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Originalno

A Little D 'n' A. Gary P. Gilroy. Marimba sheet music. Percussion sheet music. Timpani sheet music. Vibraphone sheet music. Xylophone sheet music. Intermediate.

Prevod

Mali D 'n'. Gary P. Gilroy. Marimba note. Tolkala note. Timpani note. Vibrafon note. Ksilofon note. Vmesna.

Originalno

A Little D 'n' A composed by Gary P. Gilroy. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 4 timpani, gong, whip. , Percussion 2. bells, 2 triangles. , Percussion 3. xylophone, bass sandpaper blocks, suspended cymbal, whip. , Percussion 4. 3-octave vibraphone, suspended cymbal. , Percussion 5. 4-octave marimba, suspended cymbal. , Perc. Medium. Score only. Duration 3. 30. Published by C. Alan Publications. CN.14931. A short concert opener for advanced percussion ensemble. This work explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert. A Little D 'n' A was composed for Dr. Matthew Darling and the California State University, Fresno Percussion Ensemble specifically for their performance at the state convention of the California Music Educators Association on Thursday, March 15, 2007 in Ontario, California. The composer has had a long and wonderful working relationship with Dr. Darling since joining Darling on the faculty of the Music Department at California State University, Fresno in 1993. Gilroy, himself a percussionist, has always been a strong advocate of Dr. Darling and his terrific percussion program at Fresno State. It has been a rare occasion that Gilroy has missed the Percussion Ensemble Concert each semester during the past 13 years. Time and time again, Dr. Darling's concert presentations have been inspirational to Dr. Gilroy in every respect. the students' playing is wonderful and the programming is stellar. It was with great pride that Dr. Gilroy responded to Darling's request and began to work on this short concert opener for the Percussion Ensemble's special appearance at the state convention. The main theme of this work is based on the first two pitches of Dr. Darling's last name. 'D' and 'A.' The third note of this motif is 'G,' the composer's initial for both his first and last name. This motif, simple yet effective, is heard throughout the composition in several key areas. The work celebrates the friendship and mutual respect these two professors have enjoyed together for more than a decade. The middle of the composition explores the idea of 'muted' and 'open' sounds from a variety of metallic percussion instruments. The effect is often heard from a triangle in a number of works but in this composition, the technical demands of the muted and open passages are rather extreme. It requires that a small stand is used to suspend the two triangles. one muted with duct tape and the other hanging freely to generate an open sound. The splash cymbal enters next with a new rhythm layering in until the hi-hat and gong each interrupt, 8 and 16 bars later respectively. After all of this muted and open playing creates a nice groove, some of the mallet percussion enters with a new middle section based on D minor blues scale. The xylophone and marimba players each take an 8 bar solo during this time. The blues section eventually gives way to another transition this time using a series of 4 graduated. piccolo, alto, tenor and bass. sets of sandpaper blocks. arranged stereophonically, please. to bring back the material from the first theme. The work closes with a driving push to the end accentuated by the whip among other percussion instruments.

Prevod

Malo D 'n' sestavljajo Gary P. Gilroy. Percussion Ensemble. Za tolkalni ansambel. Tolkala 1. 4 timpani, gong, whip. , Tolkala 2. zvonci, 2 trikotniki. , Tolkala 3. ksilofon, bas smirkovim papirjem bloki, začasno činele, whip. , Tolkala 4. 3 oktave vibrafon, začasno činele. , Tolkala 5. 4-octave marimba, začasno činele. , Perc. Srednje. Rezultat le. Trajanje 3. 30. Izdala C. Alan publikacije. CN.14931. Kratek koncert odpirač za napredno tolkalni ansambel. To delo raziskuje zabavne tehnike, ki uporabljajo utišan in odprte zvoke in omogoča bluesy improvizacije na glasbila s tipkami. Hitro in besno, to je Upadljiv kos za vaš naslednji koncert. Mali D 'n' je bila sestavljena za dr Matthew Darling in državne univerze v Kaliforniji, Fresno Percussion Ensemble posebej za njihov nastop na državni konvenciji California Music Association pedagoge na četrtek, 15. marec, 2007 v Ontariu, Kalifornija. Skladatelj je imel dolgo in čudovito delovno razmerje z dr Darling od vstopa Darling na fakulteti na Oddelku za glasbo na California State University, Fresno v letu 1993. Gilroy, sam tolkalec, je bil vedno močan zagovornik dr Darling in njegov grozen program za tolkala na Fresno državi. To je bil redek priložnost, da se je Gilroy v zadnjih 13 letih vsak semester zgrešil Percussion Ensemble koncert. Znova in znova, so koncertne predstavitve dr Darling je bil navdihujoč dr Gilroy v vseh pogledih. Igranje študentov je čudovito in programiranje je zvezdna. Bilo je z velikim ponosom, da je dr Gilroy odzvali na zahtevo draga in začel delati na tem kratkem koncertni odpirač za tolkalni ansambel, je poseben nastop na državni konvenciji. Glavna tema tega dela temelji na prvih dveh parcel po priimku dr Darling je. "D" in "A." Tretja nota tega motiva je "G" začetna skladateljeva tako njegovo ime in priimek. Ta motiv, preprost, a učinkovit, je slišati po vsej sestavi na več ključnih področjih. Delo praznuje prijateljstva in medsebojnega spoštovanja ti dve profesorji so imeli skupaj že več kot desetletje. Sredi sestave raziskuje idejo "utišan" in "odprte" zvokov iz različnih kovinskih tolkal. Učinek je pogosto slišati iz trikotnika v številnih delih, ampak v tej sestavi, tehnične zahteve za utišan in odprtih prehodov so precej ekstremne. To zahteva, da se majhna stojalo se uporablja za začasno dva trikotnika. ena utišan z lepilnim trakom in druge prosto visi za ustvarjanje odprtega zvoka. Splash činele vstopi zraven z novo ritem plastenje, dokler hi-hat in gong vsak prekiniti, 8 in 16 bari kasneje oziroma. Po vsem tem neslišne in odprto igro ustvarja lepo žleb, nekateri na melodičnih tolkalih vstopa z novim srednjim delom, ki temelji na D manjših blues lestvica. Vsak je ksilofon in marimba igralci prevzeli 8 bar solo je v tem času. Oddelek blues sčasoma daje pot na drugo prehodu tokrat s pomočjo serija 4 diplomiral. piccolo, alt, tenor in bas. kompleti smirkovim papirjem blokov. urejen stereophonically, prosim. da bi spet material iz prve teme. Delo se zaključi z vozniško pritiskom do konca poudarjena z bičem poleg drugih tolkal.