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Originalno

Forest of Arden. George Lloyd. B-Flat Trumpet sheet music. Cornet sheet music. Grade 4.

Prevod

Forest of Arden. George Lloyd. Trobenta notno B-Flat. Cornet note. 4. stopnje.

Originalno

Forest of Arden composed by George Lloyd. 1913-1998. For concert band. Flute 1. Piccolo, Flute 2, Oboe 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet. optional. , Bb Bass Clarinet, Bassoon 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2, Bb Cornet 3, Bb Trumpet 1. 2, Ho. Band Music. Grade 4. Score only. Duration 10. 00. Published by C. Alan Publications. CN.S11042. This symphonic sketch for concert band is packed full different motives thrown around the ensemble hinting at the programmatic leitmotifs of Wagner. Every section of the ensemble gets a workout in this delightful 10-minute work. A Symphonic Sketch for Concert Band. The resurgence of interest in George Lloyd's music must give us faith that such talent will ultimately prevail against sometimes unhappy circumstances. Lloyd was Cornish and showed precocious gifts at an early age - he had completed his first symphony by the age of nineteen. During the 1930s he completed two operas, one of which - "The Serf" - was produced at Covent Garden in 1938. He was set for a glittering career as a composer. The Second World War intervened and he was invalidad out of the Navy in a shell-shocked state, and having written very little serious music since 1937 went to Switzerland to recuperate, looked after by his wife, Nancy. Painfully, he began writing again - symphonies Nos. 4 and 5 - and then returned to England. He needed to earn a living and he set up a mushroom farm in Dorset. But slowly he began to compose again and drafted more symphonies in short score. By this time he was virtually unknown - despite being considered the equal of Walton, Britten, and other young stars of English music some 30 years earlier. Lloyd decided to embark on a series of recordings of his symphonies, and slowly popular acclaim enabled him to regain his position. "The Forest of Arden" was written in 1987 as a result of a commission by the Solihull Youth Wind Band. Although Lloyd's music feels instinctively written one should not be misled - it is carefully crafted, but the craft and structure are always subordinated to create a flow with a strongly melodic content. Instead of two or three themes, "The Forest of Arden" contains an abundance of ideas which can be described in two groups. The first group contains the opening rhythmic motif, quickly developed into a short rising quaver passage in the woodwinds, and later then a chromatic "ostinato" bass - only 8 bars at this stage but later expanded. The second group is broad and expansive, initially based on intervals of rising fifths introduced by euphonium, tubas, and baritone saxophone, immediately echoed by horns. Low brass and winds expand the theme into rising sixths and octaves. There is a hint of development, bit this is arrested as the music moves to a piu tranquillo section introduced by the alto saxophone which further develops the rising sixth theme. There follows a true development of the opening material, starting with the ostinato bass and gradually passing through different tonal centers until the rising fifths of the second theme group are heralded - "fortissimo" and "poco piu largamente" shortly before the end. The structure is almost Wagnerian. albeit on a much smaller scale. , with themes being used as leitmotifs, but this is music which, even within the space of ten minutes is conceived on a grand design.

Prevod

Forest of Arden sestavljajo George Lloyd. 1913-1998. Za koncert pasu. Flavta 1. Pikolo, flavta 2, oboa 1. 2, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Eb Alto klarinet. neobvezno. , Bb bas klarinet, fagot 1. 2, altovski saksofon 1. 2, tenor saksofon, bariton saksofon, Bb kornet 1, Bb kornet 2, Bb kornet 3, Bb Trobenta 1. 2, I. Band Glasba. 4. stopnje. Rezultat le. Trajanje 10. 00. Izdala C. Alan publikacije. CN.S11042. Ta simfonična skica za koncert pasu je polna različnih motivov vrgli okoli ansambla namiguje na programski leitmotifs Wagnerja. Vsak del ansambla dobi vadbo v to čudovito 10-minutnem delu. Simfonični Skica za Concert Band. Preporod zanimanja George Lloyd glasbe nam mora dati vero, da bo tak talent na koncu prevlada nad včasih nesrečnih okoliščin. Lloyd je Cornish in pokazala, prezgodnja darila v zgodnjem otroštvu - ga je zaključil svojo prvo simfonijo, ki jih devetnajstimi. V 1930 je končal dva oper, med katerimi - "suženj" - je bil proizveden v Covent Garden v letu 1938. On je bil določen za bleščeči karieri kot skladatelj. Druga svetovna vojna je posredovala in je bil invalidad iz mornarice v stanju-shell šokiran, in ko je napisano zelo malo resno glasbo od leta 1937 odšel v Švico na okrevanje, skrbela njegova žena Nancy. Boleče, je začel spet pisati - simfonij št. 4 in 5 -, nato pa se vrnil v Anglijo. Je potreboval za preživljanje in je ustanovil gobovo kmetijo v Dorsetu. Ampak počasi se je začel spet sestavil in pripravil več simfonij v kratkem točk. V tem času je bil skoraj neznan - kljub temu, da velja enako za Walton, Brittna in drugih mladih zvezd angleške glasbe kakih 30 let prej. Lloyd odločili, da stopijo na vrsto posnetkov njegovih simfonij in počasi priljubljena odobravanje mu je omogočil, da ponovno pridobi svoj položaj. "Forest of Arden" je bila napisana leta 1987 kot posledica komisijo, ki jo Solihull Youth Wind Band. Čeprav se čuti Lloyd glasba nagonsko napisal eden ne sme zavajati - to je skrbno oblikovana, vendar obrti in struktura se vedno podrejena ustvari tok z močno melodično vsebino. Namesto dveh ali treh temah, "Forest of Arden" vsebuje obilo idej, ki jih lahko opišemo v dveh skupinah. Prva skupina vsebuje odprtino ritmični motiv, hitro razvila v kratki naraščajoče prehod Tremolirati v pihal, in kasneje kot kromatično "ostinatni" bas - le 8 barov pri tej fazi, ampak se kasneje razširilo. Druga skupina je širok in širok, sprva na podlagi intervalih naraščajočih petine jih evfonij, Tubasu in bariton saksofon, uvedenih takoj ponovil rogovi. Nizka trobila in vetrovi razširi temo v naraščajočih šestin in oktavah. Tukaj je namig za razvoj, bit to aretiranih glasbenih premakne v oddelku piu Tranquillo, ki jih je altovski saksofon, ki nadalje razvija naraščajoče šesto temo uveden. Sledi resnični razvoj odpiranja materiala, začenši z ostinatni bas in postopoma prehaja skozi različne tonalne centre, dokler so najavili naraščajoče petine drugi tematski skupini - "fortissimo" in "poco piu largamente" tik pred koncem. Struktura je skoraj wagnerjanskega. čeprav v veliko manjšem obsegu. S tem se uporablja kot leitmotifs, ampak to je glasba, ki, čeprav se znotraj prostora za deset minut zasnovana na velikem modela.