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Originalno

The Gilded Theatre. Kenneth Hesketh.

Prevod

Pozlačeni Gledališče. Kenneth Hesketh.

Originalno

The Gilded Theatre composed by Kenneth Hesketh. Concert Band. For Wind Band. Score. Wind Band. Faber Edition. Faber Wind Band Series. 20th Century. Masterwork. Published by Faber Music. AP.12-0571569854. ISBN 0571569854. 20th Century. Masterwork. The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay. The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre. The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau. The moods conjured in the work are by turn dramatic, comedic, romantic and aggressive, all supporting the idea of the abstract play to which the above subtitles refer. Throughout the piece players are challenged both technically and emotionally, and it is they who are in fact the real protagonists in the work.

Prevod

Gilded gledališče sestavlja Kenneth Hesketh. Concert Band. Za pihalni orkester. Ocena. Wind Band. Faber Edition. Faber Wind Band Series. 20th Century. Mojstrovina. Izdala Faber Music. AP.12-0571569854. ISBN 0571569854. 20th Century. Mojstrovina. Pozlačeni Gledališče je naročil nacionalnega orkestra Youth Wind Velike Britanije ob svoji štirideseti obletnici. Dali so prvo predstavo 10. avgusta 2008 na šentjanževke Smith Square, James Gourlay London izvedla. Pozlačeni gledališče lahko v nekaterih pogledih, je treba obravnavati kot nadaljevanje dramatičnih oblik, kot so predstavljene v prejšnjem kosa s Hesketh, Diaghilev plesov. Za razliko od plesov, pa glasba iz pozlačenega gledališču je zasnovan kot enem neprekinjenem obdobju in odsekov glasbe so tudi podnaslovljen in se nanašajo na zalogi znakov ali scenarijev, ki spominjajo na Commedia dell'arte ali 17. stoletja francoskega gledališča. Na podnapisi so Rideau, idioti Ali Lovers, The Fight Begins, Obup, videz, Madness, Death, Rideau. Razpoloženja priklical v delo, jih zavijemo dramatični, komični, romantični in agresivno, vsi podpirajo idejo abstraktne igre, na katero se nanaša zgoraj podnapisi. Celotnem so kos igralci izpodbija tehnično in čustveno, in to je tisti, ki so dejansko pravi akterji v delu.