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Sacred Marimbist, The. Volume 1. Marimba sheet music. Percussion sheet music. Advanced.

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Sacred Marimbist,. Zvezek 1. Marimba note. Tolkala note. Napredno.

Originalno

Sacred Marimbist, The. Volume 1. composed by David R. Gillingham. Percussion Ensemble. For Marimba. 4-mallet. marimba. 5-octave. Medium to difficult. Duration 20. 00. Published by C. Alan Publications. CN.16600. David Gillingham's collection of hymns arranged for solo marimba fills a large void in the repertoire. His 8 masterful settings accentuate the best qualities of the marimba. Most are appropriate at any time throughout the liturgical calendar making this book extremely versatile. Prelude on Be Thou My Vision - Traditional Irish Melody Mary E. Byrne wrote the words to this hymn in 1905 and set it to a gorgeous old Irish melody, Slane. Gillingham used this hymn in a version for symphonic band by the same name that has found its way into the standard repertoire. The melody is haunting and is reminiscent of plainchant and is suggestive of prayer, trust and hope. This setting is appropriate for any liturgical use. Prelude on Nearer My God To Thee - Lowell Mason This hymn, known as Bethany, uses words by Sarah F. Adams, 1841, and music by Lowell Mason, 1856. It is a very intimate hymn of sanctification and grace and is most appropriate during the general church year with the exception of Advent and Easter. It has been said that the orchestra on board the Titanic played this hymn while the ocean liner was tragically sinking. Chorale & Variations on Under the Magical Wing - David R. Gillingham This is an original hymn written by Gillingham that was used as the primary melodic material in a work for symphonic band by the same name. The band work was commissioned by the band boosters of the Eleanor Roosevelt High School Music Department in Greenbelt, MD, in honor of long time band director, Sally Sterrett Wagner. The words to the hymn reflect how, under the guidance of the 'magical wing'. of Ms. Wagner. , students have been challenged to follow their dreams and spread the joy of music throughout the world. This arrangement can be used during any part of the liturgical year. Lord of the Dance - 19th Century Shaker Tune The words of this hymn by Sydney Carter tell the story of the life of Jesus Christ. Its inclusiveness of the entire liturgical calendar make it appropriate for any sacred occasion. The vivacious dance rhythms and changing tonality of this setting make it a perfect selection for special music during the worship service. Meditation on Softly and Tenderly Jesus Is Calling - Will Thompson The words and music for this beautiful hymn were written by Will Thompson in 1880. It has often been used at funerals, but can be used anytime during the litugical year with the exception of Lent, Easter and Advent. According to the teachings of John Wesley, it would be categorized under 'prevenient grace. ' Variants on Come Christians Join to Sing - Traditional Spanish Hymn The words of this hymn were written in 1843 by Christian Henry Bateman and set to an uplifting old Spanish hymn. Gillingham used this hymn as the basis of his symphonic band work, With Heart and Voice. The band version features an original melody by Gillingham that partners with the hymn and is featured in Variation II of this setting. The hymn celebrates grace and would be appropriate year round in the worship cycle. Toccata on I am Thine O Lord - William H. Donne Fanny J. Crosby wrote the words to this hymn in 1875 based on Hebrews 10. 22 in the Bible. William H. Donne wrote the vibrant musical setting. This is a truly uplifting hymn expressing the joy of grace and sanctification. It would be appropriate during any part of the liturgical year other than Lent and Advent. Postlude on Azmon - Carl G. Glaser This hymn, commonly known as O For a Thousand Tongues to Sing, is a favorite of Gillingham, who grew up playing hymns on an old 'pump' organ. harmonium. and then later playing organ in church through high school, college and graduate school. The words were written by Charles Wesley in 1739 and the music by Carl G. Glaser in 1839. The hymn is filled with praise and thanksgiving and is appropriate to use during any part of the church year with the exception of Lent and Advent.

