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Originalno

Visions of the Anointed. Daniel McCarthy. Cello sheet music. Viola sheet music. Violin sheet music. Advanced.

Prevod

Vizije Maziljenca. Daniel McCarthy. Violončelo note. Viola note. Violina note. Napredno.

Originalno

Visions of the Anointed composed by Daniel McCarthy. Chamber Ensemble. For String Quartet. violin I, violin II, viola, cello. Chamber Music. Medium difficult. Score and parts. Duration 30. 00. Published by C. Alan Publications. CN.10760. The first movement, "New Vision," is a dense conversation among the quartet. In a complete musical turn-around from the first movement, the next movement, "Isadora. Dance. " comes bounding on the listener with lively strumming. complete with guitar-style picking. and open string strumming, giving the feelings of body movement, gyrations, jumping, and leaping. On a more personal level, I wrote the next movement after Edgar Allan Poe, with whom I closely identify. The fourth movement is a virtuosic blast. Commissioned by The Harrington String Quartet of West Texas A & M University and The Amarillo Symphony. The title comes from the book of the same name by Thomas Sowell. The quartet is named after the book "The Vision of the Anointed. Self-Congratulation as a Basis for Social Policy" by Thomas Sowell, The Rose and Milton Friedman Senior Fellow on Public Policy at the Hoover Institution. The "Anointed," in this case, are four great American creators. An author, a dancer, a poet, and a rock guitarist. All these artists hold a special fascination for me as entrepreneurs of thought and creativity. The first movement, "New Vision," is dedicated to economist and social philosopher, Thomas Sowell. Ph.D., The University of Chicago. Sowell, reviled by the intellectual "elite," is definitely "off-the-plantation" when it comes to "politically correct" thinking. An African-American, Dr. Sowell challenges much of the excepted academic views of politics and society. The musical language of the movement is a dense conversation among the quartet. The high degree of rhythmic stratification features the fingered tremolo and the trill, which later becomes written in measured figures. The large, multi-sectional form of the movement provides for moments of lyric melodicism amidst the relatively dissonant and rhythmic tumultuous sections of serious political arguments. In a complete musical turn-around from the first movement, the next movement, "Isadora. Dance. " comes bounding on the listener with lively strumming. complete with guitar-style picking. and open string strumming. The early 20th century Dancer, adventurer, and revolutionist, Isadora Duncan was credited with inventing what was later to be know as "Modern Dance. " Her style of dance and choreography included free and natural movements inspired by the classical Greek arts, folk dances, American athleticism which included skipping, running, jumping, leaping, tossing. So this movement abounds with rhythm unrestricted by predictable metric parameters. The rhythms give the feelings of body movement, gyrations, jumping, and leaping. On a more personal level, I wrote the next movement after Edgar Allan Poe, with whom I closely identify. Poe led a strange life, feeling different and isolated from humanity. Much of his writings are fixated on the Macomb due to several deaths of loved ones and his inability to let go of them. In a particularly dark period of his life, he wrote the poem, "Alone," which has haunted me since I read it. The opening reads. From childhood's hour I have not been As others were. I have not seen As others saw. I could not bring My passions from a common spring. From the same source I have not taken My sorrow. I could not awaken My heart to joy at the same tone. And all I loved, I loved alone. The fourth movement is a virtuosic blast. When it came to the writing of this final movement, I was at the end of three commissions from The Harrington Quartet--and, out of ideas. In my travels, I love to listen to old rock and roll recordings--not the least of which is Led Zeppelin. When I was a kid in Junior High School, and a classically trained pianist and trumpet player, I would sneak on my head phones and blast Led Zeppelin I and II through my head phones, learning to play electric bass along with the tunes on these albums. My favorite was a tune on Led Zeppelin II, "Heartbreaker. " The most unusual thing on "heartbreaker" was the guitar cadenza taken in the middle of the tune by rock guitar legend Jimmy Page--hence, the title, "Turn The Page. " I had never heard anything like it--it was like a violin cadenza in a Mendelssohn Violin Concerto. metrically free, virtuosic, and exiting. During this period of time I was contemplating how I was going to finish "Visions of the Anointed," I woke up one night thinking of this Jimmy Page cadenza and the idea came to me to base the last movement on this solo. So various gestures and lines from this solo are transcribed and taken into far-reaching variations for The Harrington String Quartet as they Turn The Page.

