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Originalno

Missa Brevis in D, Op. 63. Benjamin Britten. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music.

Prevod

Missa Brevis v D, op. 63. Benjamin Britten. Voice note. Zbor note. Organski Spremljava note.

Originalno

Missa Brevis in D, Op. 63. 1959. Vocal Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Organ. Vocal Score. BH Large Choral. 16 pages. Boosey & Hawkes #M060014697. Published by Boosey & Hawkes. HL.48008947. for boys'. upper. voices and organ. Text. Ordinary of the Roman Rite. Latin. Publisher. Boosey & Hawkes. Difficulty level. 2-3. Like the Ceremony of Carols this work is one of Britten's most performed and well-loved works for upper voices. It was written for George Malcolm's outstanding boys at Westminster Cathedral with their distinctively bright continental tone. Many other types of upper voices have since adopted it, of course, and these days it is as much performed by women or girls, or mixed boys' and girls' voices as by boys alone. The Missa Brevis requires three soloists, though it is possible to make it work with only two. The choir is divided into three voice parts, the third of which needs to be able to produce low As.The work is incredibly fresh and original. Part of this is Britten's organ part which is no 'accompaniment' but rather an equal partner in the realisation of the text in music. Britten's direction in the Kyrie that the voices should sing 'passionately' underpins the approach to the performance of the whole work. It is an intensely dramatic reading of these familiar words. The grave passion of the Kyrie, the rhythmic ebullience of the Gloria with its 7. 8 time signature and its colourful dynamic contrasts, the pealing bells of the Sanctus, the slow, measured tread of the Benedictus. the gentle march of 'Blessed is he who comes in the name of the Lord'. for two solo voices followed by the tutti for the pealing Hosanna, and finally, a rather dark and troubled Agnus Dei which impresses through its relentless intensity and its final exhausted staccato utterance of 'dona nobis pacem'. While not as difficult note-wise as the Ceremony of Carols. and being far shorter as well. , there are still plenty of challenges for any group of voices that undertakes this work. It needs three really equal voice parts and solo voices that can sing with confidence and conviction. Tuning issues will also arise at key points, and the ability to tune three part chords instinctively is needed in much of the work. It also helps if the organ which plays with the voices has a suitable range of colours to realise Britten's intentions. Duration. 11 minutes. Paul Spicer, Lichfield, 2011.

Prevod

Missa Brevis v D, op. 63. 1959. Vocal Score. Ki ga sestavljajo Brittna. 1913-1976. Za zborovsko, zbor, orgle. Vocal Score. BH Veliko zborovsko. 16 strani. Буси. Izdala Boosey. HL.48008947. za dečke. Zgornji. glasove in orgle. Besedilo. Redni rimske obredu. Latin. Založba. Boosey. Težavnost. 2-3. Tako kot slovesnosti Carols to delo je eden od Britten najbolj opravljenih in dobro cenjenih del za zgornji glasove. To je bila napisana za izjemne fante Georgea Malcolm na Westminster Cathedral s svojim izrazito svetlim tonom epikontinentalnem. Mnoge druge vrste zgornjih glasovih so se od leta ga je sprejela, seveda, in v teh dneh je ženske ali deklice, toliko opraviti, ali mešani deške in dekliške glasove, kot jih sam dečke. Missa Brevis zahteva tri soliste, čeprav je možno, da bi bilo delo z le dvema. Zbor je razdeljen na tri dele, govorne tretjina, ki mora biti sposobna proizvesti nizko As.The delo je neverjetno svež in izviren. Del tega je del organ Britten je, ki ni "spremstvo", ampak enakopraven partner pri uresničevanju besedila v glasbi. Smer Britten je v Kyrie, da morajo glasovi pojejo "strastno" temelj pristopa k uspešnosti celotnega dela. To je intenzivno dramatično branje teh znanih besed. Grob strast v Kyrie, ritmično ebullience od Glorie s svojim 7. 8. Čas podpis in njene barvite dinamični kontrasti, so pealing zvonovi v Sanctus, počasno, merjeno tekalne plasti Benedictus. nežen pohod "Blagoslovljen, ki prihaja v Gospodovem imenu". za dva solo glasove, ki jim sledi Tutti za pealing Hozana, in končno, precej temno in nemirni Agnus Dei, ki navdušuje s svojo neizprosno intenzivnostjo in njegove končne izčrpani staccato izreka za "dona Nobis pacem". Medtem ko ni tako težko, note-moder kot slovesnosti Carols. in je sedaj krajši kot tudi. , Je še vedno veliko izzivov, za katero koli skupino glasove, ki opravlja to delo. Potrebuje tri zares enakih glasovnih delov in samostojnih glasove, ki lahko pojejo z zaupanjem in prepričanjem. Vprašanja Tuning bodo nastopile tudi na ključnih točkah, in sposobnost, da prižge treh delov akordi instinktivno je potrebno veliko dela. Pomaga tudi, če ima organ, ki se poigrava z glasovi primeren paleto barv, da uresničijo namere Britten je. Trajanje. 11 minut. Paul Spicer, Lichfield 2011.