Partiture $26.00

Originalno

Nuages Gris. Franz Liszt. Marimba sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Vibraphone sheet music.

Prevod

Nuages ​​Gris. Franz Liszt. Marimba note. Tolkala note. Klavir note. Timpani note. Vibrafon note.

Originalno

Nuages Gris composed by Franz Liszt. 1811-1886. Arranged by Gene Fambrough. Percussion Ensemble. For percussion ensemble. Bells, crotales, chimes, vibraphone, 3 marimbas. 2 - low A, 1 - low F. , timpani, piano, tam-tam, bass drum, sizzle cymbal, large china cymbal, mark tree. Book. Duration 2 minutes, 55 seconds. Published by Innovative Percussion. IP.E-GF-NAU. Composer's notes. This arrangement aims to highlight the somewhat "static" nature of the piece, similar to the original. The cymbals used in the percussion part should be fairly large and dark sounding if possible. With the exception of isolated glockenspiel, chime, and crotale strokes, the ensemble should strive to blend all elements together into a seamless whole, with no instrument being more important than any other, including the piano. Franz Liszt composed the piece as a work for solo piano. It is one of Liszt's most haunting and at the same time one of his most experimental works. The harmonies, which are very different from those found in his earlier works, give a very dark and almost morbid feel to the piece. It has been described as representing a high point in the experimental idiom with respect to expressive compositional procedure.

Prevod

Sivi oblaki sestavljeni Franza Liszta. 1811-1886. Uredil Gene Fambrough. Percussion Ensemble. Za tolkalni ansambel. Zvonci, crotales, zvončki, vibrafon, 3 marimbas. 2 - nizka, 1 - nizka F. , Timpani, klavir, TAM-TAM, bas boben, činele Peči, velika kitajska činela, znamka drevo. Knjiga. Trajanje 2 minut in 55 sekund. Izdala inovativna tolkala. IP.E-GF-NAU. Pojasnila skladateljevega. Cilj te ureditve, da se poudari nekoliko "statični" naravo kosu, podobno izvirniku. Činele, ki se uporabljajo v tolkala delu mora biti precej velik in temen zveneče, če je mogoče. Z izjemo osamljenega Glockenspiel, gonge in crotale kapi, bi ansambel prizadevati, da se zlijejo vse elemente skupaj v brezhibno celoto, pri čemer noben instrument bolj pomembno kot katero koli drugo, vključno s klavirjem. Franz Liszt v sestavi kos kot delo za klavir solo. To je ena izmed najbolj preganja Liszt in hkrati eden od njegovih najbolj eksperimentalnih del. Harmonije, ki so zelo drugačni od tistih, ki so v njegovih prejšnjih delih, dajejo zelo temno, skoraj bolestno občutek za kos. To je bila opisana kot da predstavlja vrhunec v eksperimentalnem idioma v zvezi s postopkom, ekspresivno kompozicijske.