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Originalno

Dissolve. score only. Dan Adams. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Advanced.

Prevod

Raztopite. dosegla le. Dan Adams. Marimba note. Tolkala note. Vibrafon note. Napredno.

Originalno

Dissolve. score only. composed by Dan Adams. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 4-octave marimba, cowbell. Percussion 2. 4-octave marimba, claves. Percussion 3. 4-octave marimba, woodblock. Percussion 4. 4.3-octave marimba, bass drum. Percussion 5. 3-octave vibraphone, 3 suspended cymbals. Percussion 6. temple blocks, s. Medium difficult. Score only. Duration 6. 00. Published by C. Alan Publications. CN.05921. Inspired by cinemagraphic techniques in which one image is gradually transformed into another, this work allows resonant sounds to dissolve according to their natural acoustical decay. Sustained sounds dissolve into percussive passages and definitely pitched sonorities dissolve into the sounds of indefinitely pitched instruments. The title of "Dissolve" refers both to the literal definition of the term, a separation of an entity into its constituent parts, and to a cinemagraphic technique in which one image is gradually transformed into another. Resonant sounds dissolve according to their natural acoustical decay. Sustained sounds dissolve into percussive passages and definitely pitched sonorities dissolve into the sounds of indefinitely pitched instruments. Homophonic and polyphonic textures dissolve into one another. "Dissolve" is composed in a three section form that resembles ternary or rounded binary but is neither, as the three sections are distinguished mostly by timbre, texture, and the relationship between definite and indefinite pitch. The first section consists of mostly long sustained notes. The second, third, and fourth marimbas begin the piece entering one by one with rolls on the 12 notes of the chromatic scale spread throughout the marimba's register. The marimbas are accompanied by resonant sounds played on the indefinitely pitched metal instruments. The first marimba articulates the same notes that are played as rolls by the other three marimbas, facilitating the transition to middle section. Two alternating chords played on the vibraphone complete the transition to the more rhythmically active middle section, which is dominated by indefinitely pitched wood, metal, and membrane instruments. This section is characterized by a faster tempo and more complex rhythmic counterpoint. Indefinitely-pitched counterpoint between the tom-toms and temple blocks are juxtaposed against a collage of repeated notes on the cowbell, claves, and bass drum Playing a six note motive, the vibraphone part again signals a transition, this time to the final section. It is based on polyrhythmic counterpoint between the vibraphone, crotales, and bells with the marimba rolls from the opening section serving as a backdrop.

Prevod

Raztopite. dosegla le. ki ga sestavljajo Dan Adams. Percussion Ensemble. Za tolkalni ansambel. Tolkala 1. 4-octave marimba, cowbell. Tolkala 2. 4-octave marimba, claves. Tolkala 3. 4-octave marimba, woodblock. Tolkala 4. 4,3 oktave marimba, bas boben. Tolkala 5. 3 oktave, vibrafon, 3 viseče cimbale. Tolkala 6. temple blokov, s. Srednje težko. Rezultat le. Trajanje 6. 00. Izdala C. Alan publikacije. CN.05921. Navdih cinemagraphic tehnike, v kateri je ena slika postopoma pretvori v drugo, to delo omogoča resonančne zvoke, da se raztopi v skladu z njihovo naravno akustičnega razpada. Vztrajni zvoki raztopi v udarnih prehodov in definitivno utaborili zvokov raztopi v zvokih iz nedogled enokapno instrumentov. Naslov "raztopi" nanaša tako na dobesedni opredelitev pojma, ločevanja subjekta v njegove sestavne dele, ter na cinemagraphic tehniko, v kateri je ena slika postopoma preoblikoval v drugo. Resonančni zvoki raztopi v skladu z njihovo naravno akustičnega razpada. Vztrajni zvoki raztopi v udarnih prehodov in definitivno utaborili zvokov raztopi v zvokih iz nedogled enokapno instrumentov. Jednakozvučna in večglasne teksture raztopi v eno drugo. "Raztopi" je sestavljena v obliki treh oddelku, ki spominja ternarna ali zaobljen binarni, vendar je ni, saj so trije oddelki odlikuje predvsem z zvočno barvo, teksturo, ter odnos med nedoločen igrišču. Prvi del je sestavljen iz večinoma dolge utrpel bankovcev. Drugi, tretji in četrti marimbas začeti kos vstopa enega po enega z zvitki na 12 notami kromatične širjenja lestvice po vsej register marimba je. V marimbas spremlja resonančni zvoki igre na pa neomejeno enokapno kovinskih instrumentov. Prvi marimba artikulira enake zapiske, ki so igrali, kot zvitki, ki jih druge tri marimbas, olajšati prehod na srednjem delu. Dveh različnih akordov igral na vibrafon zaključiti prehod na bolj ritmično aktivna srednjem delu, ki prevladujejo v nedogled poševne lesa, kovine, in instrumentov membranskih. Ta oddelek je značilno hitrejši tempo in bolj kompleksne ritmično kontrapunkt. Nedogled glasom-kontrapunkt med tom-toms in tempeljskih blokih sosednja proti kolaž ponavljajočih opombami o cowbell, claves in bas boben Igranje šest note motiv, vibrafon del spet signalizira prehod, tokrat na zadnjem delu. Temelji na poliritmično kontrapunkt med vibrafon, crotales in zvončki z marimbo zvitki iz oddelka otvoritveni služijo kot ozadje.