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Sacred Marimbist,. Zvezek 1. ki ga sestavljajo David R. Gillingham. Percussion Ensemble. Za Marimba. 4-Mallet. marimba. 5-octave. Srednje do težko. Trajanje 20. 00. Izdala C. Alan publikacije. CN.16600. Zbirka David Gillingham z dne hvalnic urejeni za solo marimbo zapolnjuje veliko praznino v repertoarju. Njegovi 8 mojstrska nastavitve poudarjajo najboljše kvalitete marimbo. Najbolj so primerni v vsakem trenutku po vsej liturgični koledar česar je ta knjiga zelo vsestranski. Uvod v Be Thou My Vision - Tradicionalna irska Melody Mary E. Byrne zapisal besede te himno leta 1905 in jo nastavite na prekrasno staro irsko melodijo, Slane. Gillingham uporabil to pesem v izvedbi za simfonični pasu z istim imenom, ki je našla svojo pot v standardni repertoar. Melodija je lov in spominja na plainchant in kažeta na molitve, zaupanja in upanja. Ta nastavitev je primerna za vsako liturgično rabo. Prelude o bližje Moj Bog tebi - Lowell Mason Ta hvalnic, znan kot Betaniji, uporablja besede, ki jih Sarah F. Adams, 1841, in glasbo Lowell Mason, 1856. To je zelo intimen hvalnica posvečenja in milosti in je najbolj primerno v splošnem cerkvenem letu, z izjemo Advent in velike noči. Rečeno je bilo, da je orkester na krovu Titanika igrali to pesem, medtem ko ocean liner je tragično potaplja. Zbor. Skupina Delo je bilo naročeno s strani benda ojačevalci Oddelka Eleanor Roosevelt Visoki šoli za glasbo v zeleni vezi, MD, v čast dolgoletnega pasu režiser, Sally Sterrett Wagner. Besede na himno izražati, kako, pod vodstvom "magične krila '. ge Wagnerja. , So bili študenti izzvani, da sledijo svojim sanjam in se širijo veselje glasbe po vsem svetu. Ta ureditev se lahko uporablja med katerim koli delom liturgičnega leta. Lord of the Dance - 19. stoletje Shaker Tune Besede te hvalnice, ki jih Sydney Carter povedal zgodbo o življenju Jezusa Kristusa. Njena vključenost celotne liturgični koledar bi bilo primerno za kakršno koli sveto priložnosti. Živahni plesni ritmi in spreminjanje Tonalitet to nastavitev, da je odlična izbira za posebno glasbo v službi bogoslužja. Meditacija na mehko in nežno Jezus kliče - Will Thompson Besede in glasba za to lepo himno je napisal Will Thompson leta 1880. Prav tako je bilo pogosto uporablja pri pogrebih, ampak se lahko kadarkoli uporabljena med litugical letu, z izjemo Lent, velika noč in Advent. V skladu z naukom John Wesley, bi bilo treba razvrstiti v skladu s "prevenient milosti. "Variante pridi kristjanov Pridružite pel - tradicionalni španski Himna Besede te hvalnice so bili napisani leta 1843, ki ga Christian Henry Bateman in nastavljeni na očarljiv staro špansko himno. Gillingham uporablja ta pesem kot osnova za simfonično delo pasu, s srcem in Voice. Različica bend ima izvirno melodijo, s Gillingham, da se partnerji s himno in pokaže v Variation II te nastavitve. Himna praznuje milost in bo krog ustrezno leto v čaščenja ciklu. Toccata o sem Thine O Lord - William H. Donne Fanny J. Crosby je zapisal besede te himno leta 1875, ki temelji na Hebrejcem 10. 22 v Bibliji. William H. Donne napisal živahno glasbeno nastavitev. To je zares očarljiv himna izraža veselje milosti in posvečevanja. To bi bilo primerno, v katerem koli delu liturgičnega leta, razen Lent in Advent. Postlude na Azmon - Carl G. Glaser Ta himna, splošno znan kot O za tisoč Tongues peti, je najljubši Gillingham, ki je odraščala igranjem himne na starem "črpalke" organ. harmonij. in kasneje igral orgle v cerkvi v srednji šoli, fakulteti in podiplomski šoli. Besede je napisal Charles Wesley leta 1739 in glasba Carl G. Glaser leta 1839. Himna je napolnjena s hvalo in zahvalo in je primerna za uporabo v katerem koli delu cerkvenega leta, z izjemo Lent in adventu.