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Originalno

Wagner. Wesendonck Lieder. Trois Melodies. Voice sheet music.

Prevod

Wagner. Wesendonck Songs. Trois Melodije. Voice note.

Originalno

Wagner. Wesendonck Lieder. Trois Melodies by Jon Robert Cart. By Richard Wagner. 1813-1883. For voice. Book and accompaniment CD. Published by Music Minus One. MO.MMOCD6547. In 1857 and 1858, as Richard Wagner had come to the completion of Die Walkure, the second installment in his epic opera cycle, Der Ring des Nibelungen, he took time out to write a series of lieder for. and based on poems by. Mathilde Wesendonck, with whom Wagner was believed to have been, at the very least, extremely infatuated. Whatever the truth might have been behind their relationship, it is known that Wagner had met Mathilde's husband, Otto, in Zurich, and his ensuing friendship with the couple led to this beautiful set of lieder. Wagner himself called two of the set's songs. Im Treibhaus and Traume. "studies" for his magnificent opera Tristan and Isolde, and though originally intended for female voice with piano, all of these songs were eventually orchestrated, either by Wagner. in the case of Traume. or by other composers. When they were first performed in 1862, they were titled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors. Much earlier, in 1839, Wagner had composed a three-song cycle called Trois Melodies. The first piece, entitled Dors, mon enfant, was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance, and of which he wrote that his wife had called "heavenly for sending one to sleep". He then set Ronsard's song Mignonne and Victor Hugo's L'attente. from that author's Orientales. to round out the set. Wagner offered L'attente to the reigning diva of the time, Pauline Viardot, who is said to have flatly refused it. Wagner wrote in his memoirs My Life "I have no reason to be ashamed of these small pieces". Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with your virtuoso accompanist, Narciso Solero, at the piano. Der Engel. Stehe Still. Im Treibhaus. Schmerzen. Traume. Dors, mon enfant. Mignonne. L'attente.

Prevod

Wagner. Wesendonck Songs. Trois Melodije Jon Robert košarico. Richard Wagner. 1813-1883. Za glas. Knjiga in spremljava CD. Izdala Music Minus One. MO.MMOCD6547. Leta 1857 in 1858, kot je bil Richard Wagner prišli do zaključka Die Walkure, drugi obrok v svoji epski operni cikel, Der Ring des Nibelungen, je vzel čas, da napišete vrsto samospevov za. in na podlagi pesmi. Mathilde Wesendonck, s katerim je bil Wagner naj bi bil, vsaj, zelo zaverovani. Karkoli bi lahko bila resnica zadaj njunem odnosu, je znano, da je Wagner spoznala Mathilde možu, Otto, v Zürichu, in njegovo posledično prijateljstvo z nekaj pripeljalo do tega čudovitega niz samospevov. Wagner sam imenuje dve pesmi nizu je. Im Treibhaus in Traume. "študije" za njegovo veličastno opere Tristan in Izolda, in čeprav je prvotno namenjena za ženski glas s klavirjem, vse te pesmi so bile pozneje orkestriral, bodisi s Wagner. v primeru Traume. ali drugih skladateljev. Ko so prvič izvedli leta 1862, so bili z naslovom Pet Pesmi za ženski glas. V 20. stoletju so postale zelo popularne pesmi za nekatere od največjih tenorjev. Veliko prej, leta 1839, je Wagner sestavljajo tri ciklus pesmi, imenovano Trois Melodije. Prvi del z naslovom Dors, mon enfant, je uspavanka, ki Wagner Pripisati neimenovanega mladega pesnika spoznavanja njegovega izdajatelja, in od katerih je zapisal, da je njegova žena imenuje "nebeški za pošiljanje enega za spanje". Nato nastavite Ronsard pesem Mignonne in Victor Hugo L'attente. od tega avtorja Orientales. zaokrožujejo nabor. Wagner ponudil L'attente da vladajoči diva časa, Pauline Viardot, ki je dejal, da so odločno odklonila. Wagner je zapisal v svojih spominih My Life "Nimam razloga, da bi sram te majhne koščke". Poslušajte briljantno tenor Jon Robert košarico opravljanje te samospevi. Potem stopi na stran in si v središču pozornosti s svojo virtuozno spremljevalec, Narciso Solero, na klavirju. Der Engel. Stehe Still. V rastlinjaku. Bolečina. Traume. Spanja, otrok moj. Cute. Previdni.