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Originalno

Violin Concerto in G Minor Op. 26. Max Bruch. Piano sheet music. Violin Solo sheet music.

Prevod

Koncert za violino in orkester v G-molu op 26. Max Bruch. Klavir note. Violina Solo note.

Originalno

Violin Concerto in G Minor Op. 26 composed by Max Bruch. 1838-1920. Edited by Michael Kube. For Piano, Violin. Violin. Henle Music Folios. Pages. Score VII and 35. Vl Part 15. Softcover. 68 pages. G. Henle #HN708. Published by G. Henle. HL.51480708. It made its creator world-famous and added a towering masterpiece to the standard repertoire. Max Bruch's First Violin Concerto in G minor. Now it's appearing at last in an urtext edition from Henle. Bruch himself was not always overjoyed at his work's popularity. “I can't listen to this concerto anymore,” he once complained to his publisher Simrock, “do you suppose I've only written one concerto. ” By now the Bruch Concerto has found a permanent place in the world's concert halls. Henle's edition provides not only a razor-sharp urtext for the solo part, but a preface that alone is worth the price of the volume. who could have guessed that the concerto went through a convoluted genesis with multi-layered revisions, and that some of the changes go back to the famous violinist Joseph Joachim.

Prevod

Koncert za violino v G-molu op. 26 sestavljajo Max Bruch. 1838-1920. Uredil Michael Kube. Za klavir, violino in orkester. Violina. HENLE Glasba folijev. Strani. Rezultat VII in 35. Vl 15. del. Mehko prekrivalo. 68 strani. Г. Хенле. Izdala G. HENLE. HL.51480708. To je njen ustanovitelj svetovno znane in dodal visok mojstrovino v standardni repertoar. Max Bruch je prvi Koncert za violino in orkester v G-molu. Zdaj pa se pojavljajo na zadnji v urtext izdaji iz HENLE. Bruch sam ni bil vedno presrečna po priljubljenosti Njegovo delo je. "Ne morem poslušati tega koncerta več," je nekoč pritožila na njegov založnik Simrocku "misliš, da sem napisal samo en koncert. "Do sedaj je Bruch Koncert našel stalno mesto v svetovnih koncertnih dvoran. HENLE je izdaja zagotavlja ne le kot britev ostra urtext za solo del, vendar predgovor, ki je sama vredna cene prostornine. kdo bi lahko vedel, da je koncert šel skozi zapletena genezi s večplastnih revizij, in da so nekatere spremembe, pojdite nazaj na znameniti violinist Joseph Joachim.