Prevod

Vizije Maziljenca sestavljene Daniel McCarthy. Komorni ansambel. Za godalni kvartet. violina I, II violina, viola, violončelo. Komorna glasba. Srednje težko. Rezultat in deli. Trajanje 30. 00. Izdala C. Alan publikacije. CN.10760. Prvi stavek, "New Vision," je gosto pogovor med kvartet. V popolni muzikal preobrate od prvega gibanja, naslednji gibanje, "Isadora. Dance. "Prihaja omejujejo na poslušalca z živahnim strumming. skupaj z guitar-style obiranje. in odprt niz strumming, daje občutek gibanja telesa, gyrations, skakanje, in skače. Na bolj osebni ravni, sem napisal naslednje gibanje po Edgarja Allana Poeja, s katerim sem tesno prepoznajo. Četrti gibanje je virtuozna blast. Ki jo je Harrington godalnega kvarteta West Texas A. Naslov prihaja iz knjige z istim imenom, ki ga je Thomas Sowell. Kvartet je poimenovana po knjigi "Vizija Maziljenca. Self-Čestitke kot osnova za socialno politiko ", ki ga Thomas Sowell, The Rose in Milton Friedman Senior Fellow na javno politiko na Hoover Institution. "Maziljenec", v tem primeru, so štirje veliki ameriški ustvarjalci. Avtor, plesalka, pesnica in rock kitarist. Vsi ti umetniki imajo posebno fascinacijo za mene kot podjetniki mišljenja in ustvarjalnosti. Prvi stavek, "New Vision", ki je posvečen ekonomist in socialni filozof Thomas Sowell. Ph.D., University of Chicago. Sowell, sramotijo ​​s intelektualna "elita", je vsekakor "off-the-nasada", ko gre za "politično korekten" razmišljanje. Afriško-ameriški, dr Sowell izzivi veliko izvzetih akademskih pogledi politiki in družbi. Glasbena govorica gibanja je gosto pogovor med kvartet. Visoka stopnja ritmično stratifikacije je opremljen z prsti tremolo in Triler, ki postane kasneje pisno na izmerjenih podatkih. Velik, multi-sekcijska oblika gibanja predvideva trenutkih lirične melodicism sredi relativno disonančnih in ritmične burne oddelkih resnih političnih argumentov. V popolni muzikal preobrate od prvega gibanja, naslednji gibanje, "Isadora. Dance. "Prihaja omejujejo na poslušalca z živahnim strumming. skupaj z guitar-style obiranje. in odprt niz Drndanje. Začetku 20. stoletja Dancer, pustolovec in revolutionist, Isadora Duncan je bil zaslužen za izumljanja, kar je kasneje, da bi vedeli, kot "sodobnega plesa. "Njen stil plesa in koreografije, ki je brezplačno in naravne gibe zgleduje po klasičnih grških umetnosti, ljudskih plesov, ameriški športnosti, ki je vključevala preskoči, tek, skakanje, skačem, premetavala. Torej, to gibanje je bogat z ritmom neomejen s predvidljivimi metričnih parametrov. Ritmi dajejo občutek gibanja telesa, gyrations, skakanje, in skače. Na bolj osebni ravni, sem napisal naslednje gibanje po Edgarja Allana Poeja, s katerim sem tesno prepoznajo. Poe vodil čudno življenje, občutek drugačen in izoliran od človeštva. Velik del svojih spisih so fiksirani na Macomb zaradi številnih smrti ljubljene in njegove nezmožnosti, da spustiš njih. V posebno temno obdobje njegovega življenja, je napisal pesem, "Alone", ki me je preganjal, ker sem ga prebral. Odprtje bere. Iz ure v otroštvu nisem bil Ker so bili drugi. Nisem še videl Kot drugi videli. Nisem mogel prinesti Moje strasti iz skupnega pomladi. Iz istega vira še nisem sprejela Moj žalosti. Nisem mogel prebuditi Moj srce veselja ob istem tonu. In vse, kar sem ljubil, sem ljubil sam. Četrti gibanje je virtuozna blast. Ko je prišel na pisanje tega končnega gibanja, sem bil na koncu treh komisij iz Harrington kvarteta - in iz idej. V mojih potovanjih, ljubim poslušati stare rock in roll posnetkov - ne od tega najmanj je Led Zeppelin. Ko sem bil otrok v srednji šoli, in klasično usposobljeni pianist in trobentač, jaz bi na skrivaj na moje telefonih za glavo in pišu Led Zeppelin I in II, skozi mojo glavo telefonov, učenje igrati električno bas skupaj z melodijami na teh albumih. Moja najljubša je bila pesem na Led Zeppelin II, "Heartbreaker. "Najbolj nenavadna stvar na" Heartbreaker "je bil kadenco kitara sprejeti v sredini sozvočju s rocka kitara legenda Jimmy Page - s tem naslovom," Turn The Page. "Še nikoli nisem slišal ničesar všeč - to je kot violina kadenco v Mendelssohn Koncert za violino. metrično brezplačno, virtuozna in izhodu. V tem času sem bil razmišlja, kako sem šel do konca "Vizije maziljenec«, sem se zbudila eno noč razmišljanje o tem kadenco Jimmy Page in idejo je prišel k meni, da utemelji zadnje gibanje na solo. Tako različne geste in linije tega solo so prepisani in upoštevati daljnosežnih sprememb, za Harrington godalnega kvarteta, kot so Turn The Page.