Partiture $14.00

Originalno

Moods for Solo Marimba. Pete Zambito. Marimba sheet music. Percussion sheet music. Intermediate.

Prevod

Moods za Solo Marimba. Pete Zambito. Marimba note. Tolkala note. Vmesna.

Originalno

Moods for Solo Marimba composed by Pete Zambito. Percussion Ensemble. For Marimba. 4-mallet. marimba. 5-octave. Percussion Music. Medium. Solo part. Duration 10. 00. Published by C. Alan Publications. CN.15990. The three moods characterized in this piece are "Discouraged, "Yearning, and "Bouncy," and follows a traditional fast-slow-fast arrangement of movements. This piece owes its existence to both the deadlines of composition competitions and the desire to use my piano background as the basis for a marimba solo. I chose three moods to characterize this work. "Discouraged", "Yearning", and "Bouncy", and it follows a very traditional fast-slow-fast music arrangement. I have tried in "Discouraged" to channel late Romantic-era piano music, complete with independent playing and scalar runs down the marimba keyboard. "Yearning" focuses both on one of the major themes of the first movement, and the accompaniment of extended arpeggiation and rolls. "Bouncy" features a lighter style, more in the style of Clementi and Classical style.

Prevod

Moods za solo marimbo sestavljene Pete Zambito. Percussion Ensemble. Za Marimba. 4-Mallet. marimba. 5-octave. Tolkala Glasba. Srednje. Le del. Trajanje 10. 00. Izdala C. Alan publikacije. CN.15990. Trije razpoloženja značilna v tej zgodbi so "poguma", hrepenenja in "poskočen" in sledi tradicionalni hitro-počasi-hitro ureditev gibanj. Ta kos dolguje svoj obstoj obeh rokov za sestavo tekmovanjih in želje, da se moj klavir ozadje kot podlaga za marimbo solo. Izbral sem tri razpoloženja, da so značilni za to delo. "Poguma", "Hrepenenje" in "premetavati", in iz tega sledi, zelo tradicionalni dogovor s hitrim počasi hitro glasbe. Poskušal sem na "poguma", da usmerijo poznoromantičnem-era klavirsko glasbo, skupaj z neodvisnim igranje in skalarnih steče marimba tipkovnico. "Hrepenenje" se osredotoča tako na eni od glavnih tem prvega stavka, in v spremstvu podaljšano arpeggiation in zvitkih. "Premetavati" ima vžigalnik stil, bolj v stilu Clementi in klasični slog.