Partiture $150.00

Originalno

Zarabanda. Joseph Turrin. B-Flat Trumpet sheet music. Double Bass sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Trombone sheet music. Tuba sheet music. Grade 4.

Prevod

Zarabanda. Joseph Turrin. Trobenta notno B-Flat. Dvojni bas note. Evfonij note. Horn note. Tolkala note. Pozavna note. Tuba note. 4. stopnje.

Originalno

Zarabanda. Xylophone. Marimba Feature. Composed by Joseph Turrin. 1947-. For Soloist. with Concert Band. Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion. Grade 4. Score and parts. Duration 5. 00. Published by C. Alan Publications. CN.16430. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6. 8 and 3. 4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3. 4 time, the Spanish original was very lively, alternating between 6. 8 and 3. 4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.

Prevod

Zarabanda. Ksilofon. Marimba Feature. Ki ga sestavljajo Joseph Turrin. 1947 -. Za Solist. s Concert Band. Samo tolkala, Piccolo, flavta 1-2, oboa 1-2, 1-2 fagot, klarinet v Eb, klarinet v Bb 1-3, bas klarinet, altovski saksofon 1-2, tenor saksofon, bariton saksofon, rog v F 1 -4, Trobenta v Bb 1-5, 1-3 pozavna, evfonij, Tuba, Kontrabas, tolkala. 4. stopnje. Rezultat in deli. Trajanje 5. 00. Izdala C. Alan publikacije. CN.16430. Kos je na več odsekih, Latinska slogu ritma, pri kateri občasno prekinjajo naglašenih izlive iz ansambla. Kot del razvija in se preseli iz oddelka do oddelka, so uvedene nove ritmične in melodične ideje. Kos kulminira z bravura Mallet kadenco in neobvezno kadenco, kar zahteva dodatne veščine igranja timbales, Bongi, Tom Toms in konge boben. Jaz ga sestavljajo Zarabanda za latinskoameriški projekt snemanje z RCA Records in tolkalcem Evelyn Glennie. Čeprav je bil projekt snemanja nikoli spoznal RCA, sem se odločil, da bi delo lahko čudovito vozilo za Ms Glennie, skupaj z vetrom ansambel spremljavo. Kos je na več odsekih, Latinska slogu ritma, pri kateri občasno prekinjajo naglašenih izlive iz ansambla. Solist namestnike med ksilofon, za bolj poudarjenih staccato prehodov in lestvicami ter marimbo, za bolj melodičnim materiala. Kot del razvija in se preseli iz oddelka do oddelka, so uvedene nove ritmične in melodične ideje. Kos kulminira z bravura kadenco - solist opravlja hitro ogenj staccatos in lestvic na ksilofon. Obstaja tudi opcija kadenco, ki zahteva dodatne veščine igranja timbales, bongos, Tom Toms in Conga boben. Kos zaključuje s hitro CODA kot solo ksilofon in ansambel zgraditi ognjeno ritmično syncopation. Obstaja hitreje naglašenih staccatos, hitro lestvice in končno bar. Zarabanda je pozno 16. in 17. stoletja Španski ples v živahnem izmenično 6. 8 in 3. 4. čas. Nekateri dokazi kažejo, da zarabanda izvira iz španske kolonije v Ameriki, zaradi česar je prva priljubljena latinskoameriški ples. Zdi se drugi dokazi, ki kažejo na afriško poreklo. Možen scenarij je lahko, da je bil zarabanda prinesel v Španijo z Mavri v 12. stoletju, vendar je močno spremenjen z ameriškimi vplivi v začetku 16. stoletja. Zarabanda in njen francoski potomec, Sarabanda, so bili zelo različni plesi. Medtem ko je francoski ples je počasen ples v 3. 4. čas, je bil španski izvirnik zelo živahno, ko se menjajo 6. 8 in 3. 4. čas. V začetku se je zarabanda velja za zelo nespodobno. Cervantes piše o "peklensko zarabanda" v enem od njegovih kratkih zgodb, in leta 1583 je bil sprejet zakon proti petju zarabanda. Kazni za razstavljanje, da so bile izgon za ženske in 200 whiplashes in 6 let kuhinji storitve za moške.