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Originalno

Summer scenes. Gerard Lopez. Guitar sheet music. Alto Saxophone sheet music. Clarinet sheet music. Flute sheet music. Percussion sheet music. Timpani sheet music.

Prevod

Poletne scene. Gerard Lopez. Kitara note. Altovski saksofon note. Klarinet note. Flavta note. Tolkala note. Timpani note.

Originalno

Summer scenes. Escenes destiu. Composed by Gerard Lopez. For 2 flutes, 2 clarinets, 2 alto saxophones, 2 guitars, timpani, percussion, strings. Duration 8 minutes. Published by Brotons & Mercadal. BK.100-030-158. "Summer scenes" is a work for orchestra with a pedagogical goal, for middle level students, which has been composed with the intention of working various musical aspects such as rhythmic precision, expressive strength or legato. This pedagogical intention has prevailed over any aesthetic or technical decision. When I compose for students I make use of an amplified tonality-modality, with a predominance of triad chords with added notes, and with tonal and modal harmonic functions which are distant from classic patterns to a lesser or greater extent depending on the need. This allows me to use an understandable language for the players and the listeners. On the other hand, I usually structure the work as a free rondo. This way the repetition of the various sections as well as the autoreferences make a shorter rehearsal time possible and also permit a better understanding for the listener.

Prevod

Poletne scene. Escenes destiu. Sestavljajo ga Gerard Lopez. Za 2 flavti, 2 klarineta, 2 alt saksofona, 2 kitari, pavke, tolkala, godala. Trajanje 8 minut. Izdala Brotons. BK.100-030-158. "Poletne scene", je delo za orkester s pedagoško cilja, za študente srednji ravni, ki je bil sestavljen z namenom, da delajo različne glasbene vidike, kot so ritmično natančnost, izrazni moči ali legato. Ta pedagoški namen je prevladoval v katerem koli estetski ali tehnične odločitve. Ko sem sestavil za študente sem izkoristiti ojačeno tonalitete-modalnosti, s katerimi prevladujejo triade akordov z dodanimi opombami in s tonskimi in modalne harmonskih funkcij, ki so oddaljeni od klasičnih vzorcev v manjši ali večji meri odvisno od potrebe. To mi omogoča, da uporabi razumljivega jezika za igralce in poslušalcev. Po drugi strani pa sem ponavadi strukturiranje dela kot svobodna rondo. Na ta način ponavljanje različnih oddelkih, kot tudi autoreferences narediti krajši čas poskusno mogoče in tudi omogočiti boljše razumevanje za poslušalca.