Instrumentov
Ensembles
Genres
Skladateljev
Izvajalci

Partiture $2.95

Originalno

Surrexit pastor bonus. Heinrich Schutz. Choir sheet music. Piano and Keyboard sheet music. Trombone sheet music.

Prevod

Surrexit bonus pastor. Heinrich Schutz. Zbor note. Klavir in klaviature note. Pozavna note.

Originalno

Surrexit pastor bonus composed by Heinrich Schutz. 1585-1672. Edited by Uwe Wolf. Arranged by Paul Horn. For SSATTB favorit-chor, 2 violins, 3 trombones, basso continuo,. cappell-chore SATB. SATB. Stuttgart Urtext edition. Sacred concertos, Easter and Eastertide. Ripieno chorus score. Text language. Latin. SWV 469. 4 pages. Published by Carus Verlag. CA.2046906. ISBN M-007-16140-8. With Text language. Latin. Sacred concertos, Easter and Eastertide. The Easter concerto Surrexit pastor bonus, for large forces, is based on a Latin responsory for Easter. The work is extant only in handwritten form, and nothing is known regarding the date of composition, although the polychoral design, with two ad libitum tutti choirs. "Capellchore". could indicate a temporal proximity to the Psalms of David 1619. On the other hand, the freer treatment of the instruments in particular suggests the Symphoniae sacrae and especially - given the work's large instrumentation - the third part, dated 1650.

Prevod

Surrexit pastor bonus sestavljajo Heinrich Schutza. 1585-1672. Uredil Uwe Wolf. Uredil Paul Horn. Za SSATTB Favorit-Chor, 2 violini, 3 pozavne, basso continuo,. cappell-chore SATB. SATB. Stuttgart Urtext izdaja. Svete koncerti, velikonočni in Eastertide. Ripieno chorus ocena. Besedilo jezik. Latin. SWV 469. 4 strani. Izdala Carus Verlag. CA.2046906. ISBN M-007-16140-8. Z besedilom jeziku. Latin. Svete koncerti, velikonočni in Eastertide. Velikonočni koncert Surrexit pastor bonus, za velike sile, ki temelji na latinski responsory za veliko noč. Delo je še vedno obstajali samo v rokopisni obliki, in nič ni znanega o datumu sestave, čeprav polychoral zasnova z dvema ad libitum Tutti zborov. "Capellchore". bi lahko pomenila časovne bližine psalmov Davida, 1619. Na drugi strani, bolj svobodna obravnava instrumentov, zlasti predlaga Symphoniae sacrae in predvsem - glede na velik instrumentacijo katerem je delo nastalo - tretji del, datiran 1650.