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Originalno

Vespers 1610. Claudio Monteverdi. Voice sheet music.

Prevod

Večernice 1610. Claudio Monteverdi. Voice note.

Originalno

Vespers 1610 composed by Claudio Monteverdi. 1567-1643. Edited by Uwe Wolf. For voice. This edition. Paperbound. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. Language. Latin. No. 206. 160 pages. Duration 90 minutes. Published by Carus Verlag. CA.2780103. ISBN M-007-14204-9. With Language. Latin. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers.

Prevod

Večernice 1610, sestavljene Claudio Monteverdi. 1567-1643. Uredil Uwe Wolf. Za glas. Ta izdaja. Paperbound. Prazniki Blažene Device Marije, hvalnice v hvalo Marije. Vokalna ocena. Jezik. Latin. No. 206. 160 strani. Trajanje 90 minut. Izdala Carus Verlag. CA.2780103. ISBN M-007-14204-9. Z jezikom. Latin. Prazniki Blažene Device Marije, hvalnice v hvalo Marije. Kot pri komaj koli drugega dela 17. stoletja, je Monteverdi je Večernice našel pot v današnji repertoar. Kljub temu, Večernice še vedno pušča odprta številna vprašanja. Nova izdaja, s kritičnim pregledom virov, prevzame te oft razpravljali tudi vprašanji glede možnosti točkovanja, uprizoritvene prakse, prenesene in liturgično enotnosti. Temelji na vseh preostalih izvodov tisk 1610 in prvih rokopisa so tudi kritično preučiti in oceniti. Uspešnost gradivo je organizirano na prožen način, ki omogoča uporabo različnih instrumentov v teh gibanjih brez obbligato instrumentov, da bi okrepili vokalnih delov in tako vabi individualno glasbeno pristop k izzivom, ki jih Monteverdi je večernicah predstavljeno.