat in deli. Trajanje 12. 00. Izdala C. Alan publikacije. CN.03160. Hommage 168 žrtev Oklahoma City bombardiranje nesreči 19. aprila 1995, svetlo Unto the Darkness je zelo čustvena delo. Začetek unsuspectingly, poslušalec sliši zvoke prometa, country-zahodni in jazz glasbe in mehaniko naftnih vrtin. Srednjem delu ukvarja z nesrečo na glasne eksplozije in nepopustljivo disonance. Žalujoča angleški rog solo in krilovka klic sledijo pomirjajočo zapiranje, ki odraža razpoloženje Gillingham je v kosu. "Moramo vsi prizadevati, da bi" lahko reče temi "-, da bi našli dober sredi hudega. Svetloba Unto the Darkness je bila napisana za Mt. Pleasant High School Simfonični Ensemble Wind Roger A. Sampson izvedla, in namenjen za mojo hčerko, Amy. Delo je hommage 168 žrtev Oklahoma City bombardiranje nesreče na 19. april 1995. Delo je v tri glavne dele, vsak namiguje na drugi ideji, ki določa, ali čustva, povezana z nesrečo. Prvi del se ukvarja z vsakdanjo rutino Oklahoma City, ki je popolnoma nič hudega sluteče o strašni usodi, ki je potrkala na vrata. Ta usoda prekine glasbi večkrat v tem poglavju. Svetovljanski značaj Oklahoma Cityju je predlagal, skozi glasbo, s sklicevanjem na vrveža in prometa, države zahodne glasbe, jazza in mehanskega brnenja naftnih vrtin v okolici. Sledila oddelek prikazuje ta katastrofa se z glasnim eksplozivnih artikulacij v tolkal, zlovešč motivov, vožnja ritmov in nepopustljivo disonance. Zadnji del se začne z naricati, ki ga je angleški rog in obupan klic, ki ga je krilni rog, ki mu sledi topla, pomirjujoča melodijo, ki kulminira gibanje. To končno tema je pomembno, da je ključ za razumevanje tega dela. Vsi moramo prizadevati, da bi "luč reče temi" -, da bi našli dober sredi hudega. "Light", je v zadnjem melodijo tega dela in si prizadeva, da pokličete našo pozornost do 168 posebnih, posamičnih in lepe duše, ki so sedaj v miru. So naši "reče sveti v temi.