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Originalno

Hymn at Sunrise. Ray Steadman-Allen. Advanced.

Prevod

Himna ob sončnem vzhodu. Ray Allen Steadman-. Napredno.

Originalno

Hymn at Sunrise composed by Ray Steadman-Allen. 1922-. For Brass Band. Major work for brass band. Serious Concert. Advanced. Full Score. Standard Notation. Duration 19. 30. Published by Winwood Music. WO.0196SC. With Standard Notation. Serious Concert. The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements. Thanksgiving. A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous. fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. De Profundis. A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. Invocation. Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. Paean. Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.

Prevod

Himna na Sunrise sestavljajo Ray Steadman-Allen. 1922 -. Za pihalni orkester. Glavno delo za pihalni orkester. Koncert resne. Napredno. Polna Ocena. Standardnim zapisom. Trajanje 19. 30. Izdala Winwood Glasba. WO.0196SC. S standardnim zapisom. Koncert resne. Ideja za to delo se je pojavila pesem - Himna Before Sunrise - ki opisuje veličanstvo gore v temi, zvoki bližnjem slapu in tako naprej. Nič prišel izpostavljenosti do teh slikah, razen splošnih misli o zori dan in vrsto gibov, ki izraža osebni odziv na čudež mest v namišljeni trenutku. Naslovi gibanja, ki so bili dodani kasneje, so namenjeni poudariti prevladuje občutek čaščenja, čudno in povzdignjenja. Glasba je čista, ne pictoral, čeprav lahko poslušalci pričarali svoje slike. Dejanska himna - Tallis "Cannon - je vključena. Obstaja pet gibanja. Zahvalni dan. Kratek uvod v dveh delih. Prvi kratek odlomek "zarja glasbe", preden postanejo stvari bolj živahna. fanfare, kot so glasba vratarje v predstavitvi strokovne pozavno je v Tallis melodijo. Širok pas različica ugotavlja gibanje. De profundis. Počasno gibanje pretkano s zaskrbljenih questionings ki prikazujejo FLÜGEL in pozavno. Razpoloženje posvetli malo v centru, kjer je sopranistka kornet izrazit in gibanje konča umirjeno. Praznovanje je značilna ritmično pogon, to je živahno z veliko incident opozoril jih je ustanovila tolkala. Molitev. Melodične narave in trezen v razpoloženju, prvi odsek je niz kratkih solov pomešane z-korala kot izkazih. Osrednja točka gibanja je koralno-uvod slog predstavitev Tallis melodijo. Tretji del ponovno uvaja zgodnejše solo glasbo s polno zasedbo. Raztapljanje, glasbo vstopa v zadnjo gibanje brez odmora. Hvalnica. Označene Allegro con Spirito je povsem upravičeno, pravičen znesek zabave v radostno. Odlomki Tallis so slišali, nato pa pride nežen prehod z korneta solo, ki vodi do fanfare glasbe in rekapitulacije. Dve recitativov so uspeli s CODA, ki prinaša delo na zvočne in Likujući sklenitev.