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Originalno

Portraits For Piano. Bonnie Von Reis Doe. Piano Solo sheet music. Intermediate.

Prevod

Portreti za klavir. Bonnie Von Reis Doe. Piano Solo note. Vmesna.

Originalno

Portraits For Piano composed by Bonnie Von Reis Doe. For piano solo. Late Intermediate. Collection. Published by Neil A. Kjos Music Company. KJ.WP563. ISBN 849796970. This collection of pieces reflects my fascination with harmonies, chord qualities and progressions, and how a simple change can profoundly alter the emotional effect of a motif or theme. It is hardly a new concept that the 88 keys of the piano are analogous to an artist's palette, and that both offer virtually limitless combinations of color. Some composers have even expressed this idea by choosing specific colors for certain notes or keys. It is this concept that prompted me to try to "paint" a portrait of each of my grandchildren with music. Each piece reflects the principal personality traits of one of my grandchildren. What surprised me most was how easily all the pieces came together. they seemed to write themselves. In general, these pieces were composed with young people in mind. There are some technical challenges, but all are stepping stones to more advanced works. The challenges are short in length and can be very rewarding when mastered. Many of the motifs are only a measure long and can be played with lots of rubato, allowing the performer a feeling of freedom and self-expression. All the pieces leave plenty of room for interpretation, so that each performer can make them his or her own. Today's composers have an incredible wealth of ideas at their disposal. In this collection you will hear a variety of elements drawn from all periods of music. Many of my harmonies and melodies are derived from the intervallic relationships and tone colors of the medieval modes. Fantasia utilizes segments of a Hungarian mode, as well as fragments of symmetrical scales that are popular in the jazz idiom. Oriental pentatonic clusters are found in measure 18, and the ending consists of an arpeggio of ascending fifths a more modern touch. All of these features give the piece an exotic and mysterious tonality. My harmonic language has also been influenced by 20th century composers such as Sergei Prokofieff, Arnold Schoenberg, Igor Stravinski and Vincent Persichetti. Quartal harmony, so prevalent in the music of these composers and in jazz, can be heard in Impromptu. I especially like the way jazz great Bill Evans used harmony. His influence, for example, is evident in the secundal harmonies found in Waltz and Fantasia. In Toccata the jazz rhythms of the introduction and ending create a "classical jazz" feeling, which is one of my favorite styles of music. As a teacher, I'm always aware of lessons that can be taught through performance music. The simple folk-like melody heard in Landler's progresses through 11 minor keys. This offers a great basic theory lesson. The student can bracket and name each modulation and learn from this example how scale and arpeggio training is directly applicable to the music he or she plays.

Prevod

Portreti za klavir, ki jih sestavlja Bonnie Von Reis Doe. . Pozna Intermediate. Zbiranje. Izdala Neil A. Kjos Music Company. KJ.WP563. ISBN 849796970. Ta zbirka kosov odraža mojo fascinacijo s harmonijami, tetiva kakovosti in napredovanja ter kako lahko preprosta sprememba temeljito spremenile čustveni učinek motivom ali temo. To je skoraj nov koncept, ki so 88 tipke klavirja analogna slikarjevi paleti, in da tako ponujajo skoraj neomejene kombinacije barv. Nekateri skladatelji so celo izražena to idejo z izbiro posebne barve za nekatere pojasnili ali ključi. Je ta koncept, ki me je spodbudilo, da bi poskušali "barve" portret vsakega od mojih vnukov z glasbo. Vsak kos odraža glavne osebnostne lastnosti ene izmed mojih vnukov. Kaj najbolj presenetilo me je, kako zlahka vsi koščki prišel skupaj. se je zdelo, da se pisanje. Na splošno so bili ti kosi sestavljen z mladimi v mislih. Obstajajo nekatere tehnične težave, ampak vsi so odskočna deska za bolj razvitih delih. Izzivi so kratke dolžine in je lahko zelo koristno, če obvlada. Mnogi izmed motivov so le merilo dolga in se lahko igra z veliko Rubato, ki omogoča izvajalcu občutek svobode in izražanja. Vsi koščki pustiti dovolj prostora za razlago, tako da lahko vsak posameznik da bodo svojo lastno. Današnje skladatelji imajo neverjetno veliko idej na razpolago. V tej zbirki boste slišali različne elemente, sestavljen iz vseh obdobij glasbene. Veliko mojih harmonij in melodij, ki izhajajo iz intervallic odnosov in tona barve srednjeveških načinov. Fantasia uporablja segmente madžarski način, kot tudi fragmente simetričnih lestvic, ki so priljubljena v jazzovsko govorico. Orientalske pentatonic grozdi so na voljo v ukrepu 18, in konec je sestavljena iz Arpeggio naraščajočem petine bolj moderno dotik. Vse te funkcije dajejo kosu eksotično in skrivnostno tonalitete. Moj harmonično jezik je vplivala tudi skladatelji 20. stoletja, kot so Sergej Prokofieff, Arnolda Schönberga, Igorja Stravinskega in Vincent Persichetti. Quartal harmonija, tako razširjena v glasbi teh skladateljev in jazza, mogoče zaslišati v improvizirana. Še posebej mi je všeč način, jazz super Bill Evans, ki se uporablja harmonijo. Njegov vpliv, na primer, je očitno v secundal harmonije najdemo v Waltz in Fantasia. V Toccata jazz ritmi uvedbo in konča ustvariti občutek "klasični jazz«, ki je ena izmed mojih najljubših stilov glasbe. Kot učitelj, jaz sem vedno zavedajo naukov, ki jih lahko naučili skozi glasbeni performans. Preprost-folk kot melodijo slišal napredkov Landler prek 11 manjših tipk. Ta ponuja veliko teorije lekcijo. Študent lahko oklepati in poimenovati vsako modulacijo in se učiti iz tega primera, kako je skala in arpeggio usposabljanje se neposredno uporablja v glasbi on ali ona igra.