Partiture $180.00

Originalno

Concerto for Horn & Symphonic Band. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 5.

Prevod

Koncert za rog. David Gillingham. Trobenta notno B-Flat. Horn note. Pozavna note. Stopnje 5.

Originalno

Concerto for Horn & Symphonic Band. Horn Feature. Composed by David Gillingham. For Soloist. with Concert Band. Piccolo, Flute 1. 2, Oboe 1. 2 , Bassoon 1. 2, Clarinet in Bb 1. 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1. 2, Trumpet in Bb 3, SOLO HORN IN F, Horn in F 1. 3, Horn in F 2. 4, Trombone 1. 2, Bass. Band Music. Grade 5. Score and parts. Duration 20. 00. Published by C. Alan Publications. CN.14540. The first movement, Fanfares, starts slowly and mysteriously, using motives from the main thematic material of the movement. A brass fanfare ensues followed by an entrance by the solo horn hinting at the main thematic material to follow. The second movement, Supplication, is a fantasy based on a beautiful hymn tune. The third movement, Dance Refrains, is a lively and spirited romp cast mostly in 6. 8 meter and Bb minor, featuring a cadenza by the solo horn. The Gower Community Band of St. John's, NL, CANADA, Edsel Bonnell, Director, commissioned the Concerto for Horn and Symphonic Band. The concerto is cast in the usual three-movement format with the first and last movements structured in sonata-rondo design. The work is not intended to be programmatic, but titles have been given to each of the movements which allude to a musical style or mood. The first movement, Fanfares, starts slowly and mysteriously, using motives from the main thematic material of the movement answered by haunting falling minor thirds in the oboes and later in the low brass. A brass fanfare ensues followed by an entrance by the solo horn hinting at the main thematic material to follow. This section grows to a fanfare-like conclusion and leads to the allegro section and the first theme group. The first theme group is a spirited melodic line saturated with intervals of the perfect fourth that are commonly found in traditional fanfares. The low brass follow with the second theme group that contrasts the first with a flowing and lyrical line. The solo horn then brings back the first theme group and closes the exposition. The development seeks to extensively exploit motives from both theme groups in various guises and leads to the recapitulation. In the recapitulation, the solo horn carries both the first and second theme groups. This is followed by a partial return of the first theme group played in augmentation by low brass and woodwinds against fanfare riffs by the solo horn. The slow tempo of the introduction returns and the horn plays a sort of quasi-cadenza that is followed by a fast and rousing coda. The second movement, Supplication, is a fantasy based on a beautiful hymn tune composed by Gower Community Band Director, Edsel Bonnell. The hymn, A Prayer from Youth, was written for the Gower Youth Band for a special performance on May 30, 1975. The first verse and chorus are as follows. We ask not for gold or fame When we pray in Thy Great Name. Not for self or worldly gain Lord, we come to Thee. The earth, the sky, the flower, the tree, All creatures of the land and sea, Let us live at peace in Thee. Lord, this is our prayer. The third movement, Dance Refrains, is a lively and spirited romp cast mostly in 6. 8 meter and Bb minor. The sonata-rondo design of the movement is unique in that the second theme group in the exposition is based on the first theme group of the first movement and the second theme group of the recapitulation features the return of the verse of the hymn tune from the second movement accompanied by fanfare motives in the solo horn. The development section primarily features first theme group material. A cadenza by the solo horn is featured after a partial return of the first theme group in the recapitulation. The cadenza reworks first theme material and the hymn tune from the second movement. The dance-like first theme material returns and leads to a joyous climax in D major.

