Partiture $21.95

Originalno

In Bach's Studio. David Liebman. Saxophone sheet music.

Prevod

V Bachovega Studio. David Liebman. Saksofon note.

Originalno

In Bach's Studio composed by David Liebman. 1946-. Saxophone Quartet. For Saxophone Quartet. SATB. Grade 5. Full Score and Set of Parts. Published by Advance Music. AV.7608. The Inspiration In religion there is Mecca for Muslims, the Wall for Jews, the Holy Sepulchre for Christians and so on. These are places in the world where the vibrations are extremely intense and usually commemorate some historical person or event or special significance to a select population. Whenever possible, it is incumbent upon individuals who believe in something to make a pilgrimage to such a site. For musicians of all styles, one such place is the city of Leipzig, Germany. Specifically, it is the Thomaskirche, the church where Bach spent so many years as the choir master, pouring forth work after work for weekly masses and celebrations. While on tour during the mid-1990s with my group, we performed in Leipzig. The morning after our performance, pianist Phil Markowitz and myself went to that church. Fortuitously, an organist was practicing Bach at that very hour. Sitting there for a while, absorbing the feeling of the very room where so much creativity and beauty took place, was one of the highlights of my travels over the years. This piece was inspired by the master, J.S. Bach. The Composition As befitting a piece dedicated to Bach, I composed a four-part chorale for the standard saxophone quartet. It is not a chorale in the formal sense, only expressively speaking. Using uneven bar lengths, I tried to create an unpredictable flow, since there is a preponderance of block chord movement. In concurrence with some of the ideas expressed in my book A Chromatic Approach to Jazz Melody and Harmony. Advance Music. , I loosely followed along the lines of what I call interval categories. Letter A is built on seconds and thirds. letter B on fourths and fifths. letter C on seconds, thirds and especially sixths. letter D on seventh and ninths. For my aesthetic, each interval category portrays a unique expressive atmosphere. There is no overriding theme or chord progression. The composed solos are optional and will work well with the piece. Although I have provided some phrase and dynamic markings for these sections, those who do use the written material can freely interpret the music. On the other hand, if improvising musicians would like to express their unique talents, they should do so in each section, using the appropriate interval category as the basis for their improvisation. In any case, the short solos towards the end of the piece should be played as written. David Liebman's career has spanned over three decades, beginning with his apprenticeship years in the early 1970s as a member of the Elvin Jones and Miles Davis Groups. Since then he has lead his own groups featuring musicians like John Scofield, Adam Nussbaum, Richie Beirach, Billy Hart and others. His present quartet features guitarist Vic Juris and has been together since 1991. He consistently places in the Top Five Soprano Saxophonists in the Downbeat Critic's Poll. Liebman has recorded nearly 300 albums with nearly 100 under his leadership featuring several hundred original compositions in many different idioms including unusual arrangements of jazz standards, chamber music, big band, fusion and piano. saxophone duos. In jazz education he is a renowned lecturer and author of several milestone books translated into various languages as well as teaching videos and published chamber music. He is the Founder and Artistic Director of the International Association of Schools of Jazz. IASJ. , an organization of jazz schools from over 40 countries. Awards include an Honorary Doctorate from the Sibelius Academy. Helsinki, Finland. Grammy nomination for Best Solo in 1998. induction into the International Association of Jazz Educators Hall of Fame in 2000.

Prevod

V Studiu Bachovega sestavljajo David Liebman. 1946 -. Saxophone Quartet. Za kvarteta saksofonov. SATB. Stopnje 5. Polna Score in sklop delov. Izdala Advance Glasba. AV.7608. Navdih V religiji je Meka za muslimane, Wall za Jude, Božjega groba za kristjane in tako naprej. To so kraji na svetu, kjer so vibracije zelo intenzivna in navadno počastitev neko zgodovinsko osebo ali dogodek ali poseben pomen izbrani populaciji. Če je mogoče, je dolžnost posameznike, ki verjamejo v nekaj, da bi romanje v takem mestu. Za glasbenike vseh stilov, en tak kraj je mesto Leipzig, Nemčija. Natančneje, gre Thomaskirche, cerkev, kjer Bach preživel toliko let kot mojster pevski zbor, ki se izliva delo po službi za tedensko mase in praznovanja. Medtem ko je na turneji v sredini 1990-ih z mojo skupino, smo izvedli v Leipzigu. Jutro po naše delovanje, pianist Phil Markowitz in sem šel v cerkev. Naključje, organist je vadil Bacha tisto uro. Sedel tam za nekaj časa, ki absorbira občutek samem prostoru, kjer tako veliko ustvarjalnosti in lepote potekala, je bil eden od vrhuncev svojih potovanjih v preteklih letih. Ta kos je navdihnila mojstra, J.S. Bach. Sestava Neizprosno kos posvečeno Bacha, sem ga sestavljajo štiri del korala za standardni kvartet saksofonov. To ni koralno v formalnem smislu, le izrecno rečeno. Uporaba neenakomerne dolžine bar, sem skušal ustvariti nepredvidljiv tok, saj je premoč gibanja blok tetiva. Sočasno z nekaj idej, izraženih v moji knjigi Chromatic pristopu k jazz melodije in harmonije. Advance Glasba. Sem ohlapno sledi vzoru, kar sem klic interval kategorije. Pismo je zgrajena na nekaj sekundah in tretjin. črka B na četrtine in kvinte. črka C na sekundah tretjini in predvsem šestin. črka D na sedmem in devetin. Za mojo estetiko, vsaka kategorija interval prikazuje edinstveno vzdušje izrazno. Ni prevlada tema ali tetiva napredovanje. So sestavljene solaže so neobvezna in bo dobro delo s kosom. Čeprav sem pod neko zvezo in dinamične oznake za te oddelke, tiste, ki ne uporabljajo pisno gradivo lahko prosto razlagajo glasbo. Po drugi strani pa, če bi improvizirali glasbeniki radi izrazijo svoje edinstvene talente, morajo to storiti v vsakem oddelku, skupaj z ustrezno kategorijo interval kot podlago za improvizacijo. V vsakem primeru je treba kratke solaže proti koncu kosa igral kot je napisano. David Liebman kariera se je raztezal čez tri desetletja, začenši z njegovim pripravništvo letih v začetku leta 1970 kot član Elvin Jones in Miles Davis skupin. Od takrat je vodil svoje lastne skupine, ki vključuje glasbeniki, kot so John Scofield, Adam Nussbaum, Richie Beirach, Billy Hart in drugi. Njegov sedanji kvartet ima kitarist Vic juris in je bila skupaj od leta 1991. Je dosledno uvršča med prvih pet sopran saksofonistov in v Downbeat KRITIKI Poll. Liebman je posnel skoraj 300 albumov, s skoraj 100 pod njegovim vodstvom se ponaša nekaj sto originalnih skladb iz različnih idiomov, vključno z nenavadnimi ureditev jazzovskih standardov, komorne glasbe, big band, fuzija in klavir. saksofon Duos. V jazz izobraževanja je priznan predavatelj in avtor več knjig mejnikov prevedena v različne jezike, kot tudi poučevanja videoposnetkov in objavljeni komorna glasba. Bil je ustanovitelj in umetniški vodja Mednarodnega združenja šol za jazz. IASJ. , Organizacija jazzovskih šol iz več kot 40 držav. Tekmovanje vključuje častni doktorat na Akademiji Sibelius. Helsinki, Finska. Nominacija za nagrado grammy za najboljši solo v letu 1998. indukcija v Mednarodnem združenju Jazz pedagoge Hall of Fame v letu 2000.