Prevod

Koncert za rog. Horn Feature. Ki ga sestavljajo David Gillingham. Za Solist. s Concert Band. Pikolo, flavta 1. 2, oboa 1. 2, fagot 1. 2, klarinet v Bb 1. 2, klarinet v Bb 3, bas klarinet, alt saksofon 1. 2, tenor saksofon, bariton saksofon, trobento v Bb 1. 2, Trobenta v Bb 3, SOLO rt F, rog v F 1. 3, Horn v F-2. 4, pozavna 1. 2, Bass. Band Glasba. Stopnje 5. Rezultat in deli. Trajanje 20. 00. Izdala C. Alan publikacije. CN.14540. Prvi stavek, Fanfare, se začne počasi in skrivnostno, s pomočjo motive iz glavne tematske materiala gibanja. Medenina fanfare poznamo sledi vhodu s solo rog namigovali na glavni tematskega gradiva slediti. Drugi stavek, Preklinjanje, je fantazija, ki temelji na lepi hvalnic melodijo. Tretji stavek, Dance vzdrži, je živahna in živahen nered odda predvsem v 6.. 8 meter in Bb mladoletnika, ki se ponaša s kadenco, ki jih je solo rog. Band Gower Skupnost iz šentjanževke, NL, Kanada, Edsel Bonnell, direktor, je naročil Koncert za rog in Simfoničnega orkestra. Koncert se meče v običajnem formatu tri gibanja s prvimi in zadnjimi gibanji strukturiranih pri oblikovanju sonata-Rondo. Delo ni namenjen za programsko, ampak naslovi so dajali vsakim premikom, ki namigujejo na glasbeni stil ali razpoloženja. Prvi stavek, Fanfare, se začne počasi in skrivnostno, s pomočjo motive iz glavne tematske materiala gibanje odgovorilo preganja spadajo manjše tretjini v oboi in kasneje v nizki medenine. Medenina fanfare poznamo sledi vhodu s solo rog namigovali na glavni tematskega gradiva slediti. Ta oddelek zraste do-fanfare kot zaključek in vodi k poglavju Allegro in prvi tematski skupini. Prva tema skupina je živahen melodično linijo nasičen z presledkih odlična četrta, ki se pogosto pojavljajo v tradicionalnih fanfar. Nizka trobila sledite z drugo temo skupini kontrastu najprej s tekočo in lirično linije. Solo rog nato pripelje nazaj na prvo tematsko skupino in zapre ekspozicijo. Razvoj naj bi v veliki meri izkoriščajo motive iz obeh tematskih skupinah v različnih preoblekah in vodi k rekapitulacije. V rekapitulacije, solo rog nosi tako prve in druge tematske skupine. Temu je sledil delni vrnitvi v prvi tematski skupini igral v bogatenja nizka trobila in pihal proti Fanfare rifov, ki jih je solo rog. Počasen tempo uvedbe donosi in rog ima nekakšno kvazi-kadenco, ki se mu sledi hitro in napeto CODA. Drugi stavek, Preklinjanje, je fantazija, ki temelji na lepi hvalnic melodijo skladatelja Gower Band skupnost direktorja Edsel bonnell. Himna, molitev iz mladino, je bila napisana za Gower Mladinskega orkestra poseben nastop na 30. maj 1975. Prvi verz in refren so naslednji. Mi ne zaprosijo za zlato ali slave Ko smo molili tvoja velika imena. Ni za samostojno ali posvetne dobiček Gospodu, smo prišli k tebi. Zemlja, nebo, rože, drevesa, vse bitja na kopnem in morju, Naj nas živi v miru, v tebi. Gospod, to je naša molitev. Tretji stavek, Dance vzdrži, je živahna in živahen nered odda predvsem v 6.. 8 meter in Bb minor. Zasnova sonata-rondo gibanja je edinstven v tem, da drugo tema skupina v priročniku temelji na prvi temi skupino prvega gibanja in druga tema skupina ponovitvijo značilnosti vrnitev verzu himna melodijo iz Drugo gibanje spremljajo fanfare motivov v solo rog. Oddelek za razvoj v prvi vrsti ima prvo tema skupino materiala. Cadenza s solo roga se pokaže po delni vrnitvi v prvi tematski skupini v rekapitulacije. Cadenza reworks prvi tematski material in himna melodijo iz drugega stavka. V-ples kot prva tema materialne vrne in nas pripelje do vrhunca radosten v D-duru.